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Blind Boys of Alabama


by Dave Leucinger
January 2003

Ricky McKinnie of the Blind Boys of Alabama interview

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Blind Boys of Alabama

Blind Boys of Alabama

An interview with singer Jimmy Carter
by Tina Hall
May 2011

It’s not every day that you find music which has earned as many awards as The Blind Boys of Alabama. They are, without a doubt, one of the most highly respected acts in Gospel music with five Grammy awards, and an induction into the Gospel Music Hall of Fame. They have also found respect in relation to The National Endowment for the Arts with their Lifetime Achievement Awards. They were formed in 1939 and have a history that is as rich as their sound. Currently members include Ben Moore (vocals), Bishop Billy Bowers (vocals), Jimmy Carter (vocals), Eric “Ricky” McKinnie (drums/percussion/vocals), Joey Williams (lead guitar/vocals), Tracy Pierce (bass), Peter Levin (organ), and Clarence Fountain. Their latest album, Take The High Road, features music that could have easily been as appealing to past generations as it is today. The album showcases the band at its best, debuting on the Americana Radio Chart at #27. With Jamey Johnson co-producing and offering guest vocals, along with the likes of Willie Nelson, Hank Williams Jr., Vince Gill, The Oak Ridge Boys, and Lee Ann Womack, the album offers music with soul. Maximum Ink caught up with Jimmy Carter and spoke with him about gospel music and their new album.

Maximum Ink: Do you consider yourself privileged to be working in an act that is so steeped in tradition?
Jimmy Carter: Indeed. I consider myself very lucky to be part of The Blind Boys.

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Blind Melon in Maximum Ink in March 2008

Blind Melon


by Mike Huberty
March 2008

The two associations that Blind Melon will always have are with the girl in the yellow and black bee costume from the video for their 90’s alternative chestnut, “No Rain” (a tune which reached #20 on the Pop Charts and even earned a Weird Al parody), and the drug overdose of their original lead singer, Shannon Hoon, in 1995. Indeed, when I met him as a underager in 1993 after sneaking into Marquette University in Milwaukee to see them, drugs was a subject he mentioned almost immediately. Although an album of outtakes and live performances followed (named Nico after the newborn daughter Hoon left behind) and the band went on a search for a new singer, the public would not accept them and the band broke up before the end of the decade.

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Tola of Blog 27

Blog 27

An interview with singer and songwrter, Tola
by Tina Hall
September 2010

Polish skater punk/punky hip hop/pop Blog 27 won the MTV Music European Award in 2007, making Tola the youngest artist to win that ever. The band received a 4 star rating from Blender magazine in 2008 who dubbed Tola the ” Polish Ashlee Simpson”. The single, Hey Boy (Get YourAss Up) was listed as one of the best singles of 2006 by ABC News. Tola and the band also were a European Border Breakers Award winner in 2007.

Maximum Ink: Can you tell us a little about where you are from, who you are, and what makes you tick?
T: I’m from another dimension, that slightly differs from the reality I’m living in right now. I’m a creature born on the streets of art. Honesty makes me tick, real people and seeing the things the way they are.

MI: At what age did you know you wanted to be a professional musician? What do you think you’d of liked to become if not that?
T: I was about three when my mind started projecting the image that I’m bringing into reality today. I feel like I didn’t really choose to become an artist, it’s been inside me. I have hobbies but none of them come close enough to being as serious as my goal of becoming a successful singer.

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bloodsimple

bloodsimple


by Paul Gargano
February 2005

It takes a special kind of band to attract the attention of Mudvayne frontman Chad Gray. That band is bloodsimple.

“People are going to be blindsided by this record, and I can say that with confidence. I think this is my greatest work,” says frontman Tim Williams, who along with guitarist Mike Kennedy, spawned bloodsimple from the ashes of their acclaimed metal-core outfit Vision Of Disorder. While VOD were visionaries on the heavy music front, bloodsimple offered the pair an opportunity to stretch their musical muscles, further expanding their hard-hitting dynamics from sheer aggression and amplified rage, to subtle soundscapes that stress their uninhibited extremes.

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Blue Man Group on the cover of Maximum Ink in October 2003 - photo by Christopher McCollum

Blue Man Group


by Andrew Frey
October 2003

The official Blue Man Group website, Blueman.com, states, “Blue Man Group is a creative organization dedicated to creating exciting and innovative work in a wide variety of media.”

Sometimes musicians are creative. Other times they are original. Occasionally they smash thru the basic trapping of genre rules and create category defying experiences unlike any other. The critically acclaimed Blue Man Group is just such a performance experience.

Perhaps you first saw BMG on those unique Intel Pentium television commercials, or maybe you have seen them on one of their numerous “Tonight Show” appearances, (13 to date, see www.bluemanlibrary.com). Or maybe you were one of the lucky ones to see their crowd pleasing set on “Moby’s” AREA 2 tour in 2002. Perhaps you have visited one of their permanent locations and witnessed their great theatrical performance. Where ever you may know them from, their trademark cobalt grease paint faces, funky yet technical performances and PVC drums leave an indelible impression.

The founding three members of BMG, Chris Wink, Matt Goldman and Phil Stanton started creating their own unique brand of multisensory experiences as early as 1988 on the streets of New York. Then, after a breakout run at LaMama (New York’s most prestigious experimental theatre) in 1990, they landed in the Astor Place Theatre in 1991 and have been there ever since. With this flagship venue in place, BMG kept expanding into more major market areas. To date BMG has permanent locations in New York, Boston, Chicago, and Las Vegas, with plans for a new Berlin troupe set to open in 2004. The organization has grown into a franchise comprised of over 500 employees including nearly 100 performers and musicians.

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Madison's Blueheels

Blueheels


by Mike Huberty
December 2008

With an Americana sound that varies from alt-country to rock n’ roll to indie rock, Madison-based band Blueheels sound perfectly modern and vintage at the same time. The band has two recordings under their belt (2006’s Long Gone and Lessons in Sunday Driving released in April of 2008), a live album soon to come, and a third studio record in the works. They seem to be keeping themselves busy creatively, while also keeping a regular and extensive performing schedule.

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