48 Hours in Iceland with Last Crack

March 30 1800 Central Standard Time: Last Crack and crew await boarding an Icelandair 757 at Minneapolis International Airport. To settle nerves some of the boys have taken to the bar and shot glass. Happy flights, next stop Iceland!

0630 Atlantic Standard Time: That’s midnight for us Wisconsinites. Our day starts waking up at Iceland’s Keflavik airport in need of transportation for our crew of nine plus gear to Reykjavik, Iceland’s capitol forty-nine kilometers to the west. Reykjavik is about the size of Madison and harbors two thirds of the island nation’s population.

An attempt was made to find the difference in cost between the bus and a rental car at the Hertz window when along comes a cab driver with an idea. Olafsson, the world’s only Porsche taxi driver, tells us he’s going to Reykjavik anyway so he’ll give us a good deal. He also suggested we rent a one-way car for the rest of the gear and guys and just drop off the car in the city. Brilliant idea! He saved us some money right off the bat.

0800 AST: After an intense drive past kilometer after kilometer of moss covered lava, mountains and volcanoes, Olafsson drops us off at the club we’re playing that night, The Grand Rokk.

Kalli, the owner, and his associate Jon (pronounced like yan but with a little yone in it) meet us and dole out cups of espresso by the dozens to the weary set of travelers, trapped in their lair. They tell us of Vikings, celtic lore and Icelandic customs, then take us to the guest rooms at the hotel Adam to meet host Ragnar and get some rest.

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Bob Log III

He’s the bastard stepson of a Tucson, Arizona trailer park and the juke joints of the Mississippi Delta. Bob Log III is Fat Possum Records’ veracious slide guitarist/one-man-band that will kick your adrenal gland into overdrive. He matches his de-tuned, f-hole guitars with the endless stomping of his rhythm section left and right foot respectively on bass drum and kick cymbal. Bob Log is a one-man-band of international acclaim who’s raw hill country guitar and drums are only magnified my his ominous appearance. The sepia-tinted visor on his gray motorcycle helmet obscures his identity, and a microphone cord runs to a mouthpiece on the bottom of a mid-70’s black rotary phone receiver. It protrudes from the front, functioning as his vox.

Maximum Ink caught up with Bob during a tour stop in Rochester, New York for an interview.

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Julian Lennon

Standing in the shadow of your father is difficult for almost anyone, but particularly if your father was one of the most famous, loved, and respected musicians in the world. JULIAN LENNON achieved fame on his own in the early 1980s’s with the Grammy-nominated platinum album, Valotte. In the ensuing years, he has retired and unretired from the music business several times, sailed around the world, and has ventured into the world of acting and film production. In the Fall of 2009, his childhood friend, Lucy Vodden (on who he based his drawing that would inspire the Beatles’ song, “Lucy In The Sky With Diamonds”) died of lupus and he decided to write a song in her honor and donate the proceeds to research against the disease. This coincided with the launch of his latest project, theRevolution.com, an Internet-based independent record label of which his single is the first release.

“Basically, I got so tired and fed up with the industry as it was being run so many years ago for so many reasons.”, Lennon explains as to why he thought that theRevolution.com was needed.  I just didn’t feel that the artist was getting a fair deal and/or control of their work in any way, shape or form… I believe, of the labels as we know them, they’re very much becoming more like catalog companies just raking in the publishing, etc., from previously signed artists.

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Juliette Lewis

Actress and musician, JULIETTE LEWIS, knew she wanted to be an actress from the time she was six and she was nominated for an Academy Award before she was twenty years old. Known for roles in films like Cape Fear, Natural Born Killers, and The Other Sister, when she took the leap from acting to fronting a band, known as JULIETTE AND THE LICKS, in 2003 it might have been dismissed as a Jennifer Love-Hewitt or J. Lo-type vanity project. However, instead of sugary pop, she opted for a straight-up rock n’ roll and punk style and has since collaborated with the impressive likes of Dave Grohl from The Foo Fighters and Omar Rodriguez-Lopez from The Mars Volta. Earlier this year, Lewis let go of The Licks and has released her first completely solo album, Terra Incognita.

