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White Zombie

White Zombie


by Mike Huberty
December 2008

Formed in the mid-80’s in New York City, White Zombie would become one of the most popular metal acts through the 90’s. Their sound was heavy but with a groove and songs inspired from horror authors like Richard Matheson (I Am Legend) to classic muscle cars and cult films like Blade Runner and Night of the Living Dead. Their most visible member, Rob Zombie (Robert Cummings, Jr.), was not only a musician, but a filmmaker as well, who over the course of the past two decades would go from directing the band’s videos to being a sought-after horror movie director in Hollywood. Even though the band has been broken up for over a decade, Rob went through the entirety of their old recordings and came up with a new boxed set called Let Sleeping Corpses Lie which is a five-disc collection of everything the band recorded.

You can tell Rob Zombie gets asked about a White Zombie reunion all the time because the first thing he says is how the set has a perfect title, “it’s pretty self-explanatory because I didn’t want everybody to think the box set was the beginning of something. I wanted everyone to realize it was the end of something… I am not big on revisiting the past. I like to move forward all the time. So whenever anything else would come up, this would go in the backburner. I had a little bit of window, and just knocked it out. And I also figured that, if not now, when? By waiting longer, CDs aren’t even going to exist, so there will be no box sets.”

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Peaches Staten

Wild Women of the Blues


by Dave Leucinger
March 2014

Since 2003, the Madison Blues Society has demonstrated commitment to community – both musical and otherwise. While promoting education, awareness, and appreciation of blues music remains at the core of the organization’s mission, MBS has also played a positive role in other ways - such as outreach with the neighborhood centers and the Boys and Girls Club of Dane County. Students who learn from these programs have been featured performers at the MBS’s major summertime event, the Blues Picnic.

MBS added a new annual event seven years ago: the “Wild Women of the Blues” series – a reference to an early blues song written and performed by Ida Cox, and also successfully recorded by Bessie Smith and numerous others in the decades since: “Wild Women Don’t Have The Blues.” While the series was previously intended to help cover the costs of the Picnic, the event organizers have chosen to expand the purpose of this year’s event, with proceeds going to organizations that serve women and families.  This year’s show, which will be held at the High Noon Saloon in Madison on Thursday, March 20, beginning at 7:00 PM, will benefit Dane County’s Domestic Abuse Intervention Services (DAIS).

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Lisa Wenger

Wild Women of the Blues

Madison Blues Society
by Dave Leucinger
February 2015

It’s an unimpeachable fact: the history of recorded blues music started with women.  From Mamie Smith to Ida Cox, Bessie Smith, and the bawdy Lucille Bogan, women’s voices were the mainstay of recorded blues in the 1920’s. It was in that tradition that the Madison Blues Society began its annual “Wild Women of the Blues” seven years ago. Since then, the event has become a showcase for local and regional artists, and one of the largest fundraisers for the organization.

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Wildhoney

Wildhoney - FRZN Fest 2016

A quick check-in with guitarist Joe Trainor of Wildhoney
by John Noyd
December 2015

Labeled lo-fi shoegaze, retro noise-pop and post-modern doo-wop; guitarist Joe Trainor from Baltimore’s WILDHONEY understands how the band’s unique blend of styles defies easy categorization. Citing an eclectic mess of musical influences ranging from the Shangri-La’s to Cocteau Twins and early Madonna, Wildhoney shines most when least predictable, shifting gears and fusing genres to make for an amazing live show. MAXIMUM INK had the opportunity to pose a few questions to Mr. Trainor about their upcoming gig opening up day two of FRZN Fest 2016, January 15th at Madison’s High Noon Saloon and here’s what he had to say.

MAXIMUM INK: What do you think of when you think of Madison, WI?

JOE TRAINOR: Technicolor Teeth, Garbage and a nice coffee shop by The Frequency

MI: What sort of show should Madison expect from the band?

JT: Bring ear plugs for the music, bring acid for the visuals

MI: Nice of you to visit in the middle of winter. How can we make you feel welcome?

JT: Tell the sound guy we are loud, and be nice

MI: How would you describe your sound to somebody not yet tuned into Wildhoney?

JT: The song ” Kiss Me” by Sixpence None The Richer meets Nirvana

For more information check out www.frznfest.com to learn more about Wildhoney and the eleven other bands playing the three day festival.

