| Home | | About | Authors | News | Subscribe To RSS Feed | Crossword Puzzle | Live Music Calendar | Contact Us |
Site Navigation

ARTICLES
Cover Stories
DVD / CD Reviews
Feature Stories
Photo Gallery

MONTHLY COLUMNS
Brew City Sludge
Eclectic Vibes
Rockstar Death Notices
Letter To The People
Slipped Discs

RESOURCES
Crossword Puzzle
Advertising information
Live Music Calendar
News

..

Articles and Interviews
* denotes a cover story
-Calendar Updated - 2/3/08
-Editorial Updated 1/11/08

January 2008
ON THE COVER:
Beatallica *1/08


INSIDE:
Brew City Sludge 1/08
CD/DVD Reviews  1/08
Crystal Corner Bar 1/08
Eclectic Vibes 1/08
Fair To Midland 1/08
The Honorary Title 1/08
Letter To The People 1/08
Rock Star Death Notices 1/08
The Scarring Party 1/08
Slipped Discs 1/08

December 2007
ON COVER:
Ottoman Empire *12/07

INSIDE:
CD/DVD Reviews  12/07
Coheed & Cambria 12/07
Dan Hicks & the Hot Licks 12/07
Dry Bean 12/07
Fair To Midland 12/07
John 5 12/07


November 2007
ON COVER:
Dropkick Murphys *11/07

INSIDE:
Dad The Plow 11/07
CD/DVD Reviews  11/07
Robyn Hitchock 11/07
Reptile Palace 11/07

-------------------------

Archives:
Alphabetically by Last Name

#1234
30 Seconds To Mars *3/07
48 Hours In Iceland with Last Crack *4/05
420 *3/01
1956 4/05

A
Abstract Giants 10/04
Adema 4/05
Aerosmith *1/07
Alabama Thunderpussy 6/04
All Girl Summer Fun Band
Bernard Allison *6/00
Alston 2/05
Alter Bridge * 9/04
Amen 5/04
American Headcharge * 10/01
Ian Anderson  10/06
Anthrax * 10/04
Anthrax 11/05
A Perfect Circle 12/03
A Perfect Circle * 4/00
Arena Venus
Arrested Development
Asylum Street Spankers *2/07
Atomic Bitchwax
Autolux 10/05
Avenged Sevenfold *7/06
Awesome Car Funmaker *7/05

B
Baghdad Scuba Review 7/07
Beastie Boys/Mix Master Mike *12/04

Beautiful Creatures * 9/01
Black Label Society *7/00
Black Sabbath * 12/98
bloodsimple 2/05
Bif Naked *11/05
Big Sandy And His
Fly-rite Boys
6/99
Big Wu 8/04
Billy Idol 9/05*
Birth Of Tragedy 4/06

Blaqk Audio 9/07
Blind Boys Of Alabama
Blue Man Group * 10/03
Bo Diddley  10/06
Boney Fingers 1/05
Books On Tape/The Demix 3/05
Boris The Sprinkler *7/99

Broken Social Scene 7/04
Lonnie Brooks 9/05
Lonnie Brooks  8/01
Clarence "Gatemouth" Brown *7/00
Jack Bruce  12/01
Bugattitype 35 *8/97
Burden Brothers * 6/04
Built To Spill  9/06
Buzzhorn, The * 8/02


C
Cadillac Pete 6/07
Captured! By Robots *6/05
Calexico 9/06

Carbellion 9/05
Cardia
Canned Heat
Canned Heat 7/07
Cates, Lucas  8/07
Cealed Casket 10/07
Cibo Matto *5/01
W.C. Clarke 9/00
Clutch
Coal Chamber * 2/98
The Cocksmiths *10/07
Coolzey 1/07
Cradle Of Filth 12/04

Cradle of Filth 10/07
Crepitus
The Cummies 7/05
Curran, Nick
CUT The Movie 4/07
Crest/Jack Cracker
The Cribs 4/06 3/04
Cynergy 67

D
Damage Plan * 4/04
Dark New Day 5/05
D.A. Sebasstian *2/05
Days Of The New 7/04
Days Of The New  *8/98

Danzig 10/04
The Dead Kennedys 10/05*
Decapitado * 3/04
Anthony DeCurtis  10/06
Default  12/01
Davis, Rachael 1/06
Deep Purple 4/04
Def Leppard 7/07
Deftones *12/06
Denali 4/04
The Dials 12/05
Dimmu Borgir
Dirty Three
The Dirty Three 10/05*
Disturbed * 8/00
Disturbed 9/05
Dismemberment Plan
Donnas, The * 7/03
Dorsey, Claude * 12/03
Drain S.T.H. * 6/97
Drill 187
Driver 13  9/01
Droids Attack
Droids Attack  12/06

