Today is: Wednesday October 17, 2018 | Status: Under Re-development | Version 2.99.03

Articles Alphabetically

Band name or last name first

Sort Articles By: K

Kwame Bediako

Kwame Bediako

An interview with Kwame Bediako
by Max Ink Writer List
July 2014

Kwame Bediako will fill the air with the sound of roots reggae music at Madison’s Atwood Fest on Saturday, July 26th.

Kwame has been performing “retro” roots reggae in America for over 20 years. His music holds true to a vintage style—something that’s becoming rare in the modern reggae world, where reggae-rock and dancehall tunes dominate the charts. Born and raised in Ghana, West Africa, Kwame has a global conscience and has seen different ways of life. “When I turned 21, I left,” he said, with a chuckle. Kwame came to the states for school, a common reason why young people from around the globe come here. Soon after, he found himself in the right place at the right time, surrounded by musical opportunities. “The next thing I know, I started gravitating more towards music,” said Kwame. “I’ve been doing it ever since, for about 20 or 30 years.”


Maynard James Keenan of Tool, A Perfect Circle and Puscifer

Maynard James Keenan

by Andrew Frey
April 2010

Part 2 of my conversation with Maynard James Keenan: Squeezing Life Into Arizona.

These days, when you see a picture of the infamous and enigmatic Maynard James Keenan (Tool, A Perfect Circle, Puscifer), he is sporting and promoting something related to his wine making efforts. Often times it IS a bottle of wine. Look closely. The wine will say it is a Caduceus Cellars wine.[] (The Caduceus is the ancient symbol for commerce.)  Maynard and his business partner Eric Glomski have become vine pioneers for their wine making efforts in northern Arizona near Jerome.

Blood Into Wine: The Arizona Stronghold is a documentary that tells the story of these upstarts as they grow, squeeze and ferment in the Verde Valley. The land in this area is arid like a lot of Arizona, but it has more structure and certain characteristics that make it uniquely advantageous to the grape growing sector as Maynard explains. Mr. Keenan is very passionate about his wine and that really shines through.

Have you always been a wine enthusiast?
“Over time. In my mid 20s. That’s when I started getting into it.”


Robert Knight and Slash - photo by Maryanne Bilham

Robert Knight

Rock 'n Roll Photographer
by Tina Hall
August 2010

Robert Knight is without a doubt one of the best known photographers in rock. His career began in 1968. He captured the last performances of Jimi Hendrix and Stevie Ray Vaughn. He was also the first photographer to shoot Led Zeppelin in America. He has captured everyone from Elton John, Eric Clapton to John Mayer and Maroon 5. “Rock Prophecies” a documentary following Knight by John Chester, produced by Tim Kaiser (Multiple Emmy Award winner for his work on show like Will & Grace and Seinfeld) is set it air on PBS this September and will be available across the country. It features interviews with Slash, Steve Vai, and Carlos Santana as well as a rare private performance by Jeff Beck.

Maximum Ink: What led you to take up the role as a rock photographer?
Robert Knight: I couldn’t play the guitar and was hanging with a bunch of really creative musicians when I was 15. I needed to have a good reason to be around them. Their hero was Jeff Beck so my goal was to somehow photograph him and impress my peer group.


 - photo by Steve Thornton

Ronnie King

An interview with producer Ronnie King
by Tina Hall
January 2014

Ronnie King is best known for his work producing Tupac Shakur. He has produced such iconic artists as Snoop Dogg, Coolio, Mariah Carey, The Offspring, Kottonmouth Kings, Pepper, and countless others. He can also be found touring with Rancid from time to time. It was my pleasure to sit down with him and learn a little about the man behind the music that is so well loved.

Maximum Ink: Can you tell us a little about your early days? What were you like as a kid?

Ronnie King: As a kid I was always playing music. I came from a musical family of 7 kids my older brothers and sisters where always making music. Then I started studying at 5 years of age and didn’t stop until 2 years into college.

MI: What was it that first sparked your interest in music?

RK: My brother Chuck’s friend John Buccino, who is a great piano player.

MI: What was your very first favorite song?

RK: Mandy by Barry Manilow.

MI: What do you think it takes to make a great song?

RK: Great vision and acting skills.

MI: Why do you think music has always been so well loved throughout the ages?

RK: Everything else loses power in the translation. Music you just sit back and enjoy.


