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* denotes a cover story
-Calendar Updated - 2/3/08
-Editorial Updated 1/11/08

January 2008
ON THE COVER:
Beatallica *1/08


INSIDE:
Brew City Sludge 1/08
CD/DVD Reviews  1/08
Crystal Corner Bar 1/08
Eclectic Vibes 1/08
Fair To Midland 1/08
The Honorary Title 1/08
Letter To The People 1/08
Rock Star Death Notices 1/08
The Scarring Party 1/08
Slipped Discs 1/08

December 2007
ON COVER:
Ottoman Empire *12/07

INSIDE:
CD/DVD Reviews  12/07
Coheed & Cambria 12/07
Dan Hicks & the Hot Licks 12/07
Dry Bean 12/07
Fair To Midland 12/07
John 5 12/07


November 2007
ON COVER:
Dropkick Murphys *11/07

INSIDE:
Dad The Plow 11/07
CD/DVD Reviews  11/07
Robyn Hitchock 11/07
Reptile Palace 11/07

-------------------------

Archives:
Alphabetically by Last Name

#1234
30 Seconds To Mars *3/07
48 Hours In Iceland with Last Crack *4/05
420 *3/01
1956 4/05

A
Abstract Giants 10/04
Adema 4/05
Aerosmith *1/07
Alabama Thunderpussy 6/04
All Girl Summer Fun Band
Bernard Allison *6/00
Alston 2/05
Alter Bridge * 9/04
Amen 5/04
American Headcharge * 10/01
Ian Anderson  10/06
Anthrax * 10/04
Anthrax 11/05
A Perfect Circle 12/03
A Perfect Circle * 4/00
Arena Venus
Arrested Development
Asylum Street Spankers *2/07
Atomic Bitchwax
Autolux 10/05
Avenged Sevenfold *7/06
Awesome Car Funmaker *7/05

B
Baghdad Scuba Review 7/07
Beastie Boys/Mix Master Mike *12/04

Beautiful Creatures * 9/01
Black Label Society *7/00
Black Sabbath * 12/98
bloodsimple 2/05
Bif Naked *11/05
Big Sandy And His
Fly-rite Boys
6/99
Big Wu 8/04
Billy Idol 9/05*
Birth Of Tragedy 4/06

Blaqk Audio 9/07
Blind Boys Of Alabama
Blue Man Group * 10/03
Bo Diddley  10/06
Boney Fingers 1/05
Books On Tape/The Demix 3/05
Boris The Sprinkler *7/99

Broken Social Scene 7/04
Lonnie Brooks 9/05
Lonnie Brooks  8/01
Clarence "Gatemouth" Brown *7/00
Jack Bruce  12/01
Bugattitype 35 *8/97
Burden Brothers * 6/04
Built To Spill  9/06
Buzzhorn, The * 8/02


C
Cadillac Pete 6/07
Captured! By Robots *6/05
Calexico 9/06

Carbellion 9/05
Cardia
Canned Heat
Canned Heat 7/07
Cates, Lucas  8/07
Cealed Casket 10/07
Cibo Matto *5/01
W.C. Clarke 9/00
Clutch
Coal Chamber * 2/98
The Cocksmiths *10/07
Coolzey 1/07
Cradle Of Filth 12/04

Cradle of Filth 10/07
Crepitus
The Cummies 7/05
Curran, Nick
CUT The Movie 4/07
Crest/Jack Cracker
The Cribs 4/06 3/04
Cynergy 67

D
Damage Plan * 4/04
Dark New Day 5/05
D.A. Sebasstian *2/05
Days Of The New 7/04
Days Of The New  *8/98

Danzig 10/04
The Dead Kennedys 10/05*
Decapitado * 3/04
Anthony DeCurtis  10/06
Default  12/01
Davis, Rachael 1/06
Deep Purple 4/04
Def Leppard 7/07
Deftones *12/06
Denali 4/04
The Dials 12/05
Dimmu Borgir
Dirty Three
The Dirty Three 10/05*
Disturbed * 8/00
Disturbed 9/05
Dismemberment Plan
Donnas, The * 7/03
Dorsey, Claude * 12/03
Drain S.T.H. * 6/97
Drill 187
Driver 13  9/01
Droids Attack
Droids Attack  12/06

