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* denotes a cover story
-Calendar Updated - 2/3/08
-Editorial Updated 1/11/08

January 2008
ON THE COVER:
Beatallica *1/08


INSIDE:
Brew City Sludge 1/08
CD/DVD Reviews  1/08
Crystal Corner Bar 1/08
Eclectic Vibes 1/08
Fair To Midland 1/08
The Honorary Title 1/08
Letter To The People 1/08
Rock Star Death Notices 1/08
The Scarring Party 1/08
Slipped Discs 1/08

December 2007
ON COVER:
Ottoman Empire *12/07

INSIDE:
CD/DVD Reviews  12/07
Coheed & Cambria 12/07
Dan Hicks & the Hot Licks 12/07
Dry Bean 12/07
Fair To Midland 12/07
John 5 12/07


November 2007
ON COVER:
Dropkick Murphys *11/07

INSIDE:
Dad The Plow 11/07
CD/DVD Reviews  11/07
Robyn Hitchock 11/07
Reptile Palace 11/07

-------------------------

Archives:
Alphabetically by Last Name

#1234
30 Seconds To Mars *3/07
48 Hours In Iceland with Last Crack *4/05
420 *3/01
1956 4/05

A
Abstract Giants 10/04
Adema 4/05
Aerosmith *1/07
Alabama Thunderpussy 6/04
All Girl Summer Fun Band
Bernard Allison *6/00
Alston 2/05
Alter Bridge * 9/04
Amen 5/04
American Headcharge * 10/01
Ian Anderson  10/06
Anthrax * 10/04
Anthrax 11/05
A Perfect Circle 12/03
A Perfect Circle * 4/00
Arena Venus
Arrested Development
Asylum Street Spankers *2/07
Atomic Bitchwax
Autolux 10/05
Avenged Sevenfold *7/06
Awesome Car Funmaker *7/05

B
Baghdad Scuba Review 7/07
Beastie Boys/Mix Master Mike *12/04

Beautiful Creatures * 9/01
Black Label Society *7/00
Black Sabbath * 12/98
bloodsimple 2/05
Bif Naked *11/05
Big Sandy And His
Fly-rite Boys
6/99
Big Wu 8/04
Billy Idol 9/05*
Birth Of Tragedy 4/06

Blaqk Audio 9/07
Blind Boys Of Alabama
Blue Man Group * 10/03
Bo Diddley  10/06
Boney Fingers 1/05
Books On Tape/The Demix 3/05
Boris The Sprinkler *7/99

Broken Social Scene 7/04
Lonnie Brooks 9/05
Lonnie Brooks  8/01
Clarence "Gatemouth" Brown *7/00
Jack Bruce  12/01
Bugattitype 35 *8/97
Burden Brothers * 6/04
Built To Spill  9/06
Buzzhorn, The * 8/02


C
Cadillac Pete 6/07
Captured! By Robots *6/05
Calexico 9/06

Carbellion 9/05
Cardia
Canned Heat
Canned Heat 7/07
Cates, Lucas  8/07
Cealed Casket 10/07
Cibo Matto *5/01
W.C. Clarke 9/00
Clutch
Coal Chamber * 2/98
The Cocksmiths *10/07
Coolzey 1/07
Cradle Of Filth 12/04

Cradle of Filth 10/07
Crepitus
The Cummies 7/05
Curran, Nick
CUT The Movie 4/07
Crest/Jack Cracker
The Cribs 4/06 3/04
Cynergy 67

D
Damage Plan * 4/04
Dark New Day 5/05
D.A. Sebasstian *2/05
Days Of The New 7/04
Days Of The New  *8/98

Danzig 10/04
The Dead Kennedys 10/05*
Decapitado * 3/04
Anthony DeCurtis  10/06
Default  12/01
Davis, Rachael 1/06
Deep Purple 4/04
Def Leppard 7/07
Deftones *12/06
Denali 4/04
The Dials 12/05
Dimmu Borgir
Dirty Three
The Dirty Three 10/05*
Disturbed * 8/00
Disturbed 9/05
Dismemberment Plan
Donnas, The * 7/03
Dorsey, Claude * 12/03
Drain S.T.H. * 6/97
Drill 187
Driver 13  9/01
Droids Attack
Droids Attack  12/06

