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Mudvayne on the cover of Maximum Ink January 2001

Mudvayne


by Michelle Harper
January 2001

An interview with sPaG of Mudvayne before the face paint came off.

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Muzzy Luctin's Paul Schluter - photo by Craig Gieck

Muzzy Luctin


by John Noyd
October 1999

Even though they have only been together a short time, Muzzy Luctin already has enough history for a VH-1, “Behind the Music.” It’s been ten years since Muzzy Luctin’s guitar Paul Schluter kicked out the jams with Last Crack’s, Sinister Funkhouse #17, a wild rampage of hard rock boogie that brought the band legions of fans and a promising future. Promises being what they are, Last Crack disintegrated before national fame came calling, but the future arrived regardless and brought with it post-Crack bands White Chain , Spiritus, Mind Ox and ultimately Magic 7 a three quarters reforming of Last Crack halfway through the nineties. This new group took the original’s sonic squalor and added an element of eloquence, becoming steel plated shamans who moved beyond the thundering riffs into mature melodies and progressive six string slinging. Along with its members, Magic 7 brought Last Crack’s devoted following and again the future looked bright. Perhaps too bright, for before too long Schluter and vocalist and principal lyricist Buddo found themselves with a new rhythm section and the same old strains that brought Last Crack to its knees.

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Mix Master Mike and his Moog pedal of the Beastie Boys on the cover of Maximum Ink - photo by Dustin Rabin

The Beastie Boys - Mix Master Mike


by Mario Martin
December 2004

November might be cold in Wisconsin, but just before Talib Kweli’s set at the Alliant Energy Center in Madison, I had the chance to speak to one of the hottest DJs in the game. He’s the DJ for the headlining Beastie Boys and one of the founding members of the Invisibl Skratch Piklz, but this 34 year-old California native waxes about music, life on the road and the like.

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Ministry, the first cover of Maximum Ink in March, 1996 - photo by Craig Gieck

Ministry


by Paul Gargano
March 1996

Maximum Ink’s first cover story! Paul Gargano interviews Ministry’s Paul Barker…

Ministry was never intended for the faint at heart, but for even the most faithful Al Jourgensen and Paul Barker fans, Filth Pig seems to be, well, exceptionally filthy. Ministry’s long-awaited sixth studio release digs deep for the duo, taking artistic turns that previous efforts couldn’t hint at. Whether it’s the musical presence of mandolin, harmonica and pedal steel guitar, the surprising lack of samples, or the more personal tone of the lyrics, evolution has crashed head-on with music’s missing links. With all other side projects on hold, Ministry bassist, programmer and sometime-vocalist Paul Barker offers a closer look at the dynamics of, and dirt behind, Filth Pig.

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(0) Comments 1051 ViewsPermalinkMinistry Website
Machine Head on the cover of Maximum Ink in September 1999

Machine Head


by Liz Ciavarella
September 1999

With their debut of Burn My Eyes, MACHINE HEAD has transcended the masses with a bludgeoning sound so consuming; so biting; so immensely pit worthy that listeners have been known to trash bedrooms, obliterate venues, stomp, kick, scream,  and sucka punch their friends. With a knee to the cranium, fist to the grill,  overheated speakers, angry mothers, MACHINE HEAD have reaped mayhem in only the most admirable ways from their very inception . The More Things Change saw the band in a more mature light: Still chock fulla aggression yet more refined and appealing to their less militant fans. 1999 sees the band offering up their most mature release yet. Coming this month on Roadrunner Records, The Burning Red is essentially a collection of the band’s most potent qualities; Heavy, emotional, gripping bombastic.

Ahrue Luster,  who replaces guitarist Logan Madder, is a more than natural progression. In fact, there’s something refreshing about the addition of Luster both in his sound and his overall personality. No attitudes, no image and no gimmicks. Just straight up MACHINE HEAD. Maximum Ink caught up with Ahrue Luster and spoke with him about the past and future .

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Paul Schluter of Madison's Magic 7 on the 7th cover of Maximum Ink in September 1996 - photo by Craig Gieck

Magic 7


by Paul Gargano
September 1996

What’s so magical about Magic 7? It depends who you ask. For fans of Last Crack it’s the first time writing duo of Paul Schluter and Buddo have worked together in more that five years. For the former member’s of Madison’s best known hardrock outfit, it’s an opportunity to put the past behind and focus on the present.

“This wasn’t pieced together just to get all of the members of Last Crack, except for the drummer, together in another band,” said guitarist and principal songwriter Paul Schluter in a recent interview. “We’ve all worked together before, we’re in each other’s heads and it’s a great starting point, but I think the thing that makes this band special is that we’re relying on mostly new music. Last Crack was fun for us, but it was in the past. What makes this band worth being around is that it’s a whole new style of music for us, a lot mellower at times, a lot more melodic, a lot more mature, and at times completely different sounding.”

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(0) Comments 951 ViewsPermalinkMagic 7 MySpace
Man... Or Astroman? on the cover of Maximum Ink in October 1996 - photo by Craig Gieck

Man… Or Astro-Man?


by Paul Gargano
October 1996

Give Alf an electric guitar and a few Dick Dale records, lock him in the attic for a night, and the results might just rival Man or Astro-man? and their musical barrage of space-age surfscapes. The members of Man or Astro-man? aren’t quite as furry as television’s Alien Life Form, but they’re also trapped on earth until they can fix their interplanetary wheels.

“Originally we came from a place, not a planet,” began founding drummer Birdstuff, backstage after a recent show in Providence, R.I. “Planets are very archaic devices, we actually came from a grid sector, grid sector 23-V61. Star Crunch and I took the intergalactic starship-your guys’ station wagon-out on a joyride, and somewhere we mis-vectored.”

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