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Todd Sharpville

Todd Sharpville

An interview with the blue blooded bluesman Todd Sharpville
by Tina Hall
November 2010

It isn’t everyday you come across a Blues musician who comes from one of the UK’s oldest aristocrat families(with a history that spans a thousand years), but Todd Sharpville is just that. Nor is it everyday you find one that plays so well they have been asked to open for the likes of BB King and Joe Cocker.

No stranger to the blues himself after his marriage ended, Todd found himself being hospitalized for a nervous breakdown and spent 4 years fighting for his children. It was during this hospitalization he was asked by Leo Sayer to make guest appearances on 5 tracks (with Sayer driving 8 hours to negotiate face to face with the hospitals chief consultant to get Sharpville released a week early in order to be flown out to the studio in Denmark..whilst still wearing his pajamas,slippers and a dressing gown!)

With is whiskey soaked voice and music played from the soul he pours all of his past experience into the music in a most intriguing fashion. His latest offering the double album Porchlight(produced by the legendary Duke Robillard, featuring special guests: Joe Louis Walker, Duke Robillard, and Kim Wilson) is due to hit the US in November 2010.

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Tommy Stinson

Tommy Stinson

Interview with Tommy Stinson of the Replacements and Guns N' Roses
by Joshua Miller
May 2011

For Tommy Stinson, it it can safely be assumed that it’s often easy to get lost behind his history and reputation.  As the bass player for Minneapolis punk rock/alternative rock band the Replacements, Stinson helped craft a new style of rock and roll throughout the 80s.  From the early age of 13 to his early 20s, he joined the band on their furious onslaught of touring across the country and world.  Their live shows were wild, unpredictable and spontaneous, with the band making it up as they went.

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Vocalist/Guitarist Wayne Static

Wayne Static

An Interview with Vocalist/Guitarist Wayne Static
by Aaron Manogue
October 2011

There have been very few voices and guitar riffs that have been as noticeable as Wayne Static’s signature metal howl and “evil disco” sound in the past few decades. He has mashed and molded a unique combination of hardcore metal with industrial sounds dashed with a side of disco to form a brand that has sold thousands worldwide. Now that Static-X is on an indefinite hiatus, Wayne is back at it, doing it solo but still bringing the signature sound to rape and pillage your ear drums. Maximum Ink’s Aaron Manogue sat down with Wayne Static to talk about his new solo album Pighammer, his favorite music he listens to and his pyshco dog Brutus that would protect his wife and himself, in case of a zombie apocalypse.

Maximum Ink: Talk to me a little bit about where the name Pighammer came from for your latest solo album?
Wayne Static: It’s kind of just a word that popped in my head years ago and I’ve wanted to use for something for a long time. I finally figured out we’d call the solo record Pighammer and me and my wife had a good time thinking of what Pighammer means. At first, we were going to say it was a sexual position, but we thought that might be too much for the kids. So we came up with this whole story about the mad plastic surgeon with this big hammer tool that he uses to change women into pigs. That kind of went along with the whole lyrical theme of the record too, which is transformation.

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Zoe Scott

Zoe Scott

singer/songwriter
by Tina Hall
September 2010

London born singer/songwriter Zoe Scott has been playing guitar and composing songs since the age of 9 and was trained in theatre at a palace in Rome at the Piazza Venezia. She acted briefly is several horror films and during her earlier years she lived in a tent with her sister Victoria.

Zoe’s fans may recognize her voice from the commercial for Gillette Venus Razors and her latest album Woman on Top features the work of The Wax Team (Rhianna, Nora Jones), and master mixers Jim Scott (Red Hot Chili Peppers) and Mike Shipley (Aerosmith, Shania Twain).

Maximum Ink: Your parents where artists.Do you think it was helpful to your musical aspirations to have the support of such creative people?
Zoe Scott: My upbringing was highly creative and it has very much influenced my ability to sit for periods of time in a house, cave or van, and focus on writing songs. I think my parents are very inspired people who have a great sense of joy de verve. You have to have quite a lot of mojo to want to move to the other side of the world and make rock and roll. My dad introduced me to rock and roll with his music collection and beat writers like Jack Kerouac. The artists were very much talked and discussed and idealized in my household. My dad describes himself as a boho, sort for bohemian. My parents were beautiful and talented in the 60’s. I think there was some kind of ideal growing up, which was artists contribute a great deal to the spirit of the world and it’s a cool thing to be a free thinker and observe the world through artists eyes. They were, however, incredibly shocked when I said I wanted to go into rock and roll and move to Los Angeles!

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