Dropkick Murphys
Drown * 4/99
Drowning Pool 3/04
Drowning Pool * 11/01
Duarte, Chris

E
Eagles Of Death Metal *5/06
Edwards, David "Honeyboy"
El Donk
Electric Hellfire Club * 3/02
Endeverafter  9/06
Evanesence * 2/04

F
Factory 81 *12/00
Fear Factory *7/01
Fingertight
Finger 11 *11/04
Bradley Fish *2/06
Fluid Ounce *3/99

Freshwater Collins 1/05
Future Leaders Of The World 10/04

G

German Art Students
Gingerjake *6/07
Godsmack * 2/99
Godsmack 12/04
Goldfinger 3/05
The Gomers 9/02
The Gomers *4/06

Goo Goo Dolls
The Goo Goo Dolls *6/06
Gov't Mule 11/04
Gov't Mule  11/06
Guided By Voices 6/02
Tracii Guns 5/06

Grade8 * 1/03
Gravity Lost 10/04
Great Girls Blouse  9/01
Green Scene  3/01
Greene, Jackie * 8/03
The Gufs  12/06
Gwar

H
Halford  12/06
Hank Thomas & the Western Starlanders
Heavils, The * 3/03
Helliphant 2/07
HELLYEAH *5/07

Helmet 10/04
Hersh, Kristin 7/03
High Noon Saloon's Cathy Detmers 5/05
Hiss, The 4/04
Hope Conspiracy  10/06
Hot Tuna
Hotwater Music 12/04

Huun- Huur-Tu * 2/03

I
Icon The Mic King 4/07
Infantry Rockers 9/02
Innatrance
Iron Maiden 8/05*

J
Jessie Sykes and the Sweet Hereafter *4/05
JJO Band Camp 7/04
John Paul Jones  11/01
Judas Priest * 8/04

Junkers, The
Justin Hinds 9/00


K
Karl Denson's Tiny Universe 1/05

Katie Todd Band  8/06
Kid Rock * 12/99
Killingtons, The 3/04
King Crimson  11/01
King Gun 9/04
King Solomon
Kittie 7/04
Kodo Drummers 3/05
Korn *3/06


L
Lacuna Coil * 7/04
Ladysmith Black Mambazo
Lamb Of God 11/04
Sam Lay 9/05
Last Crack * 11/02
48 Hours In Iceland with Last Crack *4/05
Last Crack in Amsterdam 6/05
Lavette, Bettye
Tommy Lee *6/02
Les Ballets Africains 3/07
Les Paul 5/07
Les Percussions De Guinee * 1/01
Life Of Agony * 5/98
Little Feat 7/04
Locksley 2/07

Bob Log III
Long, Chris11/04
Long Story Short
Lordi  8/07
Lorenzo Music * 2/98
Lotus 4/06
Lovlies, The


M
Machine Head *9/99
Magic 7 *9/96

Man.. Or Astro-man *10/96
Aimee Mann 6/06

Marilyn Manson *
11/00
Mickey Hart's Planet Drum * 10/98
Midnight Oil *7/02
Midwest Rock Opera Company (MiROC)
Mine
Ministry *3/96
Mississippi Cactus
MOD 7/04
Mofro
Monster Magnet *9/98
Moon Gypsies
Mötley Crüe 12/04
The Motor Primitives 3/07
Moving Parts
Mudride 3/05
Mudride 3/02
Mudvayne *1/01
Mudvayne 3/06

Must *3/05
Muzzy Luctin * 10/99


N
Natty Nation 2003
New Recruits
Nevada Backwards * 5/03
Nickelback
Nine Inch Nails 10/05*
Nomonic 3/04
Nonpoint 12/00
Nonpoint  12/06
North Mississippi All-Stars 9/05


