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Pat Mastelotto of King Crimson

King Crimson

An interview with drummer Pat Mastelotto
by Sal Serio
November 2017

Legendary prog-rock group King Crimson, who formed in 1968, play the Riverside Theater in Milwaukee, Sunday, November 26. Currently Crimson is comprised of an eight member line-up: Robert Fripp, Mel Collins, Tony Levin, Pat Mastelotto, Gavin Harrison, Jeremy Stacey, Jakko Jakszyk, and Bill Rieflin. The following is a recent interview with longtime drummer/percussionist Pat Mastelotto.

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King Khan - photo by Matias Corral

King Khan and The Shrines

Idle No More and Back To Serve Up Spiritual Soul Mayhem
by Sal Serio
September 2013

Mark it on your calendars, if you haven’t already! King Khan & The Shrines return to Wisconsin on Tuesday, October 22, for a crazed high-octane psychedelic-soul garage-pop rock revival at the High Noon Saloon in Madison. Maximum Ink recently had the enjoyable opportunity to speak with band leader Arish Ahmad Khan (the “King” himself!) via phone from his home in Berlin, Germany, where he’s resided for the past nine years.

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King Llama - photo by Chad Elder

KING LLAMA

An interview with Ryan Bailey, Guitarist for King LLama
by Mike Huberty
October 2017

Progressive music takes precision and concentration. Time signatures change, genres bend in and out into one another, and a song can start in one place and end somewhere entirely unexpected. It’s this adventurous fusion of jazz, rock, and funk that KING LLAMA prides themselves on. A Los Angeles power trio consisting of guitarist Ryan Tanner Bailey, drummer Luis Briones, and bassist Nico Staub, KING LLAMA has toured from Illinois to Argentina with their instrumental fusion and they’re coming back to the Midwest on their latest tour. We talked with Ryan to get a little taste of what the intrepid music of KING LLAMA is all about.

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839 ViewsPermalinkKING LLAMA Website
Kirstie Kraus on the cover of Maximum Ink for May 2018

Kirstie Kraus

Madison to Nashville and Back
by Teri Barr
May 2018

She was singing before she could talk. And Kirstie Kraus is still singing,  but now, it is more than she talks. Music has become her passion, her love, and her life.

Kirstie threw herself into her career, full-time, two years ago. Two years before that, she started her own band, Thirsty Jones. The Madison-based group quickly gained a following, and earned accolades. Kirstie wants to replicate, and increase the success she’s already had as a musician here. So I asked, is taking her efforts to Nashville, where she has to work even harder to create her music-magic, worth it? We also discussed why her upcoming single release is going to be one we’ll all want to be a part of, and when we can see her in our area this summer…

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553 ViewsPermalinkKirstie Kraus Website

Kittie

An interview with vocalist/guitarist Morgan Lander
by Aaron Manogue
September 2011

Is it just me or does it seem like the biggest thing in hard rock and metal lately is to throw a pretty face up on stage and hand her a microphone and pray that the fans take notice? Record labels using the age-old sex appeal to sell records. The thing that happens then typically, is that pretty face is nothing more than just that, a pretty face. This isn’t the case when it comes to the metal shredders in Kittie. Not only do they all have that pretty face to start off, but then they leave your asses thinking, “What the hell is this? I love it!” The femme-fatale quartet are maidens of destruction on their new album “I’ve Failed You” and continue to produce high-quality, ass-kicking metal that erases the underlying notion of an all-female metal band. They’ve demolished so many mosh pits and ruptured so many ear drums that they are simply a bad ass metal band with immense talent and enviable stage presence.  Maximum Ink’s Aaron Manogue sat down with lead vocalist and guitarist Morgan Lander to talk about why they chose metal, their new album and the personal struggle purveyed throughout it.

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Madison's Know Boundaries in Maximum Ink in April 2008

Know Boundaries


by Dan Vierck
April 2008

Know Boundaries, speaking simply, is indefinable. Calling them rap-rock is misleading because they’re, you know, good. Allowing for a more complicated definition, they describe their intention “[to] mix hip hop and rock and not make them two separate styles of music but just one music using the power in both.”

The six-piece, six-year Madison veterans have opened for groups as disparate as Cypress Hill and the Gin Blossoms. They’ve been sponsored by Budweiser’s True Music program, won multiple Madison Area Music Awards and have been showcased at numerous industry conferences.

The band is exceptional in that it follows through on its intention. The music of Know Boundaries has the energy and power of all exciting and powerful music, tastefully brought together in one sound. The rhythm is heavy - a deceivingly simple drum beat paired with an ambitious and audible, but not overpowering bass. This leaves the guitar to flit around on the high end mostly, ducking back into the general groove for the lush hooks and choruses. Out front the band flaunts a cooperative rap-rock ying yang. An easy symbol of the band’s musical ambition, the rapper and singer twist around with each other, always in support - never detracting from one another’s parts. Through all this the keys (a decked out and supplemented-with-gizmos Rhodes) steer this would-be chaotic ship through melodies that don’t get old when they repeat-they get stronger.

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Kodo Drummers

Kodo Drummers


by John Noyd
February 2009

In Japanese the word “Kodo” conveys two meanings: “heartbeat” the primal source of all rhythm and, “children of the drum,” a reflection of Kodo’s desire to play their drums simply, with the heart of a child. Bringing their One Earth tour to Madison’s Overture Center on February 21st Japan’s premiere taiko drumming ensemble continue their quest to unite the world through sound, transcending cultural barriers to remind us of our membership in that larger community—the world.  Taiko is not simply percussion,” long-time Kodo member Akimoto explains. “It’s a part of life, and part of communities. It unites people with people, and also people with nature and even with gods.” Community is a central theme in Kodo’s philosophy. More than a musical group, it is a village that harvests rice, runs a two-year apprentice program, and even crafts eco-friendly Earth Furniture. In concert, the thundering drums startle and mesmerize, racing in arresting rhythms that rumble in war-like marches and ripple in whimsical jigs, seismic salutations whose relentless beats collapse consciousness, altering moods and elevating the spirit in collective thought. A venerable tradition nearly thirty years old, Kodo is a sight to behold, a forceful reminder of individuals working together, united in a common goal.

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3219 ViewsPermalinkKodo Drummers Website
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