Dropkick Murphys
Drown * 4/99
Drowning Pool 3/04
Drowning Pool * 11/01
Duarte, Chris

E
Eagles Of Death Metal *5/06
Edwards, David "Honeyboy"
El Donk
Electric Hellfire Club * 3/02
Endeverafter  9/06
Evanesence * 2/04

F
Factory 81 *12/00
Fear Factory *7/01
Fingertight
Finger 11 *11/04
Bradley Fish *2/06
Fluid Ounce *3/99

Freshwater Collins 1/05
Future Leaders Of The World 10/04

G

German Art Students
Gingerjake *6/07
Godsmack * 2/99
Godsmack 12/04
Goldfinger 3/05
The Gomers 9/02
The Gomers *4/06

Goo Goo Dolls
The Goo Goo Dolls *6/06
Gov't Mule 11/04
Gov't Mule  11/06
Guided By Voices 6/02
Tracii Guns 5/06

Grade8 * 1/03
Gravity Lost 10/04
Great Girls Blouse  9/01
Green Scene  3/01
Greene, Jackie * 8/03
The Gufs  12/06
Gwar

H
Halford  12/06
Hank Thomas & the Western Starlanders
Heavils, The * 3/03
Helliphant 2/07
HELLYEAH *5/07

Helmet 10/04
Hersh, Kristin 7/03
High Noon Saloon's Cathy Detmers 5/05
Hiss, The 4/04
Hope Conspiracy  10/06
Hot Tuna
Hotwater Music 12/04

Huun- Huur-Tu * 2/03

I
Icon The Mic King 4/07
Infantry Rockers 9/02
Innatrance
Iron Maiden 8/05*

J
Jessie Sykes and the Sweet Hereafter *4/05
JJO Band Camp 7/04
John Paul Jones  11/01
Judas Priest * 8/04

Junkers, The
Justin Hinds 9/00


K
Karl Denson's Tiny Universe 1/05

Katie Todd Band  8/06
Kid Rock * 12/99
Killingtons, The 3/04
King Crimson  11/01
King Gun 9/04
King Solomon
Kittie 7/04
Kodo Drummers 3/05
Korn *3/06


L
Lacuna Coil * 7/04
Ladysmith Black Mambazo
Lamb Of God 11/04
Sam Lay 9/05
Last Crack * 11/02
48 Hours In Iceland with Last Crack *4/05
Last Crack in Amsterdam 6/05
Lavette, Bettye
Tommy Lee *6/02
Les Ballets Africains 3/07
Les Paul 5/07
Les Percussions De Guinee * 1/01
Life Of Agony * 5/98
Little Feat 7/04
Locksley 2/07

Bob Log III
Long, Chris11/04
Long Story Short
Lordi  8/07
Lorenzo Music * 2/98
Lotus 4/06
Lovlies, The


M
Machine Head *9/99
Magic 7 *9/96

Man.. Or Astro-man *10/96
Aimee Mann 6/06

Marilyn Manson *
11/00
Mickey Hart's Planet Drum * 10/98
Midnight Oil *7/02
Midwest Rock Opera Company (MiROC)
Mine
Ministry *3/96
Mississippi Cactus
MOD 7/04
Mofro
Monster Magnet *9/98
Moon Gypsies
Mötley Crüe 12/04
The Motor Primitives 3/07
Moving Parts
Mudride 3/05
Mudride 3/02
Mudvayne *1/01
Mudvayne 3/06

Must *3/05
Muzzy Luctin * 10/99


N
Natty Nation 2003
New Recruits
Nevada Backwards * 5/03
Nickelback
Nine Inch Nails 10/05*
Nomonic 3/04
Nonpoint 12/00
Nonpoint  12/06
North Mississippi All-Stars 9/05


