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-Calendar Updated - 2/3/08
-Editorial Updated 1/11/08

January 2008
ON THE COVER:
Beatallica *1/08


INSIDE:
Brew City Sludge 1/08
CD/DVD Reviews  1/08
Crystal Corner Bar 1/08
Eclectic Vibes 1/08
Fair To Midland 1/08
The Honorary Title 1/08
Letter To The People 1/08
Rock Star Death Notices 1/08
The Scarring Party 1/08
Slipped Discs 1/08

December 2007
ON COVER:
Ottoman Empire *12/07

INSIDE:
CD/DVD Reviews  12/07
Coheed & Cambria 12/07
Dan Hicks & the Hot Licks 12/07
Dry Bean 12/07
Fair To Midland 12/07
John 5 12/07


November 2007
ON COVER:
Dropkick Murphys *11/07

INSIDE:
Dad The Plow 11/07
CD/DVD Reviews  11/07
Robyn Hitchock 11/07
Reptile Palace 11/07

-------------------------

Archives:
Alphabetically by Last Name

#1234
30 Seconds To Mars *3/07
48 Hours In Iceland with Last Crack *4/05
420 *3/01
1956 4/05

A
Abstract Giants 10/04
Adema 4/05
Aerosmith *1/07
Alabama Thunderpussy 6/04
All Girl Summer Fun Band
Bernard Allison *6/00
Alston 2/05
Alter Bridge * 9/04
Amen 5/04
American Headcharge * 10/01
Ian Anderson  10/06
Anthrax * 10/04
Anthrax 11/05
A Perfect Circle 12/03
A Perfect Circle * 4/00
Arena Venus
Arrested Development
Asylum Street Spankers *2/07
Atomic Bitchwax
Autolux 10/05
Avenged Sevenfold *7/06
Awesome Car Funmaker *7/05

B
Baghdad Scuba Review 7/07
Beastie Boys/Mix Master Mike *12/04

Beautiful Creatures * 9/01
Black Label Society *7/00
Black Sabbath * 12/98
bloodsimple 2/05
Bif Naked *11/05
Big Sandy And His
Fly-rite Boys
6/99
Big Wu 8/04
Billy Idol 9/05*
Birth Of Tragedy 4/06

Blaqk Audio 9/07
Blind Boys Of Alabama
Blue Man Group * 10/03
Bo Diddley  10/06
Boney Fingers 1/05
Books On Tape/The Demix 3/05
Boris The Sprinkler *7/99

Broken Social Scene 7/04
Lonnie Brooks 9/05
Lonnie Brooks  8/01
Clarence "Gatemouth" Brown *7/00
Jack Bruce  12/01
Bugattitype 35 *8/97
Burden Brothers * 6/04
Built To Spill  9/06
Buzzhorn, The * 8/02


C
Cadillac Pete 6/07
Captured! By Robots *6/05
Calexico 9/06

Carbellion 9/05
Cardia
Canned Heat
Canned Heat 7/07
Cates, Lucas  8/07
Cealed Casket 10/07
Cibo Matto *5/01
W.C. Clarke 9/00
Clutch
Coal Chamber * 2/98
The Cocksmiths *10/07
Coolzey 1/07
Cradle Of Filth 12/04

Cradle of Filth 10/07
Crepitus
The Cummies 7/05
Curran, Nick
CUT The Movie 4/07
Crest/Jack Cracker
The Cribs 4/06 3/04
Cynergy 67

D
Damage Plan * 4/04
Dark New Day 5/05
D.A. Sebasstian *2/05
Days Of The New 7/04
Days Of The New  *8/98

Danzig 10/04
The Dead Kennedys 10/05*
Decapitado * 3/04
Anthony DeCurtis  10/06
Default  12/01
Davis, Rachael 1/06
Deep Purple 4/04
Def Leppard 7/07
Deftones *12/06
Denali 4/04
The Dials 12/05
Dimmu Borgir
Dirty Three
The Dirty Three 10/05*
Disturbed * 8/00
Disturbed 9/05
Dismemberment Plan
Donnas, The * 7/03
Dorsey, Claude * 12/03
Drain S.T.H. * 6/97
Drill 187
Driver 13  9/01
Droids Attack
Droids Attack  12/06

Dropkick Murphys
Drown * 4/99
Drowning Pool 3/04
Drowning Pool * 11/01
Duarte, Chris

E
Eagles Of Death Metal *5/06
Edwards, David "Honeyboy"
El Donk
Electric Hellfire Club * 3/02
Endeverafter  9/06
Evanesence * 2/04

F
Factory 81 *12/00
Fear Factory *7/01
Fingertight
Finger 11 *11/04
Bradley Fish *2/06
Fluid Ounce *3/99

