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Thoughts For Food

Thoughts for Food

by Mike Huberty
February 2011

Easily the largest benefit concert in Wisconsin, Thoughts for Food gets all the music venues of Racine to party for a cause every year on the first Saturday of March. That cause is the Racine County Food Bank, an organization dedicated to helping the area’s people who are having trouble with the bottom and most basic rung of Maslow’s Hierarchy. Currently on its 19th year (its longevity a minor miracle in itself), the benefit spans nine Racine clubs as well as over 40 bands. That’s something that Racine County Food Bank Director Dan Taivalkoski doesn’t take for granted. He states, “Our budget is around a million dollars when you factor in the value of food. Our cash budget is about a third of that and Thoughts for Food is about a tenth of that, so it’s a very important fundraiser for us.”

While it’s essential for the Food Bank, it’s also a no-brainer for the venues involved. Taivalkoski states, “Most years you can guarantee a packed house the entire evening. And most of the bars give back their proceeds in the form of a donation to the food bank. It’s positive all the way around.”


Threat Level

Threat Level

by Jason Mansavage
September 2010

Threat Level was forged amidst the industrial wasteland of Kokomo, Indiana in 2005. Known as the “City of Firsts,” for pneumatic rubber tires, aluminum casting, stainless steel tableware, the Howitzer shell, aerial bombs with fins, mechanical corn pickers, canned tomato juice and home to the Delco Radio Division of General Motors Corporation, its no wonder these guys turned to metal music. They grew up children of industry, surrounded by steel, metal, aluminum and more recently, poverty, issued by the closing of local auto plants. Attributed to the financial problems of the automotive industry, in December 2008, Kokomo was listed third by Forbes in a list of America’s fastest dying towns.


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by Joshua Miller
April 2010

When California alternative rockers Thrice stepped in the confines of the Daytrotter studios (located in Rock Island, IL) to record a live session in January, it seemed to echo a continued exclamation from the band to the world that they had moved far from being simply a metal/hard rock band.

While they might not need an introduction to many as they’ve toured around the country many times since starting in 1998, the session for proved to a golden opportunity for the band nonetheless. Daytrotter is a premiere location for sessions of some of today’s up-and-coming acts (many from the indie music scene).

“We thought that was cool that Daytrotter invited us because they don’t usually have many punk rock/metal bands,” says bass player Eddie Breckenridge. “They realized we’re doing something different now and I think a lot of people that ended up listening to it too were surprise that this was something Thrice would do.”

“A lot of people who listen or know about the band know more about the beginnings of our band when were first recognized and signed by a label. Our music has been changing so much over the years that maybe someone had like what we did in the past and moved on doesn’t know that we moved on as well.”

The band, which also includes singer Dustin Kensrue, guitarist Teppei Teranishi and Eddie’s brother and drummer Riley Breckenridge, feed on music exploration. With each of their six albums, the band’s sound has changed in more ways than one. The quiet and mellow demeanor of each of the members might hint otherwise but once the band gets on the practice floor or live setting it becomes evident the creative explosion.

Prior to their spring tour with fellow nationally touring acts Manchester Orchestra and O’Brother, which includes a stop at The Rave in Milwaukee April 24, Breckenridge talked to Maximum Ink about Thrice’s evolving sound and introspective lyrics.

MAXIMUM INK: It might be tough to describe but if you had to describe the overall sound of Thrice how would you describe it?
EDDIE BRECKENRIDGE: It’s kind of always in the state of evolving. It’s hard to describe. We’ve always had a rock base to our entire sound but we’re very much into experimenting with different sounds and new instruments. So I guess it could be kind of experimental rock. But I think that might mislead people because a lot of experimental rock ends up being sometimes being tough to listen to and I think we really focus on songwriting and trying to make good songs; creative but also enjoyable, like to sing along to.