“We toured the world three and four times over with the Licks.”, Lewis says, talking about her old group. “Around the same time, I had a breakup with my band and a breakup with my love and I was contemplating my existence and the future… I figured if I wanted to evolve, then I should make music now as my own name. It was the first time I really created a record by discovering who I was musically and all the contrast .There’s so many kinds of songs and so much flavor.”

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Lacuna Coil

I picked up on Lacuna Coil with their first self titled Century Media EP release. It introduced the sound that would be the guiding light of their musical career thus far. Lush, soothing gothic metal, with interesting riffs, keyboards and amazing vocal harmonies. In fact, an interesting point about Lacuna Coil is that they have two dedicated vocalists, Andrea Ferro and Cristina Scabbia. Their vocal harmonies and interplay are what set the band apart from the pack. Andrea occasionally sings in a lower, gruff - yet powerful - style in addition to his clean complimentary harmonies. Cristina leads, prods, fluffs and adds dimension to each song and vocal extremity.

Back in 1997 when these talented Italians made their debut, few folks in the US were listening to this style of music. Most people were still caught up in the repulsive remnants of the ultra trendy and overdone “Seattle Sound” or feeding the pop punk explosion. The US market simply wasn’t ready. Various other bands came onto the international scene. Nightwish, My Dying Bride, The Gathering, Therion, Tristania, and Theatre of Tragedy were becoming recognized names in the growing gothic metal realm. Lacuna Coil was right there with them.

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Lacuna Coil

I have easily listened to “Shallow Life,” the newest release from Milano, Italy born phenoms Lacuna Coil more times than any other release this year. With each play I am swept away by the dynamic interplay between the band’s two vocalists Cristina Scabbia and Andrea Ferro and the bands infectious riffs n beats.  Whatever it took to capture the magic created on “Shadow Life” was well worth the effort.

Lacuna Coil has repeatedly been introduced to the US market over the past decade plus and while garnered increasing success, they have not yet attained what they are certainly capable of. “Shallow Life” may just contain the critical combination of elements needed to propel the band to substantial success. In 2006 their release Karmacode, peaked at number 28 on the Billboard 200, but the highly anticipated “Shallow Life” which was released on April 21, 2009 in the US, debuted at number 16 on the Billboard charts. While their early releases contained a heavier gothic rock element, the latest effort has softened some musical edges to produce a more accessible and straight forward hard rock release. Thanks to producer Don Gilmore, who has worked with pop artists like Avril Lavigne and Good Charlotte, their sound has never been more polished or vivid while maintaining the key elements that continue to set the band apart from others. Subtle bits of industrial and electronica can even be found infiltrating these infectious new metal anthems.  Outside of the vocalists, Lacuna Coil contains Cristiano “Pizza” Migliore (guitar) , Marco “Maus” Biazzi (guitar), Marco Coti Zelati (bass, keyboards) and Cristiano “Criz” Mozzati (drums, percussion)

In July of 2004 I interviewed Lacuna Coil for the first time. I recently was again fortunate enough to exchange a few questions with the band as they were gearing up for their next big gig, The HardDriveLive tour. Vocalist Andrea Ferro took the time to answer my questions.

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Last Crack

It started just like any other local hard-rock band. A couple of guys from an unheard-of band hooked up with some other guys in another unheard-of band through a billboard at a local music store. They had a practice space, a PA, a following (well, plenty of friends), two guitar wiz’s, a dynamite rhythm section… what they needed was a singer. So back to the billboard they went, in search of a vocalist that could compliment their intricate rhythms, blend with their mysterious melodies and cut in through the intense guitar solos of a metal band.

And there it was, a poster for an available singer. It was Buddo, of the Snotrockets. They ripped all of the tags from the poster and went home to call him. It was the summer of 1987.

Buddo showed up to the storage facility in McFarland that was the band’s rehearsal space. “I’m Paul” proclaims guitarist Paul Schluter. “ahh… Pablo” replied Buddo. “I’m Todd,” says bassist Todd Winger. “Toddereno,” remarked Buddo. “Phil ,” mutters original drummer Phil Buerstatte. “Philo,” again replied Buddo. Somehow, guitarist Don Bakken remained “Don,” but together they would become Last Crack. 

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