Sonny Knight & the Lakers

Sonny Knight & the Lakers

An interview with Sonny Knight
by Teri Barr
July 2014

Wow. It’s all I can say following my conversation with Sonny Knight. The Twin Cities-based musician will be playing AtwoodFest 2014 in Madison on Sunday, July 27th, and I have more than just circled the date. It’s not just the incredible talent of Knight and his band, but his enthusiasm won me over. And here’s what makes you want to support what’s happening with Knight—who tells ms he wakes up every morning, grateful for another day. Though agile, and young looking, Knight is 66 years old. Yup, 66 and just getting his first taste of what it’s like to find success in the music business. He took time to tell me more about what kept him connected to music all these years, and why he’s looking forward to playing his first Madison-area show. And it will be one you won’t want to miss.

Maximum Ink: You are getting a lot of attention for this current project, how does it feel to be recognized for your music?
Sonny: It feels great! I am hanging out, jammin’ with cats half my age, and I love it. I’m finally getting this chance to pursue my lifetime dream.

MI: So music has always been your goal?
Sonny: As a kid growing up in the South, it was always about Gospel. I was little but already on a big stage at church. And as I grew up I played with different bands; but was most interested in funk and soul. There was some success here and there, but nothing like this!


vintage Blood, Sweat & Tears

Steve Katz of Blood Sweat And Tears

by Sal Serio
September 2009

Steve Katz’ initial guitar motivation came from folky blues great Dave Van Ronk and the Reverend Gary Davis. I asked Katz about his first guitar and his connection to Van Ronk. “(It) was a Gibson J200 acoustic. I never even played electric until I joined The Blues Project. I took lessons from Dave when I was just a beginner. Both Van Ronk and Rev. Davis will always be major influences on me.”

Inspired by the folk and jug band music that was popular in the early/mid 60s Greenwich Village scene, Katz found himself in a group of like-minded friends and musicians, including Stefan Grossman, Maria Muldaur, John Sebastian, and David Grisman, forming the Even Dozen Jug Band and recording a self-titled album in 1964 for Elektra Records. Steve commented to me on this early group of eventually high profile performers, “The great thing about the jug band was the diversity of styles of all the members. There was a blues, bluegrass, and a ragtime contingent. We were all friends and it was a great way to bring all our musical interests together. We performed at Carnegie Hall, on The Tonight Show, and a TV show called Hootenanny.”


Guitarist Wayne Krantz - photo by Vikas Nambiar

Wayne Krantz

An interview with Guitarist Wayne Krantz
by Tina Hall
April 2012

Guitarist Wayne Krantz is best known for his work as a solo artist. He has also graced the stage with such artists as Steely Dan,  Billy Cobham, and Michael Brecker. His tenth album Howie 61 offers up
blues inspired rock riffs that appeal to fans of both genres. Joining him on the album are such iconic artists as Vinnie Colaiuta (Jeff Beck, Frank Zappa, Sting), Tal Wilkenfeld (Jeff Beck, Chick Corea, Herbie Hancock), Pino Palladino (Jeff Beck, The Who, Eric Clapton), and Anton Fig of The Letterman Show’s “World’s Most Dangerous Band”, and many others (Keith Carlock, James Genus, Nate Wood, Henry Hey, Owen Biddle, Charley Drayton, John Patitucci, John Beasley, Jeremy Stacey, Paul Stacey, Yasushi Miura, David Binney, Kenny Wollesen and Gabriela Anders.

Maximum Ink: Can you tell us a little about your background? What were you like as child?
Wayne Krantz: Young, mostly. I hear when I was brought home from the hospital my dad cranked Beethoven on the stereo all day long. That basically never stopped.

MI: Who were some of your earliest influences?
WK: Early on it was Beatles, Monkeese, Debussy, Herb Alpert, Dionne Warwick, James Bond themes. Then came Led Zeppelin, Jethro Tull, Santana, Sons of Champlin. Then Miles Davis, John Mclaughlin, George Benson, Joe Pass, Herbie Hancock, Jim Hall. Then Pat Metheny, Mike Stern, Prince. Finally, Hendrix. Then nobody. Well, this guy Yasushi Miura has been knocking me out lately. Not really an influence, but someone who confirms what I’m doing in some way.

MI: When did you first know that you wanted to be a musician?
WK: When I was 16. I was listening to a Sons record called “Follow Your Heart” and decided to take their advice.

MI: What was your very first guitar? Do you remember what was running through your head when you got it?
WK: I started on a Framus acoustic my Dad had in the attic. I was really intrigued by it for some reason, even though it only had two strings on it at the time.


Page 5 of 6 pages ‹ First  < 3 4 5 6 > 

Search Maximum Ink's Archives

Partners: Rökker Vodka