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Brandon Perry

Brandon Perry

An interview with chef, author, and musician Brandon Perry
by Tina Hall
October 2010

French Canadian, Brandon Perry is best known for his work as a Chef in the culinary arts. Not one to be limited to just one profession,he is also an author(his latest book is due out soon featuring Eerie Von from Danzig, Calabrese, and Tom Sullivan from Evil dead series fame),and is(to my knowledge) the world’s first chef to also be part of not one but four bands. Brandon is for the most part a solo artist as he provides most of the music in those..himself. Jazzvanguard, is a jazz band with Perry, technical metal drummer playing Jazz. The Resurrected is a technical death metal band he plays in as well(providing bass,drums, and keyboards, while his vocalist lays down the lyrics). He can also be found in the gore metal band Desgustipation and the newly formed(with a girl in Japan), black metal band, Screams of the Dead. Since it isn’t every day you find a celebrity chef that can as he himself puts it, “can still get down and dirty with my death metal”, who loves doing music because others said he couldn’t. I had to take a moment to pick his brain so to speak.

Maximum Ink: Do you find it challenging to have three, possibly four bands going at the same time as your career as a chef?
Brandon Perry: No, not really, we aren’t a super big touring band where that’s how we make our living and have no other careers, I mean I think we all see that if lost our real jobs we would be all fucked up and shit, and starve to death, metal bands that make money are corporate metal bands they are sellouts and that’s that, we don’t sell out, never will, and never have to.

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Madison's folk singer/songwriter Dana Perry - photo by Jenna Joanis

Dana Perry


by Teri Barr
January 2017

“When we really stop to take a deeper look… many musicians like myself realize we’ve actually already gotten ourselves right where we want to be - and we’re going exactly where we want to go.”
Dana Perry, musician

A multi-talented musician, Dana Perry is doing it all these days. She plays solo and with several bands, supports other artists, and teaches new musicians the craft she loves. And Perry gives every ounce of her energy and her heart to each effort. But starting this month, she is behind an even bigger endeavor to get more songwriters heard in an intimate, exclusive setting. The first Thursday of each month, beginning on January 5th, Perry is hosting a “Listening Room” at SOSONIC. She took time to answer some of our questions about it, including why she knows she is in the right place at the right time.

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Joel Pingitore and the Playground of Sound on the cover of Maximum Ink in March 2009 for MI's 13 Year Anniversary Issue

Joel Pingitore and the Playground of Sound


by Dan Vierck
March 2009

Joel Pingitore isn’t wasting any time. He has been performing with his most recent group, The Playground of Sound, for only six months and they’re already booked and/or played 150+ shows. Besides a weekly show at The Dam Bar in Belleville, WI and a once-a-month visit to Stella’s Speakeasy in Stoughton, WI the band is fresh of a stint of gigs at Bike Week in Daytona Beach. In an e-mail interview Pingitore admitted he wouldn’t mind a show every day.

“Naturally,” He also conceded, “it’d be fantastic to be ‘The Next Big Thing.’” With an energetic six month old band that’s already working on an album and playing outside the state, however fantastic the dream, they seem to be aiming for it. On a more realistic, and partially realized note, Pingitore also said “I’d like to see [the band] as a nationally touring act.”

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former Milwaukeean now NYC girl Katy Pfaffl on the cover of Maximum Ink in Jan. 2002 - photo by Joshua Silk

Katy Pfaffl


by John Noyd
January 2002

Light grooves and soaring melodies circle and dive with Latin jazz accents, soul throaty climaxes and soft, sophisticated pop. Fluid flowers of pan-global sensitivity blossom into polysyllabic rivers that dance among the keyboards, guitar, hand percussion and bass. Sounds conjuring wide-open spaces find strange bedfellows in Manhattan - a crowded city of subways and skyscrapers, but that is exactly where Katy Pfaffl found her muse - New York, by way of Amsterdam, Cincinnati and Milwaukee.

Born and raised in Milwaukee, Katy was a Sukuzi violin student, competing as a classical pianist before she entered high school. While she feels lucky to have grown up in Milwaukee, she found the city’s arts scene limited and more concerned with stability than change. “I’ve always had many interests and was always told I had to choose only one and commit to it,” she explains, “I believe that if you have a lot of talents and interests then use them all, explore them all so you can keep growing and expanding.”

