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bloodsimple

bloodsimple


by Paul Gargano
February 2005

It takes a special kind of band to attract the attention of Mudvayne frontman Chad Gray. That band is bloodsimple.

“People are going to be blindsided by this record, and I can say that with confidence. I think this is my greatest work,” says frontman Tim Williams, who along with guitarist Mike Kennedy, spawned bloodsimple from the ashes of their acclaimed metal-core outfit Vision Of Disorder. While VOD were visionaries on the heavy music front, bloodsimple offered the pair an opportunity to stretch their musical muscles, further expanding their hard-hitting dynamics from sheer aggression and amplified rage, to subtle soundscapes that stress their uninhibited extremes.

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Blue Man Group on the cover of Maximum Ink in October 2003 - photo by Christopher McCollum

Blue Man Group


by Andrew Frey
October 2003

The official Blue Man Group website, Blueman.com, states, “Blue Man Group is a creative organization dedicated to creating exciting and innovative work in a wide variety of media.”

Sometimes musicians are creative. Other times they are original. Occasionally they smash thru the basic trapping of genre rules and create category defying experiences unlike any other. The critically acclaimed Blue Man Group is just such a performance experience.

Perhaps you first saw BMG on those unique Intel Pentium television commercials, or maybe you have seen them on one of their numerous “Tonight Show” appearances, (13 to date, see www.bluemanlibrary.com). Or maybe you were one of the lucky ones to see their crowd pleasing set on “Moby’s” AREA 2 tour in 2002. Perhaps you have visited one of their permanent locations and witnessed their great theatrical performance. Where ever you may know them from, their trademark cobalt grease paint faces, funky yet technical performances and PVC drums leave an indelible impression.

The founding three members of BMG, Chris Wink, Matt Goldman and Phil Stanton started creating their own unique brand of multisensory experiences as early as 1988 on the streets of New York. Then, after a breakout run at LaMama (New York’s most prestigious experimental theatre) in 1990, they landed in the Astor Place Theatre in 1991 and have been there ever since. With this flagship venue in place, BMG kept expanding into more major market areas. To date BMG has permanent locations in New York, Boston, Chicago, and Las Vegas, with plans for a new Berlin troupe set to open in 2004. The organization has grown into a franchise comprised of over 500 employees including nearly 100 performers and musicians.

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Madison's Blueheels

Blueheels


by Mike Huberty
December 2008

With an Americana sound that varies from alt-country to rock n’ roll to indie rock, Madison-based band Blueheels sound perfectly modern and vintage at the same time. The band has two recordings under their belt (2006’s Long Gone and Lessons in Sunday Driving released in April of 2008), a live album soon to come, and a third studio record in the works. They seem to be keeping themselves busy creatively, while also keeping a regular and extensive performing schedule.

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Bo Bice

Bo Bice

from American Idol to pop star
by Tina Hall
August 2010

Bo Bice first came to the attention of his fans everywhere when he finished second to Carrie Underwood on the fourth season of American Idol. Since then he has enjoyed a successful solo career. His third album 3, is a joint release from the SugarMoney/Saguaro Road labels. It features performances by The Black Crowes drummer, Steve Gorman and A.J Croce (son of Jim Croce) on keyboard.

Maximum Ink: Your mother was a gospel singer and your father played guitar. Did their influence have a major impact on your decision to become a musician?
Bo Bice: Of course, I think every family member contributes in different ways to an artist’s music whether it’s directly or indirectly. I known I’ve drawn inspiration from memories both good and bad from childhood experiences and on down the line.

MI: You were originally from Alabama and later moved to London. Was there much of a culture shock? How did the exposure to the cultures of both places affect your musical style?
BB: Living in London was extremely different from living in the states. But I have many fond memories of the UK and my time there. I started my first band at age 14 in a little town called Gerrards Cross and without my time and travels in Europe, I’m not sure I would be where I am today.