O
O.A.R.  6/07
Oh My God
Osborn, Joan*5/96
Osbourne, Ozzy*12/01
Otep 5/07



PQ
Pantera 2/01
Papa Roach  *11/06
Paramount Records
Pelican 1/07
Pigface
Pimps, The
Poison  9/06
Polysics 10/07
Probers, The
Projekt Revolution  8/07
Psypchedelicasi  *9/97
Puddle Of Mudd * 8/01
Puta Pons 6/01
Q and Not U 3/05


R
Rammstein *12/00
Ray Condo And His Ricochets
Reason For Leaving
Rebels Without Applause *9/00
Red Elvises, The * 4/01
Reel Big Fish  11/06
Reptile Palace Orchestra * 11/03
The Residents *2/01
Rev. Horton Heat * 2/02
Rictus Grin 1/07
Marc Rizzo 3/07

Robert Randolph And The Family Band * 3/03
Roadrunner United 2/006
Roxy Saint 11/04
Rundgren, Todd 4/04

S
The Sadies 9/06
Schwillbillies, The * 12/02
Screamin' Cyn Cyn & the Pons  8/07
Second Coming *5/99
Sevendust * 4/97
Sevendust * 8/99
Sevendust 9/03
Sevendust *2/06
SevenOneFive *4/06
Shadows Fall 7/07
Billy Sheehan  10/01
She Might Have A Gun *3/99

Shinedown
Shotdown
Shot To Hell * 9/02
Siegel-Schwall Band *1/06
Skintones, The
Slayer *1/07
Sleestak 9/04

Slipknot * 4/04
Slipknot * 5/00
Skindred 10/04
Smithereens 1/05
Snooky 8/04

Snopek III, Sigmund 4/04
Jill Sobule 6/06
Something To Do
Eric Sommer 7/07
Southern Culture On The Skids * 5/04
Soulfly * 2/01
Soundtribe Sector 9 2/05
Space 2004
Spiral Seed 4/06
Split Lip Rayfield  *10/06
Static-X *8/07
Stone Sour *10/06

Suite 13
Sunshine For The Blind 1/07
Supersuckers, The * 5/02
Stone Sour *10/06
Stone Temple Pilots *10/00
Story Of The Year 3/04
Stuck Mojo * 4/98
Kasim Sulton 8/01
Sunset Black
Sunspot 6/04
Summerfest History 6/07
Super Deluxe 3/05
The Swanks 9/05
System Of A Down * 9/99

T
Koko Taylor 3/06
Taylor, Otis
Taylor, Otis 6/04
Tenacious D * 4/02
Telenovela 1/05
Terra Diablo 9/07

Tesla 3/04
Tesla *7/07
Thompson, Ed * 10/02
Tiesto 9/07
Tool *9/06
Tony Levin Band
Tormentula * 4/00
Trachtenburg Family Slideshow Players
Trans Siberian Orchestra *12/05
Trinity James 12/05
Trout, Walter 4/04
The Tubes 4/06

U
Ultraspank *7/98
Umphrey's McGee *9/07
Under The Surface 9/04
Union Pulse
Union Underground *6/01

V
Voivod * 4/03

WXYZ
Wakeman, Rick
Wasp 4/01
Webley, Jason 2/06
Wickershams 9/02

Yakuza
Yamagata, Rachel 11/04
Youngblood Brass Band
Zen Guerilla

Factoid/Quote of the Week


"Underneath all that hair, there's a little, tiny, Jewish accountant." Gene Simmon's Wife

Insanity: doing the same thing over and over again and expecting different results.” Albert Einstein

"Good judgement comes from experience, and experience comes from poor judgement."  George Washington

"If the disclosure is true, it's breathtaking. The president is revealed as the leaker in chief." - Representative Jane Harman of California, the senior Democrat on the House Intelligence Committee

"I tell you, he's President George Bush, not King George Bush. This is not the system of government we have and that we fought for," Sen. Russell Feingold, D-Wisconsin:  The Associated Press.