Dropkick Murphys
Drown * 4/99
Drowning Pool 3/04
Drowning Pool * 11/01
Duarte, Chris

E
Eagles Of Death Metal *5/06
Edwards, David "Honeyboy"
El Donk
Electric Hellfire Club * 3/02
Endeverafter  9/06
Evanesence * 2/04

F
Factory 81 *12/00
Fear Factory *7/01
Fingertight
Finger 11 *11/04
Bradley Fish *2/06
Fluid Ounce *3/99

Freshwater Collins 1/05
Future Leaders Of The World 10/04

G

German Art Students
Gingerjake *6/07
Godsmack * 2/99
Godsmack 12/04
Goldfinger 3/05
The Gomers 9/02
The Gomers *4/06

Goo Goo Dolls
The Goo Goo Dolls *6/06
Gov't Mule 11/04
Gov't Mule  11/06
Guided By Voices 6/02
Tracii Guns 5/06

Grade8 * 1/03
Gravity Lost 10/04
Great Girls Blouse  9/01
Green Scene  3/01
Greene, Jackie * 8/03
The Gufs  12/06
Gwar

H
Halford  12/06
Hank Thomas & the Western Starlanders
Heavils, The * 3/03
Helliphant 2/07
HELLYEAH *5/07

Helmet 10/04
Hersh, Kristin 7/03
High Noon Saloon's Cathy Detmers 5/05
Hiss, The 4/04
Hope Conspiracy  10/06
Hot Tuna
Hotwater Music 12/04

Huun- Huur-Tu * 2/03

I
Icon The Mic King 4/07
Infantry Rockers 9/02
Innatrance
Iron Maiden 8/05*

J
Jessie Sykes and the Sweet Hereafter *4/05
JJO Band Camp 7/04
John Paul Jones  11/01
Judas Priest * 8/04

Junkers, The
Justin Hinds 9/00


K
Karl Denson's Tiny Universe 1/05

Katie Todd Band  8/06
Kid Rock * 12/99
Killingtons, The 3/04
King Crimson  11/01
King Gun 9/04
King Solomon
Kittie 7/04
Kodo Drummers 3/05
Korn *3/06


L
Lacuna Coil * 7/04
Ladysmith Black Mambazo
Lamb Of God 11/04
Sam Lay 9/05
Last Crack * 11/02
48 Hours In Iceland with Last Crack *4/05
Last Crack in Amsterdam 6/05
Lavette, Bettye
Tommy Lee *6/02
Les Ballets Africains 3/07
Les Paul 5/07
Les Percussions De Guinee * 1/01
Life Of Agony * 5/98
Little Feat 7/04
Locksley 2/07

Bob Log III
Long, Chris11/04
Long Story Short
Lordi  8/07
Lorenzo Music * 2/98
Lotus 4/06
Lovlies, The


M
Machine Head *9/99
Magic 7 *9/96

Man.. Or Astro-man *10/96
Aimee Mann 6/06

Marilyn Manson *
11/00
Mickey Hart's Planet Drum * 10/98
Midnight Oil *7/02
Midwest Rock Opera Company (MiROC)
Mine
Ministry *3/96
Mississippi Cactus
MOD 7/04
Mofro
Monster Magnet *9/98
Moon Gypsies
Mötley Crüe 12/04
The Motor Primitives 3/07
Moving Parts
Mudride 3/05
Mudride 3/02
Mudvayne *1/01
Mudvayne 3/06

Must *3/05
Muzzy Luctin * 10/99


N
Natty Nation 2003
New Recruits
Nevada Backwards * 5/03
Nickelback
Nine Inch Nails 10/05*
Nomonic 3/04
Nonpoint 12/00
Nonpoint  12/06
North Mississippi All-Stars 9/05


O
O.A.R.  6/07
Oh My God
Osborn, Joan*5/96
Osbourne, Ozzy*12/01
Otep 5/07



PQ
Pantera 2/01
Papa Roach  *11/06
Paramount Records
Pelican 1/07
Pigface
Pimps, The
Poison  9/06
Polysics 10/07
Probers, The
Projekt Revolution  8/07
Psypchedelicasi  *9/97
Puddle Of Mudd * 8/01
Puta Pons 6/01
Q and Not U 3/05


