Ray Condo And His Ricochets
by Dave Leucinger
May 2000
He’s 46 - well past living the life of your typical traveling musician, complete with vans, hotels, late nights, and lots of driving. But Ray Condo isn’t your typical anything. So he’s able to fit in quite nicely - lead the pack, actually - when the usually independent rockabilly world unites at festivals, such as last month’s Viva Las Vegas. “They’re pretty special,” he said of VLV and its kin. “It’s a ‘meeting of the tribes’ where the culture comes together once or twice a year.”
Amongst those tribes, Condo certainly rates as chief - or at least elder medicine man. The potions he mixes are old recipes - first blended in the 1930s at dance halls between Tulsa and Austin. It’s a concoction known as western swing - a blend of instrumentation and rhythm uniting the Kansas City swing of the era and early electrified country, complete with singing pedal steel guitars. “The draw of western swing is that it has so many modern elements - like speeded-up guitar and a tough rhythm section. These were the elements that formed early rockabilly and rock & roll.” Through the 1940s, artists such as Bob Wills & the Texas Playboys and the Light Crust Doughboys sent many boot heels tapping. “By the late ‘40s, Hank Williams and Lefty Frizzell stripped the music into smaller combos - they were the Louis Jordans of the western scene. They put an end to those bands.”