O
O.A.R.  6/07
Oh My God
Osborn, Joan*5/96
Osbourne, Ozzy*12/01
Otep 5/07



PQ
Pantera 2/01
Papa Roach  *11/06
Paramount Records
Pelican 1/07
Pigface
Pimps, The
Poison  9/06
Polysics 10/07
Probers, The
Projekt Revolution  8/07
Psypchedelicasi  *9/97
Puddle Of Mudd * 8/01
Puta Pons 6/01
Q and Not U 3/05


R
Rammstein *12/00
Ray Condo And His Ricochets
Reason For Leaving
Rebels Without Applause *9/00
Red Elvises, The * 4/01
Reel Big Fish  11/06
Reptile Palace Orchestra * 11/03
The Residents *2/01
Rev. Horton Heat * 2/02
Rictus Grin 1/07
Marc Rizzo 3/07

Robert Randolph And The Family Band * 3/03
Roadrunner United 2/006
Roxy Saint 11/04
Rundgren, Todd 4/04

S
The Sadies 9/06
Schwillbillies, The * 12/02
Screamin' Cyn Cyn & the Pons  8/07
Second Coming *5/99
Sevendust * 4/97
Sevendust * 8/99
Sevendust 9/03
Sevendust *2/06
SevenOneFive *4/06
Shadows Fall 7/07
Billy Sheehan  10/01
She Might Have A Gun *3/99

Shinedown
Shotdown
Shot To Hell * 9/02
Siegel-Schwall Band *1/06
Skintones, The
Slayer *1/07
Sleestak 9/04

Slipknot * 4/04
Slipknot * 5/00
Skindred 10/04
Smithereens 1/05
Snooky 8/04

Snopek III, Sigmund 4/04
Jill Sobule 6/06
Something To Do
Eric Sommer 7/07
Southern Culture On The Skids * 5/04
Soulfly * 2/01
Soundtribe Sector 9 2/05
Space 2004
Spiral Seed 4/06
Split Lip Rayfield  *10/06
Static-X *8/07
Stone Sour *10/06

Suite 13
Sunshine For The Blind 1/07
Supersuckers, The * 5/02
Stone Sour *10/06
Stone Temple Pilots *10/00
Story Of The Year 3/04
Stuck Mojo * 4/98
Kasim Sulton 8/01
Sunset Black
Sunspot 6/04
Summerfest History 6/07
Super Deluxe 3/05
The Swanks 9/05
System Of A Down * 9/99

T
Koko Taylor 3/06
Taylor, Otis
Taylor, Otis 6/04
Tenacious D * 4/02
Telenovela 1/05
Terra Diablo 9/07

Tesla 3/04
Tesla *7/07
Thompson, Ed * 10/02
Tiesto 9/07
Tool *9/06
Tony Levin Band
Tormentula * 4/00
Trachtenburg Family Slideshow Players
Trans Siberian Orchestra *12/05
Trinity James 12/05
Trout, Walter 4/04
The Tubes 4/06

U
Ultraspank *7/98
Umphrey's McGee *9/07
Under The Surface 9/04
Union Pulse
Union Underground *6/01

V
Voivod * 4/03

WXYZ
Wakeman, Rick
Wasp 4/01
Webley, Jason 2/06
Wickershams 9/02

Yakuza
Yamagata, Rachel 11/04
Youngblood Brass Band
Zen Guerilla

Factoid/Quote of the Week


"Underneath all that hair, there's a little, tiny, Jewish accountant." Gene Simmon's Wife

Insanity: doing the same thing over and over again and expecting different results.” Albert Einstein

"Good judgement comes from experience, and experience comes from poor judgement."  George Washington

"If the disclosure is true, it's breathtaking. The president is revealed as the leaker in chief." - Representative Jane Harman of California, the senior Democrat on the House Intelligence Committee

"I tell you, he's President George Bush, not King George Bush. This is not the system of government we have and that we fought for," Sen. Russell Feingold, D-Wisconsin:  The Associated Press.