Freshwater Collins 1/05
Future Leaders Of The World 10/04

G

German Art Students
Gingerjake *6/07
Godsmack * 2/99
Godsmack 12/04
Goldfinger 3/05
The Gomers 9/02
The Gomers *4/06

Goo Goo Dolls
The Goo Goo Dolls *6/06
Gov't Mule 11/04
Gov't Mule  11/06
Guided By Voices 6/02
Tracii Guns 5/06

Grade8 * 1/03
Gravity Lost 10/04
Great Girls Blouse  9/01
Green Scene  3/01
Greene, Jackie * 8/03
The Gufs  12/06
Gwar

H
Halford  12/06
Hank Thomas & the Western Starlanders
Heavils, The * 3/03
Helliphant 2/07
HELLYEAH *5/07

Helmet 10/04
Hersh, Kristin 7/03
High Noon Saloon's Cathy Detmers 5/05
Hiss, The 4/04
Hope Conspiracy  10/06
Hot Tuna
Hotwater Music 12/04

Huun- Huur-Tu * 2/03

I
Icon The Mic King 4/07
Infantry Rockers 9/02
Innatrance
Iron Maiden 8/05*

J
Jessie Sykes and the Sweet Hereafter *4/05
JJO Band Camp 7/04
John Paul Jones  11/01
Judas Priest * 8/04

Junkers, The
Justin Hinds 9/00


K
Karl Denson's Tiny Universe 1/05

Katie Todd Band  8/06
Kid Rock * 12/99
Killingtons, The 3/04
King Crimson  11/01
King Gun 9/04
King Solomon
Kittie 7/04
Kodo Drummers 3/05
Korn *3/06


L
Lacuna Coil * 7/04
Ladysmith Black Mambazo
Lamb Of God 11/04
Sam Lay 9/05
Last Crack * 11/02
48 Hours In Iceland with Last Crack *4/05
Last Crack in Amsterdam 6/05
Lavette, Bettye
Tommy Lee *6/02
Les Ballets Africains 3/07
Les Paul 5/07
Les Percussions De Guinee * 1/01
Life Of Agony * 5/98
Little Feat 7/04
Locksley 2/07

Bob Log III
Long, Chris11/04
Long Story Short
Lordi  8/07
Lorenzo Music * 2/98
Lotus 4/06
Lovlies, The


M
Machine Head *9/99
Magic 7 *9/96

Man.. Or Astro-man *10/96
Aimee Mann 6/06

Marilyn Manson *
11/00
Mickey Hart's Planet Drum * 10/98
Midnight Oil *7/02
Midwest Rock Opera Company (MiROC)
Mine
Ministry *3/96
Mississippi Cactus
MOD 7/04
Mofro
Monster Magnet *9/98
Moon Gypsies
Mötley Crüe 12/04
The Motor Primitives 3/07
Moving Parts
Mudride 3/05
Mudride 3/02
Mudvayne *1/01
Mudvayne 3/06

Must *3/05
Muzzy Luctin * 10/99


N
Natty Nation 2003
New Recruits
Nevada Backwards * 5/03
Nickelback
Nine Inch Nails 10/05*
Nomonic 3/04
Nonpoint 12/00
Nonpoint  12/06
North Mississippi All-Stars 9/05


O
O.A.R.  6/07
Oh My God
Osborn, Joan*5/96
Osbourne, Ozzy*12/01
Otep 5/07



PQ
Pantera 2/01
Papa Roach  *11/06
Paramount Records
Pelican 1/07
Pigface
Pimps, The
Poison  9/06
Polysics 10/07
Probers, The
Projekt Revolution  8/07
Psypchedelicasi  *9/97
Puddle Of Mudd * 8/01
Puta Pons 6/01
Q and Not U 3/05


R
Rammstein *12/00
Ray Condo And His Ricochets
Reason For Leaving
Rebels Without Applause *9/00
Red Elvises, The * 4/01
Reel Big Fish  11/06
Reptile Palace Orchestra * 11/03
The Residents *2/01
Rev. Horton Heat * 2/02
Rictus Grin 1/07
Marc Rizzo 3/07

Robert Randolph And The Family Band * 3/03
Roadrunner United 2/006
Roxy Saint 11/04
Rundgren, Todd 4/04

S
The Sadies 9/06
Schwillbillies, The * 12/02
Screamin' Cyn Cyn & the Pons  8/07
Second Coming *5/99
Sevendust * 4/97
Sevendust * 8/99
Sevendust 9/03
Sevendust *2/06
SevenOneFive *4/06
Shadows Fall 7/07
Billy Sheehan  10/01
She Might Have A Gun *3/99

Shinedown
Shotdown
Shot To Hell * 9/02
Siegel-Schwall Band *1/06
Skintones, The
Slayer *1/07
Sleestak 9/04