“Priest Holmes told me to never get comfortable. He said that no matter what you’ve done, it’s never enough and that you always have to prove yourself. I think that stuck with me the most since I left.” Samkon Gado - Running Back, Green Bay Packers

"I've never supported him and certainly would never vote for him. I think he's a fool and a man without forethought. I have no confidence in him whatsoever. I think he's an idiot, I really do. He has done nothing to our country but drag it down to the ground." - Ronnie James Dio from an interview in Terrorizer Magazine in UK

"You may lose with me, but you'll never win without me." - Terry Bradshaw

"We are exquisitely social creatures. Our survival depends on understanding the actions, intentions and emotions of others. Mirror neurons allow us to grasp the minds of others not through conceptual reasoning but through direct simulation. By feeling, not by thinking." Dr. Rizzolatti, a neuroscientist at the University of Parma 

 "Which would you rather watch at halftime? Aging rock stars or supermodels playing full-contact tackle football in lingerie?"  former NBA Star Dennis Rodman

"Anything that seeks to rule using fear or guilt can't possibly be divine." Rökker, publisher, Maximum Ink music magazine

"Most rock journalism is people who can't write, interviewing people who can't talk, for people who can't read. -- Frank Zappa, Chicago Tribune - Jan 18 1978

"Leave your ego. Play the music. Love the people." Luther Allison

We don't negotiate with terrorists. I think you have to destroy them. It's the only way to deal with them." Vice President Dick Cheney, NY Times

 


 

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Reverend Horton Heat - February 2002
Author: Dave Leucinger
Added: 02/15/2002
Type: Interview
Viewed: 13458 time(s)
~


  
Reverend Horton Heat - February 2002

Reverend Horton Heat

He genuinely enjoys music - writing it, performing it, and recording it. He is steadfastly loyal to and respectful of his fans. But Jim Heath - better known as the Reverend Horton Heat - has some real issues with the two dominant forces in contemporary music: technology and corporate control. In a recent telephone interview from his home in Dallas, he discussed how these elements have alienated him from the mainstream - for better and for worse.

"Since we did our first record, the Internet and web sites have become more important," Heath said. "But I'm confused about the Internet. I think the way it's looking, the music will eventually just be free, and that's not an easy pill for the industry to swallow," he said. "For us, we don't rely a lot on the recordings - we get our revenue off tickets and merchandise. I'm so far from the industry, I don't have the slightest idea of what will happen. But these bands could stand to lose millions."

An explosion of computer technology in the studio also has Heath riled up. "Since the 1970s and 80s, we've been moving into a world where it's not the sound of the live band," he lamented. "You put down the drum tracks, then throw in other loops - it takes fuckin' forever for an album. It's defining how music is being written and composed. And all they're doing is turning knobs, while kick-ass players - people with real talent - are passé. It's those posing knob-turners who are being marketed." Brace yourself, folks - he points to one of the iconic rock acts as establishing the trend. "Sit and listen to a Led Zeppelin album - they had three guitar parts and three vocal parts on the records. It was all done with overdubbing. I question the validity of that - when you realize that it can't be reproduced live. Technology has taken music to a weird place - way out there."

Heath also finds plenty of villains in other segments of the music industry - notably, the mega-labels. The current wave of pablum pop is part of a long anti-rock tradition, he said. "Listen to Jerry Lee Lewis banging eighth notes on the piano - and then lighting it on fire. That kind of rock was done for about two years - and then it was squelched," Heath observed. "It re-emerged with the Beatles and Stones, and a bit later with Hendrix, but then got killed by bands like the Mamas and Papas . The big record companies didn't want to deal with that wildness. Some things still shoot through - like AC/DC's 'Whole Lotta Rosie' and Billy Idol's 'Rebel Yell,' but for the most part it's bands like Poison and Motley Crue doing cheesy-ass ballads. That is NOT rock."