“Priest Holmes told me to never get comfortable. He said that no matter what you’ve done, it’s never enough and that you always have to prove yourself. I think that stuck with me the most since I left.” Samkon Gado - Running Back, Green Bay Packers

"I've never supported him and certainly would never vote for him. I think he's a fool and a man without forethought. I have no confidence in him whatsoever. I think he's an idiot, I really do. He has done nothing to our country but drag it down to the ground." - Ronnie James Dio from an interview in Terrorizer Magazine in UK

"You may lose with me, but you'll never win without me." - Terry Bradshaw

"We are exquisitely social creatures. Our survival depends on understanding the actions, intentions and emotions of others. Mirror neurons allow us to grasp the minds of others not through conceptual reasoning but through direct simulation. By feeling, not by thinking." Dr. Rizzolatti, a neuroscientist at the University of Parma 

 "Which would you rather watch at halftime? Aging rock stars or supermodels playing full-contact tackle football in lingerie?"  former NBA Star Dennis Rodman

"Anything that seeks to rule using fear or guilt can't possibly be divine." Rökker, publisher, Maximum Ink music magazine

"Most rock journalism is people who can't write, interviewing people who can't talk, for people who can't read. -- Frank Zappa, Chicago Tribune - Jan 18 1978

"Leave your ego. Play the music. Love the people." Luther Allison

We don't negotiate with terrorists. I think you have to destroy them. It's the only way to deal with them." Vice President Dick Cheney, NY Times

 


 

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Aerosmith - Joe Perry - January 2007
Author: Sarah Grant
Added: 01/17/2007
Type: Interview
Viewed: 11381 time(s)
~


  
Aerosmith - Joe Perry - January 2007

Aerosmith

Try to define rock n' roll without Aerosmith and you're not going to get very far. After nearly four turbulent decades of breaking musical modes while struggling with severe addictions and internal dissent, the boys from Boston have proven themselves to be the quintessential American rock band. If there is any band that deserves to coast a little bit on their reputation, Aerosmith are certainly qualified. That said, legendary guitarist Joe Perry explains why it's going to be awhile before Aerosmith put their feet up in this exclusive interview with Maximum Ink… 

MAXIMUM INK: It must be interesting to experience the nature of your audiences changing over time.
JOE PERRY: Oh yeah. It's not quite at drastic as it was 20 or 30 years ago. America has become more homogenized with all the malls and different things, national television stations and that kind of thing, so you have to dig a little further to see those kind of idiosyncrasies in each part of the country. That's one of the reasons we stopped touring by plane and started touring by bus: You get more out of it, and it's just amazing.

MAX INK: What is the best part of going on the road?
PERRY: Well, this is the most amazing country on the planet, and if you get to travel by bus, which we do, you get to see a lot of it, so we take advantage of that. I love all different parts of the country, because they're just so unique because of the weather and the people, it's just amazing. It's never boring 

Joe Perry of AerosmithMAX INK: Balancing family and a rock band is not a simple task.
PERRY: Well, most of the time we all travel together when the band is on tour. We always find time to do stuff on the road; my sons and I get together with some friends and we like to water ski. My wife and I like horses, and we go off and visit different horse farms and friends around the country when we're on tour. 

MAX INK: Some of your songs are decades old. How do you sustain the energy in them?  
PERRY: Rock and roll is rock and roll, and good bands are few and far between. I mean, there is nothing that is going to change the shape of a Les Paul or the sound of a Marshall amp, but it still has to be played well, and I just think it keeps working. Getting the music to sound original and fresh, that's the trick. Take “Dream On,” the thing about that song is that the audience keeps it fresh for me. When we first start playing it and they start cheering, that's what keeps it fresh. 