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Pachinko plays Maximum Ink's Halloween Spooktakular - photo by Mary Sweeney Photography

Pachinko

An interview with Pachinko singer and guitarist, Brian Brech
by Mike Huberty
October 2015

Named after a Japanese pinball machine, punk/metal hybrids, PACHINKO, combines the brutality and technical precision of metal with the wild abandon of punk rock. Formed by Wisconsin punk rock label Bovine Records founder, Steve Wipfli in the early 90s and featuring Magma (Michael Henry) from stoner metal Madison legends, BONGZILLA, PACHINKO has been led by vocalist/guitarist Brian Brech for over two decades. After signing to Jello Biafra’s (DEAD KENNEDYS) record label, Alternative Tentacles, and touring the US and Europe, the band has endured a series of lineup changes and took a hiatus in the mid-2000s. They’ve recently reformed and we talked to Brian Brech about where the band is going.

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Madison's Pale Young Gentleman

Pale Young Gentlemen


by Joshua Miller
June 2009

Adventuresome, theatrical, and a pouring out deeply human emotion in their music, Madison’s PALE YOUNG GENTLEMEN come to give audiences June 14 at the Marquette Waterfront Festival a detour from the usual rock and pop songs.

“I hope people can find some emotional truth in our songs which are trying to be as honest as possible,” says lead singer Mike Reisenauer. “These songs are for people who like being alive, and want to think about things and try to understand their emotions.”

To do this, the band throws convention out the window as far as the blueprint for a typical rock or pop band. Combining the guitar, bass, drum format (which they initially started off with) with instruments such as cellos and violas, the band members have created an original sound that’s their own.

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Ellen Kempner of Palehound

Palehound

An Interview with songwriter Ellen Kempner of Palehound
by John Noyd
October 2015

Outspoken and perceptive with a razor-sharp wit, Boston songwriter and multi-instrumentalist Ellen Kempner is the creative captain of the gale-force musical cruiser, PALEHOUND. Boundless disregard for tradition turns her recent, “Dry Food,” into a cornucopia of rock and roll riches mixed in a refreshing blend of cut-throat poetry, elliptical guitar and storm-trooper grooves. Out on the road, Ms. Kempner drops into Madison’s The Frequency November 18th along with indie renegade MITSKI and punk-rockers PWR BTTM. We caught Ellen just before her tour and asked her a few questions to prepare for her visit.

MAXIMUM INK: As a female songwriter who plays a mean rock guitar who can I compare you to that would make you blush and who would make you scowl?

ELLEN KEMPNER: Well there are plenty of people you could compare me to that would make me blush, like Albert King, Annie Clark, Matt Sweeney etc.. Honestly, I feel that anyone who plays a “mean rock guitar” has qualities that I don’t feel fit enough to judge to the point of scowling!

MI: Your new album, “Dry Food,” is full of shifting rhythms and unpredictable dynamics. Do songs come to you with these ideas from the start, get worked out in the writing process, in the studio or the stage?

EK: I never perform anything in the studio or on stage until I’m completely confident in what I’ve written, partially because I’m an anxious perfectionist. As far as dynamics go, that’s usually something that comes to me from the start of a song, whereas shifting rhythms tends to be part of the editing/writing process.

MI: Having started out as a solo artist who played most of her instruments what is it like to relinquish control to three other people? What prompted you to make that leap?

EK: I still for the most part consider myself a solo artist actually, because through lineup changes I have retained the majority of creative control. I usually write a song and then demo out all the instruments myself and then leave it to my bandmates to play them better than I can (i.e. Drums haha)

MI: “Dry Food,” seems to speak from the heart, have you ever started a song based on a feeling you since felt was misplaced or trite?

EK: I’ve definitely started plenty of songs that way but those are the ones I tend to discard. Total, I wrote probably at least 40 songs leading up to Dry Food but picked those eight because they seemed the most genuine and expressed what I wanted to express most clearly. 

MI: Your lyrics show an appreciation for language’s playful nature, are there any specific books from your childhood still informing your current aesthetic?

EK: Really funny you would ask that because I was just looking over some books in my childhood bedroom last week. I can’t say that I’m directly inspired by those books today but looking back on them I was actually surprised to see how much of the language and strange weirdo plot lines seemed to have stuck with me through the years. The ones that stood out in particular were Caps For Sale, A Bad Case of the Stripes, and The Giant Jam Sandwich.

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