R
Rammstein *12/00
Ray Condo And His Ricochets
Reason For Leaving
Rebels Without Applause *9/00
Red Elvises, The * 4/01
Reel Big Fish  11/06
Reptile Palace Orchestra * 11/03
The Residents *2/01
Rev. Horton Heat * 2/02
Rictus Grin 1/07
Marc Rizzo 3/07

Robert Randolph And The Family Band * 3/03
Roadrunner United 2/006
Roxy Saint 11/04
Rundgren, Todd 4/04

S
The Sadies 9/06
Schwillbillies, The * 12/02
Screamin' Cyn Cyn & the Pons  8/07
Second Coming *5/99
Sevendust * 4/97
Sevendust * 8/99
Sevendust 9/03
Sevendust *2/06
SevenOneFive *4/06
Shadows Fall 7/07
Billy Sheehan  10/01
She Might Have A Gun *3/99

Shinedown
Shotdown
Shot To Hell * 9/02
Siegel-Schwall Band *1/06
Skintones, The
Slayer *1/07
Sleestak 9/04

Slipknot * 4/04
Slipknot * 5/00
Skindred 10/04
Smithereens 1/05
Snooky 8/04

Snopek III, Sigmund 4/04
Jill Sobule 6/06
Something To Do
Eric Sommer 7/07
Southern Culture On The Skids * 5/04
Soulfly * 2/01
Soundtribe Sector 9 2/05
Space 2004
Spiral Seed 4/06
Split Lip Rayfield  *10/06
Static-X *8/07
Stone Sour *10/06

Suite 13
Sunshine For The Blind 1/07
Supersuckers, The * 5/02
Stone Sour *10/06
Stone Temple Pilots *10/00
Story Of The Year 3/04
Stuck Mojo * 4/98
Kasim Sulton 8/01
Sunset Black
Sunspot 6/04
Summerfest History 6/07
Super Deluxe 3/05
The Swanks 9/05
System Of A Down * 9/99

T
Koko Taylor 3/06
Taylor, Otis
Taylor, Otis 6/04
Tenacious D * 4/02
Telenovela 1/05
Terra Diablo 9/07

Tesla 3/04
Tesla *7/07
Thompson, Ed * 10/02
Tiesto 9/07
Tool *9/06
Tony Levin Band
Tormentula * 4/00
Trachtenburg Family Slideshow Players
Trans Siberian Orchestra *12/05
Trinity James 12/05
Trout, Walter 4/04
The Tubes 4/06

U
Ultraspank *7/98
Umphrey's McGee *9/07
Under The Surface 9/04
Union Pulse
Union Underground *6/01

V
Voivod * 4/03

WXYZ
Wakeman, Rick
Wasp 4/01
Webley, Jason 2/06
Wickershams 9/02

Yakuza
Yamagata, Rachel 11/04
Youngblood Brass Band
Zen Guerilla

Factoid/Quote of the Week


"Underneath all that hair, there's a little, tiny, Jewish accountant." Gene Simmon's Wife

Insanity: doing the same thing over and over again and expecting different results.” Albert Einstein

"Good judgement comes from experience, and experience comes from poor judgement."  George Washington

"If the disclosure is true, it's breathtaking. The president is revealed as the leaker in chief." - Representative Jane Harman of California, the senior Democrat on the House Intelligence Committee

"I tell you, he's President George Bush, not King George Bush. This is not the system of government we have and that we fought for," Sen. Russell Feingold, D-Wisconsin:  The Associated Press.

“Priest Holmes told me to never get comfortable. He said that no matter what you’ve done, it’s never enough and that you always have to prove yourself. I think that stuck with me the most since I left.” Samkon Gado - Running Back, Green Bay Packers

"I've never supported him and certainly would never vote for him. I think he's a fool and a man without forethought. I have no confidence in him whatsoever. I think he's an idiot, I really do. He has done nothing to our country but drag it down to the ground." - Ronnie James Dio from an interview in Terrorizer Magazine in UK

"You may lose with me, but you'll never win without me." - Terry Bradshaw

"We are exquisitely social creatures. Our survival depends on understanding the actions, intentions and emotions of others. Mirror neurons allow us to grasp the minds of others not through conceptual reasoning but through direct simulation. By feeling, not by thinking." Dr. Rizzolatti, a neuroscientist at the University of Parma 

