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Cradle of Filth

Cradle Of Filth


by Andrew Frey
December 2004

A grim figure stepped up to the mic and began “Your misery is worn as a veil, To hide bewitchment of the ugliest kind, In place of Eve, a bitter parody hails, Daggers from the swagger of a sodomite’s concubine.” Then the vocalist raised his hands up and screamed the chorus, “Gilded cunt…you gilded cunt!” before launching into the next verse.

For the uninitiated, “Cradle Of Filth” is Britain’s premier erotic black metal band. They have been shocking and stunning fans around the world for well over a decade. Outside of the 11 or so CDs available, they have been pumping out a proverbial onslaught of vile merchandise for the black masses. Rings, posters, stickers, shot glasses, pendants, t-shirts, computer icons, wallpapers, and so much more! Most of the merchandise has their trademark vampiric appearance and often shows off partially clad, (fake) blood splattered females.

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Crispin Hellion Glover

An interview with Crispin Hellion Glover
by Tina Hall
January 2014

Crispin Hellion Glover is a man of many talents. He has worked as an actor, screenwriter, director, author, publisher, and recording artist. His best known roles such as George McFly in Back to the Future, the Thin Man in both Charlie’s Angels flicks, Willard Stiles in the remake of Willard, Grendel in Beowulf, The Knave of Hearts in Tim Burton’s Alice inWonderland, and Phil in Hot Tub Time Machine make him one of the most recognizable faces in film.His own company Volcanic Eruptions publishes his lavishly illustrated books and delightfully twisted films. Currently he is set to tour in select cities to promote Crispin Hellion Glover’s Big Slide Show with showings of his filmsIt is fine.EVERYTHING IS FINE! & What is it? Please see his site for specific dates.

Maximum Ink: Can you tell us a little about yourself? What were you like as a kid? How do you think you early years influenced you to be who you are now?
Crispin Hellion Glover: I went to a small private school called Mirman School for Gifted Children. It was an excellent school that was academically oriented. The school was an influence to let me understand that questioning things was very good.
MI: What first led you try your hand at acting and when did you know if was what you had to pursue as a career? Do you think your parents being actors themselves was a positive influence on you to follow your dreams?
CHG: I was in school plays and such, but having watched my father’s career I understood, to a certain extent, how the business worked. I decided it would be something I could do at around age 11. I got an agent at age 13. My parents did not push me into the business. It was something I decided to do by my own volition, but my parents were supportive.
MI: Do people find it hard to believe that Hellion in your middle name? It is a very cool name to carry, are you glad to have it?
CHG: My father Bruce Glover is an actor as I’ve said. In fact he is in Part two of the trilogy It is fine! EVERYTHING IS FINE! People may know him from such films as Diamonds are Forever, Chinatown and the original Walking Tall series. His middle name is Herbert. He never liked his middle name Herbert. So as a young struggling actor in New York he would say to himself “I am Bruce H. Glover, Bruce Hellion Glover. I am a hellion, a troublemaker.” And that would make him feel good. He told my mother this was his real middle name. When they were married she saw him writing on the marriage certificate Bruce Herbert Glover and she thought “Who am I marrying?” They gave Hellion to me as my real middle name. I had always written and drawn as a child and I would always sign my drawing and writing with my whole name Crispin Hellion Glover. When I started acting professionally at 13 which was something I had decided on my own I could do as a profession at a relatively young age it became apparent that I had to choose a professional acting name for SAG. I thought my whole name was too long for acting and just used my first and last name. When I started publishing my books I simply continued using the name I had always used for writing and drawing. This is also why I use my whole name for my films.

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Cycle of Pain

Cycle of Pain

An interview with Singer/Guitarist Gregg LoCascio
by Tina Hall
April 2012

Cycle of Pain was formed by John “Jd” DeServio of Black Label Society. Along with members Gregg LoCascio and Joe Taylor the band has been working together since DeServio was 15, a very impressive record these days. The band has a heavy sound that is pure rock at it’s finest. The single “Do My Work High” from the self titled debut, featuring Zakk Wylde(Black Label Society) and Sen Dog(Cypress Hill) took the award for Best Pot Song at High Times Magazine in 2010. I was honored to sit down with Gregg to find out more about one of the best upcoming acts in the business.

Maximum Ink:Since there isn’t much about you out there, can you tell us a little about your background? Where are you from and what makes you tick?
Gregg LoCascio:  Well I’m born and raised in Old Bridge, New Jersey. Started playing drums at 4 1/2 years old up til the present day, started singing in about 1990-1991. I love most kinds of music, mostly classic rock and metal! Love Jazz! All kinds of shit!  Sports, Baseball, football and Major hockey fan!  What makes me tick? Good friends and family and I’ve been busting ass as a plumber pretty much all my life.

MI:Do you remember when you first met Jd? What was he like back then?
GL: The first time with John was on the phone, someone I jammed with knew two dudes, a guitar player and bass player (JD) that needed a drummer so he gave em my number. John called me and we were into all the same shit so they headed over and I believe the 1st tune we played was Wrathchid ( from Iron Maiden) then Mr. Crowley (Ozzy) and it was awesome! We just became brothers
off the bat!  He (John) was just a rambunctious little dude who blew me away the way he played! Little Steve we called him (Steve Harris) we were big Maiden Heads!  He’s still the same just more cultured in music and life as we all are.