Tiger Clutch

Tiger Clutch

An interview with glam rock heroes, Tiger Clutch
by Mike Huberty
December 2011

Tiger Clutch might be the greatest glam rock band you’ve never heard. With influences based on Judas Priest, Nirvana, and Kick Axe, Tiger Clutch are five local musicians who play the part of grizzled hair metal veterans, having rocked, partied, and screwed their way through decades of music history. When it’s time to rock, they take the stage names of Thor (singer and local comedian David Leon), The Blast (guitarist Derek Reinfried), Brick Johnson (guitarist Joe Cushman), Shredderella (bassist Jennifer Reinfried), and Beatz “Off” McKenzie (drummer Riley Heninger). With a rock fist in the air and their tongue firmly in their cheek, they release their latest (in reality, first) album on Thursday December 1st. We took a few minutes to discuss the new record with them.


4342 ViewsPermalinkTiger Clutch Website
Time To Kill from Wisconsin Rapids

Time to Kill

An interview with founder/guitarist Keith Monville
by Aaron Manogue
January 2012

They say that punk is dead. They say that thrash metal was born and died in the 70’s and 80’s. They say if anyone wants to be successful that they need to pick a genre and stick to it. They also say that you absolutely cannot mix and mash punk, thrash and metal all together and make a sound worth living together. Clearly, the band Time to Kill never got the memo. And clearly, “they” don’t know what the hell they’re talking about. Time to Kill is a devil’s concoction mixed up to prove that if you love music, you can create something unique and something that stands out from the crowd for all the right reasons. As guitarist Keith Monville put it, “It’s a mix drink with one shot of punk, one shot of metal then top the glass off with some thrash.”

Maximum Ink’s Aaron Manogue spoke with Monville about Time to Kill’s history, some pretty funny “Spinal Tap” moments, and their huge upcoming show with Motorhead, Megadeath, Volbeat and Lacuna Coil. Time to Kill is Keith Monville on guitar, Shannon Hicks on bass, Jon Munro on vocals and Steven Heath on drums.

Maximum Ink: Give me a little history on Time to Kill. When did you start, how many records released, where did you all meet, etc.?
Keith Monville: Time to Kill started in a basement, with some long time friends, at the end of 2006 after I took some time off from the band scene. Next thing we knew it was 2007, we had a full band, playing shows, released a demo, signed by Turkey Vulture Records and released a CD. Then we toured the Midwest for 2008 in support of the “Insanity” CD, including many shows with national bands. 2009, I had to replace the lead singer and bass player and we toured the Midwest and released a demo. Then we spent 2010 refining the line up and writing new music. In, 2011 got the new line up set and started writing new music and here we are with a new demo CD for 2012 and writing and recording for a full length CD to be released this summer.


Tin Can Diamonds - photo by Mary Sweeney of

Tin Can Diamonds

by Mike Huberty
May 2016

With a joyous and bluesy sound, TIN CAN DIAMONDS are a young Madison band that mixes elements of folk and rock. The folk ingredients are the way vocalist Aarushi Agni powerful and confident voice mixes with Mitch Johnson’s guitars and harmony vocals. The rock foundation is the rhythm section of bassist Ben Strohbeen and drummer Dave Janus. They’ll be releasing their first album at Bright Red Studios on May 21st and we talked with Aarushi, Dave, and Ben about the band and their new album.


Tom Fuller Band live at the Triple M studio in Madison - photo by John McCally

Tom Fuller Band

by John Noyd
July 2009

To see Tom Fuller today one would never guess that little over ten years ago he was a solid cog in corporate America and had never written a song all the way through. From the streaked mod haircut to the purple granny glasses and matching sneakers Tom Fuller emanates rock and roll. Tamed danger prowling, the glam-punk poise echoing the bigger than life sound of his band a tight group both young and experienced, sharp and dedicated.

Ironically, after talking with Tom for over a half an hour the conversation was less about music than destiny and life’s spiritual journey. Perhaps it’s due to the fact that while Tom is the leader and songwriter for the Tom Fuller Band he is entirely self-taught beyond a few guitar lessons when he was nine. In fact, Tom says he’s a “song-crafter more than a writer.” “I write what I feel; my lyrics are always emotion-based.” His gut instinct guides him and serendipity has brought him an entourage of good fortune. “I know in the first twenty seconds if I’m going to like a song.” Immediate, intuitive and insistent, Tom also knows personalities and opportunities and has learned how to play them both with rock and roll nonchalance.


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