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Tantric cover design and illustration by Ian Chalgren

Tantric

an interview with Hugo Ferreira
by Troy Johnson
September 2010

Tantric first hit the music scene with a self-titled debut in 2001 that topped the charts with swaggering, grungy singles like “Breakdown” and “Astounded” that fit right into the New Metal mode that has been a staple of rock radio giants like Nickelback, Staind, and Creed since the late 1990’s.“Tantric” went on to be certified platinum but the band’s follow up albums have seen the band cultivate a more selective audience. In the decade since their debut, the band has completely changed its lineup. Only front man Hugo Ferreira remains of the original members of the group. Tantric released its fourth studio album “Mind Control” in August 2009 and has been on tour regularly since then. On stage, Ferreira’s grave vocals are his most distinguishing characteristic, but off the stage Ferreira’s work in the rock industry has brought him a great deal of insight to the many sides of the music industry. From the creative aspect of writing music and producing videos to the business end of promoting a product that people want to experience. I caught Ferreira the night before a show in Santa Rosa, California on a brief break during their summer tour.

MAXIMUM INK: I just got done watching the “Mind Control” video. You get a chance to do some zombie acting and television smashing. What is it like to film a video like that?
HUGO FERREIRA: We filmed the ‘Mind Control’ at an old warehouse in Nashville. We made it look like a ward with props and a lot of creative ideas. I wanted to do something a little darker and edgier and I was given some reign for creative choices. We were pleased with the end result.

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 - photo by Dave Leucinger

Hank Thomas and the Western Starlanders


by Dave Leucinger
February 2003

Interview with Milwaukee alt-country rocker Hank Thomas of Hank Thomas and the Western Starlanders

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Tesla on the cover of Maximum Ink July 2007

Tesla


by Paul Gargano
July 2007

An interview with members of Sacramento’s legendary Tesla

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Tool on the cover of Maximum Ink September 2006 art by Peter Westermann

Tool


by Paul Gargano
September 2006

Maynard James Keenan doesn’t want Tool to change the way you think, he wants you to change the way you think. To that end, new release “10,000 Days” is as profound as any statement in Tool’s five album catalog, sculpting a grisly and garish sonic landscape of a world run astray. Never ones to paint an explicit picture, Tool – frontman Keenan, guitarist Adam Jones, drummer Danny Carey and bassist Justin Chancellor – paint in broad strokes, blurring acute angles with more obtuse symmetry, and making their music a truly interactive experience. It’s about asking the questions that aren’t supposed to be asked, and finding the answers that aren’t supposed to be found. It’s about finding inspiration where others may see desolation. It’s about opening a third eye and making the pieces fit. It was in that spirit of self-discovery and realization that Maximum Ink sat down with Maynard James Keenan for this exclusive interview…

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30 Seconds To Mars on the cover of Maximum Ink - March 2005 - photo by Jenn Dohner

30 Seconds To Mars


by Sarah H. Grant
March 2007

Escape. It’s why we crank the volume up to ungodly decibels when driving alone late at night. It’s why we have iTunes programmed onto every useless gadget that we lug around 24/7. It’s why we reach for the headphones, even when we’re about to pass out, just to listen to that song. Music is the lung of our spirit. It gives us a break from the Earth so we can breathe in the Milky Way. Four guys named Jared, Shannon, Tomo, and Matt are already there.

30 Seconds to Mars is a novelty of modern rock. Their self-titled 2002 album settled rumors that lead singer/guitarist, Jared Leto, was not some bored wash-up from Fight Club, but a multi-talented rock titan on the stage. With the blood-thirsty critics at bay, the group as a whole perfected their musicianship on 30STM’s sophomore album, A Beautiful Lie. The band does an impeccable job of keeping what their fans lovethe swirling, intricate guitar solos and a far-out rock vibewhile not shying away from deeper material.

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Tommy Lee on the cover of Maximum Ink in June 2002

Tommy Lee


by Paul Gargano
June 2002

Tommy Lee became synonymous with drumming in the late ‘80s and early ‘90s, his solos setting the standards by which all future drummers would be judged, and his presence one of unparalleled rock ‘n’ roll excess. Since those heralded days in Mötley Crüe, a lot has happened, but Lee’s focus hasn’t shifted. Through tabloid headline after tabloid headline, he’s kept his music close to his heart, all the while, his personal life being run through the American psyche as if it were made for prime time television. And while the hooplah may have been more than most men could handle, in sitting down with Tommy Lee as the release of his sophomore solo effort approaches (this time the project is simply called Tommy Lee, and the album, appropriately, Never A Dull Moment), it’s practically chilling how sound both in mind and body the international superstar has become. It’s as if the more he’s been through, the more he’s learned, and Lee savors the newfound knowledge with an enviable zest for life. The same zest that he applies to his music. On the eve of the band’s departure for the road in support of Lee’s latest solo outing, Maximum Ink sat down with the drummer-turned-frontman to discuss life as an icon, and the albums that have come as a result… 

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Tenacious D on the cover of Maximum Ink in April 2002

Tenacious D


by Michelle Harper
April 2002

Yes! Finally, an original and innovative musical group pierces the rerun neo-metal trend of the new millennium. Of course, musical geniuses such as Brittany Spears and the Backstreet Boys (pre-rehab visits) have made it almost impossible for anyone to look good, or even competent, in comparison. But, the hilarious sarcasm of Jack Black and Kyle Gass are making a run for glory despite the uphill trek, riding their mighty steeds with a guitar in one hand and a scepter in the other. Their mission? Tenacious D wants to kick some ass, rock your face off, and allow you the privilege of witnessing the “greatest band that ever was”.

It all began in 1996 when Gass and Black met in the L.A-based theater group, The Actor’s Gang. Gass instructed Black on some guitar techniques, and the two became fast friends. The duo has made cameo appearances in such flicks as Bio-Dome, Cradle Will Rock, and more recently, an HBO short documenting the hilariously intense rise to ass-kicking stardom - Tenacious D-style.  Black has made a name for himself as an actor as well, appearing as a clerk in John Cusak’s record store in High Fidelity, and the Farley Brothers’ flick Shallow Hal with Gwynneth Paltrow.  Finally, after six years, with the help of Dave Grohl of the Foo Fighters and production team The Dust Brothers , Tenacious D is on their way to selling 11 million records, just as Black so grandiosely predicted.

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