 "Which would you rather watch at halftime? Aging rock stars or supermodels playing full-contact tackle football in lingerie?"  former NBA Star Dennis Rodman

"Anything that seeks to rule using fear or guilt can't possibly be divine." Rökker, publisher, Maximum Ink music magazine

"Most rock journalism is people who can't write, interviewing people who can't talk, for people who can't read. -- Frank Zappa, Chicago Tribune - Jan 18 1978

"Leave your ego. Play the music. Love the people." Luther Allison

We don't negotiate with terrorists. I think you have to destroy them. It's the only way to deal with them." Vice President Dick Cheney, NY Times

 


 

  Voting Poll

Which is more likely to happen first?
Another Tsunami
Bush is impeached
California has the big one
China invades Taiwan
North Korea invades South Korea
Pakistan invades India or vice versa
Social Securtiy is saved
The US is attacked by terrorists 9/11 style
US pulls out of Iraq


Our Affiliates


Maximum Ink Music Magazine - rock music online, rock music magazine, new rock music, metal rock music, rock pop music, alternative rock music, punk rock music, rock and roll music, history of rock for Madison and all of Wisconsin is proud to be affiliated with the following quality web sites:

3000 Records - Independent Record Label
CD Register - CD Registry Site
Daily Tattoo
Indie360 - Independent PR website
Last Crack
Magazineboard.com - listing of magazines
MusicStack.com - Over 20 Million CDs and LPs!
Randy's Recording - Madison, WI area
Spyder Studios - Get a rehearsal room in Madison
Terrence Damian - Owner of 3000 Records
Ultimate Arts Tattoo

Affiliate With Us >>
 

_
_
 
 


 
  Search newspaper 

Mickey Hart's Planet Drum - October 1998
Author: John Noyd
Added: 10/29/1998
Type: Interview
Viewed: 8824 time(s)
~


  
Mickey Hart's Planet Drum - October 1998

Mickey Hart interview by John NoydTo say world percussionist Mickey Hart is embarking on a new adventure is like saying the Pope is going to church this Sunday. Author, student, artist, composer, Mickey's musical curiosity in all things cosmic has produced seventeen discs for Rykodisc's "World" series, two books on the history and mythology of rhythm and countless shows and solos. His latest disc, "Supralingua," continues to explore new worlds with a strong bent on digital technology and sampling. While best known for his association with the Grateful Dead, it soon became evident that the only past he was interested in conjuring happened long before there was any Haight-Asbury scene.


MAXIMUM INK: You've just started a month long tour with your group, Planet Drum, how does it feel being out on the road, leading a band, back in touch with an
audience? 
MICKEY HART: It's great. More fun than I deserve. I'm feeling overly lucky, just wondering what's going to go wrong. You know when everything goes right? I'm waiting for the bomb to drop. But, really, it couldn't be better. The crowds are great, standing up on their feet, real ecstatic. We're giving them two hours and they still want more. It's like a feast. The rhythm is right and when the rhythm is right, life is good. I guess that's what this is
all about.


Mickey Hart interview by John Noyd
MI: You collaborated with some heavy hitters on your new CD. Is it hard to put together a touring band that doesn't stand in the shadow of Zakir Hussain, Sikiru Adepoju or Giovanni Hidalgo
MH: Sometimes when you put all those maestros in a room, you don't get that groove you're looking for. The people in this band have played for twenty - thirty years learning their skills. This group is like a rhythm machine that's really greased. There's eight of us and it's not just guys, this is a different group. We've got ladies, three of them. We're giving the drum back to the ladies. We believe that the first drummers were women. We came from Mother-Goddess cultures and we're starting to find evidence of these large cylinder drums in the Neolithic era. This is the first real evidence of us playing on membranes. Men took it back to the war drum, but the women built a rhythm to bring people together. That was what those fertility cults were about and that's what rhythm and music is all about.


Mickey Hart interview by John Noyd
MI: You're carrying instruments from all over the world on tour. You have a semi full of percussion. Do you find that the band leans towards African rhythms on one night then Carribean rhythms on another? It must be hard to mix so many
cultures.
MH: I was looking at this band a few weeks ago and realized it is really a model of the African Diaspora music. The music that came to us from the Yoruba tradition in Nigeria, that passed into South America and crept up to the Caribbean, then New Orleans. This band tips its hat to those traditions, but adds an electronic zone to it. We're looking at two directions simultaneously, back to the ancient, archaic rhythms of the saints and looking ahead into the digital domain. A double edge sword really. Rhythmically speaking - its fantastic!

