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Godsmack publicity photo

Godsmack - 2004


by Mike Huberty
December 2004

Godsmack’s drummer, Shannon Larkin freely admits, “The original intent of our acoustic record was selfish. We just wanted to do it for ourselves because we enjoyed it, but we were lucky enough to raise the ceiling and be allowed by our fans to do an acoustic tour.” Allowed seems a funny word when talking about it because at the time he was talking about it, the Orpheum Theatre in Madison was filled to capacity with a crowd of hungry Godsmack fans who absolutely demanded to hear the “other side” of Godsmack’s now-immensely popular alternative (not quite nü, but different from old school) metal. The night before they had played in Green Bay doing their full electric set opening for the Metallica juggernaut and you could recognize many of the same faces had traveled to Madison to see their acoustic show (even the same WI GODSMCK license plate was seen in the audience.)

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Goldfinger

Goldfinger


by Lane Klozier
March 2005

Back in the mid 90’s, the illustrious Darrin Pheiffer of Goldfinger relocated from his beloved Canada to the balmy shores of southern California. While working at Starbucks in L.A., assistant manager status eluded him when he met guitarist John Feldmann. At first, Feldmann hated him. Irritated by Pheiffer’s nonchalant braggadocio concerning his percussive prowess, he dared him into an audition.

Pheiffer, influenced by hardcore (as well as reggae) based acts such as The Clash and The Police, is now recognized as one of the fastest, hardest hitting drummers to ever emerge out of California’s punk/ska scene.

The band gelled, and their self titled debut garnered airplay with hits “Here in Your Bedroom,” and “Mabel.” Not resting on their laurels, the boys became one of the hardest touring acts around, teaming up with bands such as No Doubt to packed houses. A hard core fan base was built, yet another hit never surfaced.

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Madison's The Gomers on the cover of Maximum Ink in April 2006

The Gomers


by Mike Huberty
April 2006

Very few bands can say that they have had the mayor name a day after them (Feb. 1, 2003), and when it comes to Madison area bands, very few (if any) have matched the longevity, durability, or diversity of The Gomers. As guitarist Biff Blumfumgagnge explains, when they formed in 1986, “the band was initially a goofy punk project to entertain bored Emerald Choir members after rehearsal. Well, I had a bunch of silly songs, and so did Gordon. The early shows were theme-heavy (meat and toys, have a nice day) affairs with sometimes just a three-piece of Gordon and I and a rotating drummer that established a base of goofy songs about fish, alien abduction, antennae, big ideas and such. That was Gomers part 1.”

The Gomers Part Two was established as a Comedy Sportz band around 1988, which prompted them to learn a gi-normous amount of cover tunes, as well as beginning their, according to Biff, “bizarre and creative” musical exploration, often being compared to Zappa. The period included shows with national acts like Mojo Nixon and Molly Hatchet, as well as Wisconsin greats like Poopshovel and Couch Flambeau.

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The Goo Goo Dolls on the cover of Maximum Ink in June 2006

The Goo Goo Dolls


by Paul Gargano
June 2006

From their days as an indie-rock band with punk roots on an upstart Metal Blade Records in the late-‘80s, to their present status as one of the premier Top 40 rock bands in America, the Goo Goo Dolls have been defined by a single constant: Damn-near perfect songs. With the May release of Let Love In, the band’s eighth studio album and tenth release overall, frontman John Rzeznik and bassist Robby Takac have returned with eleven tracks ripe for radio and primed to conquer mainstream America. Days after completing a six-week club tour that debuted the new material, Maximum Ink caught up with the bassist to discuss the evolution of the Goo Goo Dolls, and life as a pop culture staple.

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Goo Goo Dolls

Goo Goo Dolls


by Lane Klozier
March 2003

Way back in 1985, a Buffalo, NY band called The Sex Maggots was busy evolving into what would eventually become The Goo Goo Dolls. After ten years of moderate success in the indie market, TGGD honed their Replacements meets REM sound into every major label’s dream.  It seems that, while many critics sell them short when it comes to depth and impact, TGGD, since their 95 release of ” A Boy Named Goo” and its’ hit single Name, keep churning out albums that contain at least one or two power ballads that are for some reason, irresistible. Currently the boys are touring in support of their latest CD, ” Gutterflower,” which has been hailed by many as their best yet. In a recent interview, the bass player/vocalist Robby Takac.

LK: Good morning.
RT: Hey man, where ya callin’ from?

LK: Milwaukee, WI
RT: Milwaukee? Hey man we really love Milwaukee…. Summerfest, The Safe House…all of that!

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Goo Goo Dolls

Goo Goo Dolls


by Justin Beckner
July 2010

The Goo Goo Dolls are back with a new album due out in July. The Goo Goo Dolls have remained a staple of alternative rock since they first emerged from the streets of Buffalo, NY in 1986. In the following interview with bassist Robby Takac, we discuss the new album and explore what has made them so perseverant over the years. 

MI: Tell me about this new album, “Something For The Rest Of Us”.
RT: It’s certainly been a labor of love man, we’ve been working on it for what seems like 80 years. We did the basic tracking in a studio in Buffalo, NY which is were Johnny and I grew up. It was at a place called track master back when we were kids, we cut our first few records there. We went back this time and basically redesigned the whole studio and remodeled and put in some amazing gear. That took a couple months and then we did some writing and recording, then we went out to LA to finish the record. We worked out there with a guy named Tim Palmer. Then we had a little bit of time to sit around and listen to the record because the release date for it got pushed back. So that was a luxury we never had before. Usually you turn your masters in and it goes right to the stores and you run around kicking yourself in the ass because you didn’t have time to change some things you want to change. But we had some time, so we went back in and fixed some things up before the record came out. And it turned out that we got a lot deeper than we thought we’d have to and we ended up doing some work with Butch Baag who actually worked with Soul Asylum for a little bit, and we ended up mixing it with our live sound guy who’s out on the road with us right now.

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Sarah McIntosh

The Good Natured

An interview with singer and songwriter Sarah McIntosh
by Tina Hall
September 2010

The Good Natured (aka Sarah McIntosh) is not the typical work you’d expect from a 19 year old, especially with songwriting that tends to lean towards the darker side. The band is also includes members Hamish McIntosh and George Hinton. The new single Be My Animal is due to be released on November 1st by the indie label KIDS with Prisoner being the B-side. Both tracks were mixed by Adrian Bushby, who’s also worked with Foo Fighters and Muse.

Maximum Ink: There isn’t much about you out there yet. Can you tell us a little about where you are from? How does coming from where you have impacted your musical style?
Sarah McIntosh: I’m Sarah, I am 19 and I live in a village called Highclere in Newbury, Berkshire. Highclere’s a nice little village. It has its own castle where Peter and Jordan got married. Nice. I wouldn’t say where I live impacts my musical style at all, it’s probably impacted more by the way I have been bought up around my grandparents and parents record collection.

MI: How would you describe The Good Natured sound?
SM: I would say its electronic pop with a darker element, that’s how I see it anyway.

MI: What led you to form this band?
SM: I have always enjoyed music, I used to play the violin, the drums and sang in a youth choir when I was younger. I formed the band out of a love for music, but also a need to express myself.

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