Slipknot * 4/04
Slipknot * 5/00
Skindred 10/04
Smithereens 1/05
Snooky 8/04

Snopek III, Sigmund 4/04
Jill Sobule 6/06
Something To Do
Eric Sommer 7/07
Southern Culture On The Skids * 5/04
Soulfly * 2/01
Soundtribe Sector 9 2/05
Space 2004
Spiral Seed 4/06
Split Lip Rayfield  *10/06
Static-X *8/07
Stone Sour *10/06

Suite 13
Sunshine For The Blind 1/07
Supersuckers, The * 5/02
Stone Sour *10/06
Stone Temple Pilots *10/00
Story Of The Year 3/04
Stuck Mojo * 4/98
Kasim Sulton 8/01
Sunset Black
Sunspot 6/04
Summerfest History 6/07
Super Deluxe 3/05
The Swanks 9/05
System Of A Down * 9/99

T
Koko Taylor 3/06
Taylor, Otis
Taylor, Otis 6/04
Tenacious D * 4/02
Telenovela 1/05
Terra Diablo 9/07

Tesla 3/04
Tesla *7/07
Thompson, Ed * 10/02
Tiesto 9/07
Tool *9/06
Tony Levin Band
Tormentula * 4/00
Trachtenburg Family Slideshow Players
Trans Siberian Orchestra *12/05
Trinity James 12/05
Trout, Walter 4/04
The Tubes 4/06

U
Ultraspank *7/98
Umphrey's McGee *9/07
Under The Surface 9/04
Union Pulse
Union Underground *6/01

V
Voivod * 4/03

WXYZ
Wakeman, Rick
Wasp 4/01
Webley, Jason 2/06
Wickershams 9/02

Yakuza
Yamagata, Rachel 11/04
Youngblood Brass Band
Zen Guerilla

Factoid/Quote of the Week


"Underneath all that hair, there's a little, tiny, Jewish accountant." Gene Simmon's Wife

Insanity: doing the same thing over and over again and expecting different results.” Albert Einstein

"Good judgement comes from experience, and experience comes from poor judgement."  George Washington

"If the disclosure is true, it's breathtaking. The president is revealed as the leaker in chief." - Representative Jane Harman of California, the senior Democrat on the House Intelligence Committee

"I tell you, he's President George Bush, not King George Bush. This is not the system of government we have and that we fought for," Sen. Russell Feingold, D-Wisconsin:  The Associated Press.

“Priest Holmes told me to never get comfortable. He said that no matter what you’ve done, it’s never enough and that you always have to prove yourself. I think that stuck with me the most since I left.” Samkon Gado - Running Back, Green Bay Packers

"I've never supported him and certainly would never vote for him. I think he's a fool and a man without forethought. I have no confidence in him whatsoever. I think he's an idiot, I really do. He has done nothing to our country but drag it down to the ground." - Ronnie James Dio from an interview in Terrorizer Magazine in UK

"You may lose with me, but you'll never win without me." - Terry Bradshaw

"We are exquisitely social creatures. Our survival depends on understanding the actions, intentions and emotions of others. Mirror neurons allow us to grasp the minds of others not through conceptual reasoning but through direct simulation. By feeling, not by thinking." Dr. Rizzolatti, a neuroscientist at the University of Parma 

 "Which would you rather watch at halftime? Aging rock stars or supermodels playing full-contact tackle football in lingerie?"  former NBA Star Dennis Rodman

"Anything that seeks to rule using fear or guilt can't possibly be divine." Rökker, publisher, Maximum Ink music magazine

"Most rock journalism is people who can't write, interviewing people who can't talk, for people who can't read. -- Frank Zappa, Chicago Tribune - Jan 18 1978

"Leave your ego. Play the music. Love the people." Luther Allison

We don't negotiate with terrorists. I think you have to destroy them. It's the only way to deal with them." Vice President Dick Cheney, NY Times

 


 

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Second Coming - May 1999
Author: Paul Gargano
Added: 02/19/2006
Type: Interview
Viewed: 5469 time(s)
~


  
Second Coming - September 1999

Second Coming

Few will argue the fact that rock music has fallen on bad times. Sure, the music's out there, but by the time you've sorted through the bands whose pants are the only thing drooping lower than their guitar tunings, and ruled out the carefree world of men wearing mascara and lipliner, whose got the energy to look for it? For most, it's just easier to stick to the classics, relying on Led Zeppelin for all-out rock virtuosity, counting on The Doors for a mature spin on the outlandish element, and looking to Jimi Hendrix for a guitar solo worth writing home about.

From the throbbing rock of the band's classically-tinted sound, it's obvious that they share that sentiment. And have targeted their efforts on doing something to fill that void. Clocking in at over seven minutes in length, "Confessional" might not be the most commercially viable cut on their self-titled, Capitol Records debut, but it's definitely the most telling. The most telling of their sound, style, roots and direction.