Hand-in-hand with the labels in this dumbing-down are radio executives, Heath declares. "Listen to the radio - everything on it has a funk beat," he said. "I can hear the record guys ask, 'how can we make it work on radio?' So now all we have is funk - no swing, no shuffle, no rock beats."  And the corporate consolidation of radio further limits choices. "Clear Channel and their pansies have everything corporatized into what I call 'Panzoid Rock,'" Heath said. Critics are also not spared from Heath 's wrath. "They only can decide what's wrong with music. It's easy to print what's wrong," he said. "But as an artist, it's my job to look at what's right."

Heath 's rebellious crusade for improving music works on two levels. At one level, he focuses on developing as a musician. "I work on all sorts of stuff to get better as a player - from ragtime to Nashville studio licks," he said. "It helps shore up my chops." In the studio, Heath admits his self-contradictory dabbling with overdubbing. "I'm guilty - there are some songs with two guitar parts," he admits. "But in some ways it challenges me to play the two parts at once in a live show."

Reverend Horton Heat
At another level, his rebellion has amassed a loyal battalion of troops - followers equally nauseated by processed, formed, pressed, and cellophane-wrapped recordings. "It gives me reason to hope," Heath said, "because young people realize that we play and work our own arrangements - not with loops." And in an ironic twist, the Internet has become one of the key forums for the band's most ardent followers. The band's website, www.reverendhortonheat.com, has an extensive forum for fans to post thoughts or questions. And Heath 's musings from previous road tours are another way the artist connects with his fans. "I got away from doing it last year - I'll try to get back to doing it again this year," he said. "But we ended up doing 220 shows in 2001."

In the past few years, those tours have become critical to the band's survival. "It's been a real uphill struggle - working to make the bills," Heath said. "We need to tour like crazy." The group's financial problems are heightened by the deterioration of relations with Sub Pop, the band's label for its first three albums. Unfortunately for all parties, it's entered the ugly stage - as RHH has sued the label. "We allege that they have shorted us money (on recording royalties)," Heath stated. While declining to give specifics, he noted a history of black sheep treatment by the label. "On one hand, they gave us a break - we could have gone with other labels. But we were their second biggest band to Nirvana , and they treated us like stepchildren," he said. "One time we were in Seattle and looking forward to getting together - then they called at the last minute, and said 'Love Battery is in town, so we can't make it.' Since then, it's been difficult."

Reverend Horton Heat photo by Dave LeucingerA major reason for the group's endurance is the camaraderie amongst Heath and his band mates, drummer Scott Churilla and bassist Jimbo Wallace. The bond is especially tight between Wallace and Heath; "Jimbo Song" on the
Space Heater album has become one of the band's signature songs. "And on the new album, I deliver a sermon: 'You Have A Friend In Jimbo,' Heath said. "We definitely have a brotherhood going on." The new album, Lucky Seven, takes them to the Artemis label. "I'm real grateful for all they've done for me - they've even hired some of my favorite people from other labels." Heath notes that the album returns to the group's more identifiable Gretsch-driven distortion. "It's a lot heavier than our last album," he said. And it almost became a thematic album, driven by the group's respect for vintage American vehicles. "The thing about us is that we're all into old cars - American car guys in a world of Nissans and Hondas," he said. "I was thinking of making it an all-car-songs album, but I had other songs that were better than some of the weaker car songs - I kept the best in."

Heath laments that his touring keeps him from his two vehicular projects. "I've got a shoebox '50 Ford in the garage - I'll try to get it running between tours." The other set of wheels seems, well, SO appropriate. "It's a '32 Ford coupe, with a small block Chevy, and a Ford 9" rear - I've been putting my money into it," he said. "The one reason it survived as a body was that it was set up as a booze runner - it had an extra tank, a passage between the interior and the trunk for bottles, and a lot of extra metal welded into it." And like the band, it's a long-term project. "It's been at the shop for five or six years now. Maybe this year I'll get it done."
 

    RHH will be appearing at Madison's Orpheum Theater on State St. on Saturday, February 23rd with Nashville Pussy and Split Lip Rayfield.


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