MAX INK: In terms of the future, where is Aerosmith headed in the studio?
PERRY: We have a few ideas. Unless you get a hit, most of the material will be left by the wayside, because most of the fans want to hear the stuff that was popular when they first started getting into music. Songs of the '70s, '80s, or early '90s seem to be the backbone of what people want to hear from us. That's why, if you can have a hit or two and that gets driven into the mainstream, it can become a classic. Fortunately we've been able to do that on a pretty regular basis, and that's what we try for. It doesn't mean we give up on the rest of the record, but we are aware of what the industry is about, so most of the time we'll try to get a couple of singles and the rest of the time, we'll make records for our fans. 

MAX INK: Shifting gears a bit, in your experience, which do you find more important in music, the lyrics or the instruments?
PERRY: I think it's the music. I think that bad music won't cover for bad lyrics. But I think if the music is right and the melody is right, you can get away with bad lyrics. If the music is bad and the melody is bad, then good lyrics are going to be tough to listen to. 

MAX INK: I guess that's why they call music the universal language. 
PERRY: [Laughing] Well, it sure is. One of the things I noticed early on was that lyrics didn't matter that much when we played in Japan. A lot of guitar players have such big careers in Japan because they can go over there and it is a universal language, people aren't relying on being able to understand the lyrics. I mean, how many rock bands have really had international success?  It's hard, you know, because rock is such a blues based style of music. I think it is just something about the English language that lends itself to the rhythm and the cadence of blues music. Like, I've never really heard a good French blues band that has made it to international or even national prominence.  

MAX INK: A lot of people would argue that the kind of rock and roll the Aerosmith grew up and thrived in, is more or less a dying breed.
PERRY: I think the pop music changes, but there is still that undercurrent of every kid band and garage band in America, always playing the roots, and that hasn't changed. Some grow their hair long, some short, but the sound of the music seems to stay the same. There is something elemental about it that will not change. 
 
MAX INK: True, but the attitudes of rock bands have definitely changed over the years.
PERRY: Well, there was more of a rebellious air in the late '60s, music was really a counterculture rallying point. Now it's not perceived as that. Now rock and roll isn't scary, you hear tons of rock and roll on TV, mainstream commercials, you hear a lot of electric guitars and big kick drums all over the place. It is everywhere. It has become iconic, whereas in the '60s and '70s, it was a political rallying point of us against them. It didn't matter if it was about straight people, against the Woodstock nation, or if it was hard rock and MC5, or if it was Ritchie Havens singing about a motherless child; It was all our kind of music. I don't think you have that anymore. That's why I think classic rock is having such a resurgence; I think it has finally gone long enough that it is not your mother's music, it's beyond your grandfather's music, it's just great music. I mean, there was one Led Zeppelin, and there will never be another one and then their music stands up today next to anything the White Stripes, Franz Ferdinand or any of them have done. Not to take anything away from those bands, because they're out there trying to make their own mark, but I still believe that the great songs of any era will always sustain.

MAX INK: Has being involved in music and the industry for so long, and experiencing all the different musical movements of the past decades, given you some insight as to what to predict will come of rock music?
PERRY: No, I think that's what keeps it excitingyou never know where rock is going to go. I know Aerosmith will never be the next new thing, but there's always a chance we'll have another hit single, and that's always something to strive for. For example, this next record is really going be a challenge, because we are going to try and pull some of the material that we've had on the back burner and put it out there. It is an interesting experiment, because no matter what year it is, people tend to like the “old sound.” And so we're going try to bring out some of the riffs that were actually written during those eras to the new record. I know I'm curious to see how it's all going to play out.

MAX INK: Out of all the bands in America, and in the world, why has Aerosmith stood the test of time?
PERRY: Well, I think if you want to get a little metaphysical with the balance of energy, why we're still here, I think there is this feeling of the fact that we came through everything we've come through and in some ways that's just our example of being resilient and being able to come back. We have gotten so much from the fans and a lot of our success from being lucky and fortunate. So we try to give some of that back, and we'll get a lot of letters from people that say you've been an inspiration for overcoming adversity. That's why I think we're still here. And so to keep up our end of bargain, we're gonna keep delivering. 


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