MI:He has said he was 15 when the band formed. Are all of you roughly the same age? Do you ever miss those early days?What where they like if you don’t mind my asking?
GL: Yeah we were 14 then when Joe joined we were 15.  All the same age give or take a few months. Sure I miss them, they were awesome! Just carefree partying and jammin. We always had a lot of friends around, there was always a party somewhere, and we’d play at one here and there. Awesome!

MI: Any amusing stories from back then you might not mind sharing?
GL: Oh Jeez! Ha Ha Ha that’s a long time ago! I remember we took a break from jammin one day, got stoned and went down to the local pizza joint where we laughed our asses off at John shoving a wide slice of pizza in his mouth and we got kicked out for that! We were 15 then. I’m sure there’s more but my brain is shot ( laughs).

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Cycle of Pain

An interview with John DeServio of Black Label Society and Cycle of Pain
by Tina Hall
January 2014

Cycle of Pain is one of the most unique bands on the scene today. With members who have also been friends since their teenage years, it has a certain loyalty that has kept it intact through the years. Comprised of John “Jd” DeServio (also of Black Label Society) on bass and vocals, Gregg LoCascio with lead vocals, Joe Taylor on guitar, Bob Panetella on the drums, and Troy Cromwell on keys. The highly anticipated EP Pain Us! is slated for release in early 2014. With the excitement building it was my pleasure to catch up with John to find a little more about the latest offering.

Maximum Ink: For those who might not be familiar with the band, can you tell us a little about how it came into being? 

John DeServio: We’ve been friends and in bands together since we were 14. I got offered a record deal in 2009 and got the band back together.

MI: Do you think the fact that some of you have know each other so long now, has made it easier to keep the band progressing and working well?

JD: To some degree. On the other hand we?e brothers so there’s some hate in there too at times. (laughs)

MI: Do you think loyalty is a rare thing in the music industry today?

JD: Yeah, that’s a thing of the past. If you don’t sell you get no loyalty.

MI: Do you remember what it was that first sparked your love of music?

JD: KISS is solely responsible.

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Domenico Mimmo Capuano

Domenico Mimmo Capuano

An interview with the Italian composer/producer/musician
by Tina Hall
April 2011

Domenico Mimmo Capuano is an Italian musician, composer, and producer who won three platinum record awards in the US, 14 gold records in the UK, and from various other countries. He collaborated with several international artists such as Toni Braxton, Kool and the Gang, S Club 7, and more. Previously, he studied at the G. Verdi Conservatory of Music in Turin, Italy. To date, Domenico’s work appears on 33 albums.

Editor’s Note: Domenico’s native language is Italian; however, the interview was conducted in English. His choice of words and phrases were charming and honest, so much so that to share this experience of really meeting “MeeMo,” as he likes to be called, his answers are in the way he spoke them.

MaximumInk: Were you born and raised in Turin? How would you describe Italy to those of us who have never seen it?
Domenico Mimmo Capuano: First of all, Hello to all the person reading my interview, and I’ m sorry for my English. I was born in Italy in Turin, one of the most amazing city in Italy, the citizen of Turin was calling her “The Little Paris.” I love my country and also my city. Italy is the place where born the cultures, there was Rome Imperium, there is the Pope and Vatican. In Italy there is the sun and the snow. There are many awesome views: Tuscany with medieval Castile and Church, Venezia the city on the water, you know, I could stay here for hours to talk about my country, but Italy is the place where everything is possible, like USA, yes. I’ m proud to be Italian.

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Jentri Collelo

Jentri Colello


by Dan Vierck
August 2008

Jentri Colello could fool anyone. The band has been together for less than two years, this incarnation for less than six months, and the lead singer and initial song writer, Jentri Colello has only been playing slightly longer than the band has been together. Regardless, Colello is as confident on stage with her songs as any pro, having survived a weekly spot at the Local Tavern for some time and backed by a band of two long-time friends who have been playing since birth.

Colello is quick to clarify that this is not a solo singer songwriter operation with a backing band. “I’ll play [what I’ve been working on] probably halfway through and they’ll jump in and do whatever. It’s really relaxed. I prefer not too give them any guidelines because I think the best part about playing with other people is seeing how they hear it and then seeing how they manipulate it.”

Her name, it seems, was simply the best name they could find. “We were originally playing under a band name and the guys said, ‘Your name is kind of a cool name, it kind of sounds like a band name anyway, lets just play under that.’ I could really care less, but at the same time, I was a little bit apprehensive because as soon as people hear just a name think it’s just another singer-songwriter, they’re not going to bother. They [the band] have so much say in how the songs are completed. I really, really hate taking anymore credit than they do.”

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Les Claypool

Les Claypool


by Andrew Frey
March 2009

Conjuring questions for Les Claypool brought forth memories of the past to mind. I quite vividly recall the first time I saw the astounding grand bass flailer. A friend and I drove from Denver to Boulder to hear Primus play. On the way to the show we anxiously listened to a warbled and horribly warn cassette of “Suck on This.” Maybe 100 or so people were in attendance at the bar called “Tulagi’s on the Hill” for the “Suck on This” tour stop. Nothing could have adequately prepared me for what we witnessed and experienced that night. My life has never been the same since.

However, many roads have been traversed since then. Countless tours, numerous albums and incessant musical creativity have brought us to this point. As the summer looms ahead, Les Claypool has seized the opportunity to bring a new spin on entertainment to the people with something dubbed “The Oddity Faire.” In a recent e-mail interview, I asked Les a few questions about the tour, the new album, and movies.

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