Grade8
by Sarah Klosterbuer
January 2003
an interview with Dustin Tooker of Grade8
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Gingerjake
by Rachelle Blair
June 2007
An interview with guitarist Ian Severson of Minneapolis band Gingerjake
Godsmack
by Paul Gargano
February 1999
Every so often, a band comes along whose impact on the music scene is a can’t miss proposition. Godsmack is one of those bands. They slam with an intensity that never misses a beat, grind in a groove as thick and syrupy as Jane’s Addiction, and deliver their crushing musical blows with a callous irreverence reminiscent of early Alice in Chains. The proof is in their self-titled debut (Republic/Universal Records), a blast of aggravated fury that shreds with tribal tones and barbed-wire hooks that burrow under the skin. With lead single “Whatever” taking command at rock radio, sales well in excess of 100,000, a trial-by-fire opening run for Sevendust to close ‘98 (their first departure from the friendly confines of the Northeast, where they call Boston home), and an offer on the table to take part in this summer’s OZZfest, what started as a sucker-punch is turning into full-fledged fisticuffs from Godsmack. Currently criss-crossing America on their second headlining club run (the first ended in mid-February) we caught up with frontman Sully to talk about his band’s rapid rise.
The Gomers
by Mike Huberty
April 2006
Very few bands can say that they have had the mayor name a day after them (Feb. 1, 2003), and when it comes to Madison area bands, very few (if any) have matched the longevity, durability, or diversity of The Gomers. As guitarist Biff Blumfumgagnge explains, when they formed in 1986, “the band was initially a goofy punk project to entertain bored Emerald Choir members after rehearsal. Well, I had a bunch of silly songs, and so did Gordon. The early shows were theme-heavy (meat and toys, have a nice day) affairs with sometimes just a three-piece of Gordon and I and a rotating drummer that established a base of goofy songs about fish, alien abduction, antennae, big ideas and such. That was Gomers part 1.”
The Gomers Part Two was established as a Comedy Sportz band around 1988, which prompted them to learn a gi-normous amount of cover tunes, as well as beginning their, according to Biff, “bizarre and creative” musical exploration, often being compared to Zappa. The period included shows with national acts like Mojo Nixon and Molly Hatchet, as well as Wisconsin greats like Poopshovel and Couch Flambeau.
The Goo Goo Dolls
by Paul Gargano
June 2006
From their days as an indie-rock band with punk roots on an upstart Metal Blade Records in the late-‘80s, to their present status as one of the premier Top 40 rock bands in America, the Goo Goo Dolls have been defined by a single constant: Damn-near perfect songs. With the May release of Let Love In, the band’s eighth studio album and tenth release overall, frontman John Rzeznik and bassist Robby Takac have returned with eleven tracks ripe for radio and primed to conquer mainstream America. Days after completing a six-week club tour that debuted the new material, Maximum Ink caught up with the bassist to discuss the evolution of the Goo Goo Dolls, and life as a pop culture staple.
Jackie Greene
by David A. Kulczyk
August 2003
Jackie Greene has often been called an overnight sensation, but his overnight success took six years. “I don’t want to say that I’ve paid my dues, but I kind of have,” said Greene. “I’ve played since I was 16 in stupid little clubs, just myself, and got paid shit to do it. I had to go outside on breaks because I wasn’t 21.”
Now 22, Jackie started playing piano when he was very young, took a few lessons, but eventually quit and taught himself. Then, after a Metallica-Guns and Roses-Nirvana preteen stage, he started listening to the Rolling Stones, Led Zeppelin and The Beatles . Working his way backwards, he went through his parent’s record collection and discovered Ray Charles, Muddy Waters and Mississippi John Hurt. His life changed completely. He dove into American roots music and never looked back. Inspired by Tom Waits and Bob Dylan, Greene decided to start writing his own material.
The German Art Students
by David A. Kulczyk
March 2003
The German Art Students are in a time vortex and they are happy about it. Formed in the summer of 1997 by Kirk Wall and Andy Larson and joined by Annelies Howell and Randy Ballwahn the next year, GAS detained the 80’s sound of their college when every city had it’s own sound and you risked getting attacked by rednecks and frat boys for not looking like them. People like The German Art Students fought for your look and so it is their prerogative to play like it’s still 1984.
Over the years they have gather much press and praise and in 2001 they were one of the top 50 finalists for the Coca-Cola New Music Award presented by the American Music Awards and sponsored by CMJ. Rock and Roll legend Dick Clark personally gave them a listen. They’ve also gotten some great opening slots for Half Japanese, The Poster Children, Jonathon Richman, Gigolo Aunts, House of Large Sizes and The Returnables. With the press drooling over their latest CD, “Kissing by the Superconductor,” and performing like the early The Who in just about every municipality, burb and metropolis between Chicago and Brainard, MN a lot has been written about the German Art Students but here are some things that you didn’t know.