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Bobaflex

Bobaflex

An interview with guitarist/vocalist Shaun McCoy
by Aaron Manogue
April 2011

We’re all swamped within the information age and bombarded with less than adequate bands that spew out music just to keep their record label at bay. However, very seldom do we have the pleasure of hearing a band stay true to their fans and themselves without ever selling out. In a nutshell, the aforementioned describes one of the most genuine hard rock bands out there today. The guys in Bobaflex have been in the business for years now, and through struggles inside and outside the industry, they’ve managed to stay relevant and remember how to play their trademark, soothe your soul one minute, kick your ass the next, rock and roll. Maximum Ink sat down with Bobaflex guitarist and vocalist Shaun McCoy to talk about what they’ve been up to and what they have in store this summer for our ears’ pleasure.

Maximum Ink: What’s Bobaflex been up to for the past year or two?
Shaun McCoy: Well, a little ways back our record label went bankrupt, so we ultimately had to fight a legal battle with regard to the t-shirts and touring. Once we got through that, we started to record a new album called, Hell in My Heart. We paid for the album, for every recording, and for the producer ourselves. Right now we’re working on a late spring, early summer release.

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Bobaflex

Bobaflex

An interview with vocalist and guitarist Marty McCoy
by Aaron Manogue
September 2011

As most of you know, the music industry is such an incredibly volatile place right now. With the ever increasing emergence of digital downloads, online radio, and other technologies constantly changing the landscape, it makes it even harder for bands to survive or make a decent living at their art. That’s why it’s so hard to meet bands that are truly good people and in it for the right reason; to make kick ass music that people genuinely relate to and enjoy. The epitome of this type of band has to be the good ‘ol boys from West Virginia, Bobaflex. Never have I come across a group of super-talented musicians who are humble and down to Earth. They’ve been through just about every bullshit situation a band could go through and survive yet Bobaflex has done much more than that. They’ve taken the situations they’ve had to deal with and let it make them even stronger. Vocalist and guitarist Marty McCoy talks with Maximum Ink’s Aaron Manogue about the band’s new album “Hell in My Heart,” System of a Down, Simon & Garfunkel and 94.1 WJJO.

Maximum Ink: Talk to me about playing WJJO’s Taste of Madison stage Labor Day weekend with that kickass backdrop and playing for JJO again. What’s it like?
Marty McCoy: Oh my gosh, man! It just feels like; I don’t even know what it feels like! When I was looking at that capital singing, I was just like, “Sing your lines and quit staring at the background.” JJO and Madison, Wisconsin is just one of those places that are blue-collar, hard fucking rock towns. That station is so cool, it does what it wants and you can actually call the program director (Randy Hawke) and he’s nice as hell, he takes chances and he listens. He reads all the numbers and stuff but he takes chances on bands that he thinks are cool. And that’s the way the town is, the way that station is; Madison just has that vibe that everything is cool man.

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Green Bay's Other Hero's: Boris The Sprinkler, on the cover of Maximum Ink in July 1999

Boris The Sprinkler


by David A. Kulczyk
July 1999

When you think of Green Bay, there is only one thing that comes to mind, it’s the hometown of that zany punk rock band, Boris the Sprinkler. These Pop Culture abnormalities are so endeared in their hometown that the mayor has proposed to change the name of their obscure football team to “The Green Bay Sprinklers” and the name of the stadium to “Reverend Norb Field.”  Who the hell is Reverend Norb and Boris the Sprinkler, you may ask?  Well sit down, pop a beer, light a cigarette and read on, but I must warn you that after you’re done reading this article, you may know less about the Pride of Green Bay than before you picked up this paper. Formed by vocalist and former writer for Maximum Rock and Roll, (not to be confused with Maximum Ink – the paper in your hands) Reverend Norb, super guitarist Paul #1 and a revolving door rhythm section in 1992.  They were and still are influenced by the more zany side of punk rock music, The Dickies, Rezillos and The Ramones.  “Every talentless idiot like me,” confided Reverend Norb, “learned how to play music by listening to The Ramones.”

They released an uncountable number of 45’s, split 45’s, EP’s, LP’s and CD’s, [Although, research put the number at 6 full-length albums and 19 singles].  “For awhile there,” said Mike Sykes, former owner of Milwaukee’s Stinky Record Exchange, “it seemed like Boris the Sprinkler were releasing a record every week.  I couldn’t keep up and had to dedicate the entire store to them.  I went out of business one month later.”

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