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Danny Johnson

Danny Johnson

by Mike Huberty
November 2009

Looking at guitarist, DANNY JOHNSON’s musical resume is like reading a syllabus for a course in Classic Rock. Discovered at 18 years old by Rick Derringer (he of the “Rock and Roll Hoochie Koo”), Johnson recorded three albums with him and moved on to joining the bands of Alice Cooper and Rod Stewart. Danny would go on to replace Steve Vai (who in turn had replaced Yngwie Malmsteen) in Graham Bonnet’s post-Rainbow project, Alcatrazz, and when they disbanded, became the guitarist in Eddie Van Halen’s production project, Private Life, in the late 80’s. During the last decade, in addition to performing with Tia Carrere on the Wayne’s World soundtrack, Johnson became the lead guitarist with the originators of the term “heavy metal”, Steppenwolf (still a touring entity almost half a century after forming.) Johnson has also released two solo albums, Grih-Grih Thing and Over Cloud Nine and is embarking on a solo tour through Wisconsin this November.

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Jesse Sykes and the Sweet Hereafter on the cover of Maximum Ink in April 2005

Jessie Sykes and the Sweet Hereafter

by David A. Kulczyk
April 2005

Ever since two cavemen started beating sticks on hollow logs it has apparently been the goal of musicians to be louder. Symphony orchestras, Celtic, Polka, bluegrass, country, rock and roll and sometimes-even jazz, strive to amp up the volume. Now I love nothing better than to have my eardrums blown out by great live music, but not long ago I found myself on a road, miles from any sign of human inhabitation. I stopped my car and stepped outside. The quietness was deafening. A rushing white noise, phase shifted through my ears, like the beginning of some bad rock song from the 1970’s, but after a few minutes I started picking out the chirping of birds and insects. A minute later I could hear the leaves of trees rustling in the slight breeze. I was amazed at the complex audio beauty of a seemingly silence place. The same thing happened to me the first time I saw Jesse Sykes and the Sweet Hereafter. There are few bands in the world as quiet as Jesse Sykes and the Sweet Hereafter. You can literally hear a beer glass fall on the floor while they are performing.

Fresh off a twenty-day tour of 2,000 seat theaters opening for Bright Eyes, Jesse Sykes and the Sweet Hereafter is hitting the road again. Their latest CD, “Oh My Girl” on Barsuk Records has been selling steadily and has landed on the Best of 2004 lists by such notable publications as the New York Times, The L.A. Weekly, Harp and Maximum Ink.  The band isn’t resting on its laurels.  “When you get home from a tour,” said Jesse, “it’s like, what do I do?”

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Joan Osborne on the cover of Maximum Ink in May 1996 - photo by Dave Leucinger

Joan Osborne

by Dave Leucinger
May 1996

If God were one of us, and his tour of duty brought him to Milwaukee, it’s a safe bet that he’d fill more seats than Joan Osborne did at the Modjeska Theater. Not as safe a bet is whether he’d be able to sing as well.

With five Grammy nominations under her belt, the question wasn’t if Osborne would sell out the 1,800 seat Modjeska, it was how quickly. Imagine the surprise when hundreds of tickets remained minutes before the Kentucky native took the stage May 11. The crowd was sparse – you could walk to within ten feet of the stage without a problem – but its diversity read like an open book on Osborne’s critically-acclaimed major-label debut, Relish.

There were the pop fans, weaned on the radio friendly “one of Us;” the music fans attracted to the show by Osborne’s endearing spirit and warm, folkish charm; and those that fell in between, more than willing to bask in the glow of songs that aren’t motivated by anger and rage.

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Joel Pingitore and the Playground of Sound on the cover of Maximum Ink in March 2009 for MI's 13 Year Anniversary Issue

Joel Pingitore and the Playground of Sound

by Dan Vierck
March 2009

Joel Pingitore isn’t wasting any time. He has been performing with his most recent group, The Playground of Sound, for only six months and they’re already booked and/or played 150+ shows. Besides a weekly show at The Dam Bar in Belleville, WI and a once-a-month visit to Stella’s Speakeasy in Stoughton, WI the band is fresh of a stint of gigs at Bike Week in Daytona Beach. In an e-mail interview Pingitore admitted he wouldn’t mind a show every day.

“Naturally,” He also conceded, “it’d be fantastic to be ‘The Next Big Thing.’” With an energetic six month old band that’s already working on an album and playing outside the state, however fantastic the dream, they seem to be aiming for it. On a more realistic, and partially realized note, Pingitore also said “I’d like to see [the band] as a nationally touring act.”

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Marilyn Manson to Rob Zombie, guitarist John 5

John 5

by Kimberly E. McDaniel
December 2007

John 5 is a musician’s musician.  Currently on tour with Rob Zombie, John has played with everyone from k.d. lang to Meat Loaf to Marilyn Manson as well as releasing his many instrumental solo albums. He is known for playing country music as he is shredding with metal bands, and is currently up for two nominations at Guitarworld.com.

The band is now touring with Ozzy Osbourne, in support of the new “ Zombie-Live! ” CD.  In the midst of this tour, John took a few minutes to talk with us at Maximum Ink about his vast body of work and what we can expect from him in the future.

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Judas Priest on the cover of Maximum Ink in August 2004 - photo by Craig Gieck

Judas Priest

by Jeff Muendel
August 2004

In 1969, while hippies pranced about the farm fields of Woodstock, New York with flowers in their hair, Birmingham, England was giving birth to a monstrous new musical genre that came to be known as heavy metal. A group called Black Sabbath released its first album that year, and while others both in the United States and England were flirting with the heavier side of rock ‘n’ roll, it was that band that nailed metal squarely between the eyes.

Five years later, Birmingham’s fertile musical loins produced another heavy metal monster, one that came to rise just as high as the first, and perhaps, at times, was even more nimble. The vocals soared over others, the songs galloped faster, and two lead guitarists were used rather than one. That band was Judas Priest.

Amazingly, both Birmingham groups have reformed after varying hiatuses and are touring together this summer with Ozzfest, still playing the aggressive, distortion-heavy songs they wrote decades ago in front of fanatical, sellout crowds around the world. Recently, Rob Halford, the outspoken lead singer of Judas Priest, was kind enough to talk with Maximum Ink about his recently reunited band as well as the resulting tour and musical releases.

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Juliette Lewis

Juliette Lewis

by Mike Huberty
October 2009

Actress and musician, JULIETTE LEWIS, knew she wanted to be an actress from the time she was six and she was nominated for an Academy Award before she was twenty years old. Known for roles in films like Cape Fear, Natural Born Killers, and The Other Sister, when she took the leap from acting to fronting a band, known as JULIETTE AND THE LICKS, in 2003 it might have been dismissed as a Jennifer Love-Hewitt or J. Lo-type vanity project. However, instead of sugary pop, she opted for a straight-up rock n’ roll and punk style and has since collaborated with the impressive likes of Dave Grohl from The Foo Fighters and Omar Rodriguez-Lopez from The Mars Volta. Earlier this year, Lewis let go of The Licks and has released her first completely solo album, Terra Incognita.

“We toured the world three and four times over with the Licks.”, Lewis says, talking about her old group. “Around the same time, I had a breakup with my band and a breakup with my love and I was contemplating my existence and the future… I figured if I wanted to evolve, then I should make music now as my own name. It was the first time I really created a record by discovering who I was musically and all the contrast .There’s so many kinds of songs and so much flavor.”

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