"Grunge is fuckin' dead," guitarist Dudley Taft responds flatly when asked how Second Coming avoided the trappings of so many of Seattle's biggest success stories. "It may be dead," agrees frontman Travis Bracht, "but it was an historic avenue of rock 'n' roll. It was a whole other scene, and there are trends everywhere." The key for Second Coming-Taft, Bracht, bassist Johnny Bacolas and drummer James Bergstrom-is steering clear of trends and navigating a divergent  path from today's corporate music environment. A path where the integrity of the songs is the focus, image and commercialism are not a concern, and bands are judged by the lasting impact of their music. Second Coming is a swaggering epic that obliterates the lines between their hometown's trademarked grunge sound, and the classic rock backgrounds that make them one of hard rock's brightest prospects.

They channel their energy from "Confessional" into the barbed explosiveness  of "Soft," mellowing to a murmur for the supple strains of "Vintage Eyes," and blasting into the beyond on the hyperactive "Electric Head." They dive to a symphonic depth with "The Song," trample through the darkness on "Tonight (The Goodnight King)" and stir a raucous rumble through "Free." When all is said and done, the  11-cut debut boldly and intelligently surges them ahead of their musical peers.

Take "Travisty," a bittersweet emotional revelation from the singer (the title is a play on Bracht's name) that opens his heart and mind like a window to the soul. "That song took me six months to write, I tore my legs off trying to make everything count, not wasting any lines," says the frontman. The results are a riveting ride through the foster care system that raised Bracht through his tumultuous teenage years. "Writing that song was the classic scene of a writer surrounded himself with crumpled papers, throwing everything away and starting over in the middle of a room full of garbage." But in the end, it was well worth the effort. "It's the first song I've ever written entirely by myself. It was the hardest thing I've ever done, but that's my fucking song. It's the closest thing to having a child, it means a lot."

Is there concern that the sentiment may fall on empty ears when exposed to audiences more concerned with having an energetic outlet than hearing songs of somber self-examination? Hardly. "I like taking the scenic route," Bracht, the band's lyricist, continues. "If you've got to drive from Los Angeles to San Francisco, instead of taking I-5, I'd rather take the 101 and take the scenic route to get there. It's more fun. Besides, I think people like to be challenged. I write for the people who, when they first buy a CD, open the book to read the lyrics. I write for the people that can appreciate the words as much as the music."

Tie that lyrical ethic with a like-minded musical mindset, and Second Coming have an arsenal of songs destined to carry them far. "You need to set the mood with the lights and the music. You need to put people in the mood you were in when you wrote the song," he continues. Hence the audible difference between "The War"-the  sequel to "Travisty"-and the techno-charge of "Electric Head." "

A lot of the bands that have come and gone in the pop arena have been bands that have been all about a certain sound, not necessarily about the songs," says Taft. "We're more about having good songs that will last a long time. Techno stuff may make up 10% of one of our songs, but if that's something that rock grows out of in a few years, that's all right with us. We only use it as a flavor for the rest of the music, we don't depend on it. We don't want to limit ourselves. If we want to do something straight forward, great. If we want something soft, with an orchestra, great. If we want something heavy and guitar driven, great. We view our music as eclectic and powerful, and we're a band that won't limit ourselves."

"There are a lot of little rules that apply to writing a song for the radio, like 'Don't bore us, get to the chorus,' and 'Hurry up and get to the second verse,'" continues Taft, a veteran songwriter who's former band, Sweetwater, received enough acclaim for him to know the hurdles Second Coming has to clear. "I've written songs by those rules before, because I got confused and lost sight. With this band there's a breath of fresh air, I was able to forget all that." Adds Bergstrom: "That's the best part about this band, if there's a real cool riff or a really good groove, none of us are going to try and get out of it. There's nothing worse than when a band gets into a really cool riff, then cuts it short to rush into the chorus."

Remarkably, rock fans have a little-known band called FTA to thank for Second Coming. FTA-the acronym for "Funding the Album," as Bacolas, Bergstrom, Bracht and Taft called themselves-made enough money performing in the Seattle suburbs to record an eight-track debut on their own, pay Kelly Gray (Candlebox) for his role as co-producer with Taft, and fund Second Coming, who played their first show in Seattle proper in July '97, after honing their originals as FTA. "We had already been done with our album for two months when we were signed by Capitol, and we were going to do our own distribution, so the deal was like an added bonus," recalls Bacolas. The band decided to add three songs for the Capitol release, remastered the existing eight, and little more than a year after their first gig as Second Coming, they were on the road supporting their major label debut.

"This has all happened really quickly," sums Taft. "We wanted to record a short CD to put out ourselves and see what happens, hoping it would get us to the next place. The more things happen, the more we realize maybe these are the songs to make something happen... That's what everyone around us seems to be thinking."


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