Mickey Hart interview by John NoydMI: You've been investigating different world music for decades now, but it's gotten a new life recently with techno dance music and rave culture. "Supralingua," even comes with a bonus disc of remixes. Is gratifying to see an appreciation for something you've been interested in for
years?
MH: We inherited the art music of Europe, but all the original music we have in America - these chants and these rhythms that I'm playing now - really spawned the back beat of the blues and rock and roll and big band and jazz. I look at it as musical trade winds that came to us on the expendable bodies of slaves when they were brought over to the Americas. They came and brought their music, the instrument changed slightly, they Catholicized the names of the saints, but their music remained a constant. The Mississippi River had a big part in this once it hit New Orleans. Haiti had a revolution in the late seventeen hundreds and when it hit everyone escaped to New Orleans. When that happened, the river took it to Kansas City, Chicago. The seeds were planted and the music you hear on the radio is a direct descendent of those rhythms. . 

MI: Why is Africa the cradle of rhythms and not some other place?
MH: When the ice melted around 10,000 BC the Indo-Europeans came down following the herds working their way down to the Sub-Sahara. The Sub-Saharan became a culture unto itself, a very religious spiritual based possession trance religion. That's why it's the cradle of rhythm. In Africa, all of the dance and all of the music is inseparable. For every dance there is a rhythm for every rhythm there is a dance. Community and rhythm were also inseparable. Strong communities had strong rhythms and good music. Their music became their link to the other world, to the spiritual domain. They were going for the trance. That's what they were after. The one real way of getting tranced is auditory driving rhythmic stimulus. When the brain hears the rhythm, it goes into this altered state, it's a raising of consciousness. You know when you hear a good tune, a good groove, you know what happens. It brings a higher, more elevated state of awareness. That is what this is all about, except these ancient cultures used it on a daily basis. They practiced trance daily. I look at it like a rhythm yoga, or sound yoga. Music to me is a form of meditation, it is not simply entertainment for me, it's a way of life.

MI: You have long advocated the healing powers of rhythm, forming the Rhythm For Life Foundation, even appearing before a Senate Subcommittee. How do you take trance meditation and turn it into a concert?
MH: The trick is first to take yourself from here to there and bring it back again. If you do that to yourself and then grab the audience and take them with you then you have succeeded in creating a worthwhile musical experience. A lot of the show is improvisation. I look at it like a rhythm scape. Before we go on we get in a circle and hold hands, say a prayer, bring the spirit down amongst ourselves. That's the first thing you have to do, if you don't have the spirit you can't give it. The whole thing with a great performance is taking the spirit and turning into form. You have to have the spirit in your heart before you go out on to the stage or else you're just shooting in the dark. That's the trick, to go to the edge and not go over the edge because there is a difference between the trancer and the trancee, and we're trancers. If we get entranced ourselves, if we go too far, we lose the facility to play. So we go right to the edge and then pull back. Our responsibility is to nurture the groove and make sure that groove stays hard and doesn't dissipate. We also play the game of going right to the edge and try to ride it all night. That's the trick, to go without losing it. It's surfing, it's rhythm surfing and it's a wild experience. When we're done we are very centered. We are very calm and very high. It's a rejuvenating feeling and a life giving force. You can find a lot of meaning in life at that point, at that moment before the real world starts
closing in on you.

MI: One last question. The name of your new disc, "Supralingua," means, "beyond language." If the music is beyond language, how do you find names for your tunes?
MH: I don't have the idea of what it's about when I'm going into it. I sit back and reflect on it. What image does this conjure? A lot of the stuff that we do isn't fully formed until we've done it. I sit back . I process it. What jumps out at me, what is the spirit of this song? It's all over the map. It really doesn't come from any one place. It's a subliminal thing, subconscious. I dream about it. I do a lot of dreaming. A lot of this "composition" happens in the dream state. All the good stuff comes from down there. I listen to my dreams. I remember my dreams. I practice lucid dreaming. I also draw from my studies over the years. They have given me some insights and an appreciation for the rituals and the sacredness of music around the world.


Article Pages:  1  

Related Links


  Bookmark Us!
   Add to Favorites
  Make Home Page
Purchase Banner Advertising
Customer Login
Subscribe to RSS Feed
Fill out your e-mail address
to receive our newsletter!
Featured Button Ad  

 

  Featured Book

Featured Banner Ad  _

Featured Skyscraper Ad  _

_


_
_








-->