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Erik Kjelland with Butch Vig

Wisconsin Vinyl Collective

Q & A with Erik Kjelland
by Teri Barr
April 2017

Erik Kjelland is a man with a plan. Actually, the Madison-based musician always seems to be in the middle of creating a new plan, while taking another to completion. Lucky for us, Erik’s plans typically revolve around music for the greater good.

Currently, he shares his own terrific talent in so many ways; as a soulful singer-songwriter, dynamic leader of the award-winning band, The Mascot Theory; and as one-part of the beautiful duo, Kerosene Kites. Also in recent years, Erik has been the frontman in forming some strong collaborations leading to music as a vehicle for raising funds and awareness. He’s done it for the Keep Wisconsin Warm/Cool Fund with the wildly successful Flannel Fest, and next he’ll do it for the Wisconsin Vinyl Collective, a brand new project aimed at highlighting the many great musicians based in, or originally from, the Badgers State. One of the people Erik approached? Butch Vig of Smart Studios and Garbage fame. The Wisconsin native quickly said, “yes” to his request, and Erik just returned from a few days in L.A. where he met up with Butch, and they plotted the next steps to solidify the future of the Wisconsin Vinyl Collective.

Right now, Volume One is about to be released as a part of Record Store Day, and at shows on April 21 at Riverview Gardens in Appleton, and April 23 at High Noon Saloon in Madison. Artists on the album will be the featured performers. (More info at:  wivinyl.com )

Before this first of its kind event, I asked Erik about the partnership with Butch, the goals of the project, and why it already means so much to him.   

Maximum Ink: Where did you get the idea for a Wisconsin Vinyl Collective project?
Erik Kjelland:
Inside my brain is a mixed cluster of ideas and projects that skirt the line between creative and ridiculous. Wisconsin Vinyl Collective (WVC) is really a collection of a bunch of those nuggets. I was kicking around the idea of a local music compilation album released by my record label, Stone After Stone Records, and as a means to put on a fun charity event in Madison, like a spring edition of Flannel Fest, the annual fall Americana music showcase Beth Kille and I created to raise funds and awareness for Keep Wisconsin Warm/Cool Fund.

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Wishbone Ash

Wishbone Ash

Career Lessons, Deep Meaning, and Rock Around the Globe
by Sal Serio
September 2015

It’s always an immense pleasure to get perspective and insight from an intriguing musician who has been a trailblazer of innovation for decades, and who continues to stay relevant and proactive in the current musical universe. This was most definitely the case when Maximum Ink’s Sal Serio recently got to chat with Andy Powell, band leader of the iconic English rock band Wishbone Ash, who will perform at Turner Hall in Milwaukee, Thursday, September 10. The current Wishbone Ash line-up is comprised of Andy Powell and Muddy Manninen on guitars, Bob Skeat on bass, and Joe Crabtree on drums.

MAXIMUM INK: Often there is mention of the twin-lead-guitar-harmony sound in discussions about Wishbone Ash. However, it’s usually Thin Lizzy that get credit for “inventing” that technique. Yet, it occurs to me that Wishbone Ash should really get this honor, since, when you started doing it in 1970, Thin Lizzy only had one guitar player (Eric Bell)!

ANDY POWELL:; Oh, did they?! I think you’re the first person that’s ever picked up on that! <i>[laughing]</i> Well, that’s very nice of you, and it’s funny that you mentioned Thin Lizzy, because I was at a Steely Dan concert last week, and there’s one song of ours that I know had a big impact on those two bands, because there’s riffs in a song by each of them that could only be inspired by the song “Blowin’ Free”, one of our classics, which, back in the day, would have been played quite a bit on FM radio. I’ve spoken to Scott Gorham, from the later incarnation of Thin Lizzy, and I know that they were influenced by Wishbone because we were the first band that they saw when they came to London from Ireland. So, you know, some people admit the influence and some don’t, but it’s all good to me. Music is like that. We all channel other bands, and music we’ve grown up with, and so it’s a huge compliment.

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Wookiefoot

Wookiefoot


by Andrew Frey
November 2012

Master myth historian Joseph Campbell may be an unlikely roll model for a band, but Wookiefoot is no ordinary band. Cross-breading cosmic intellect with earthbound paradigms to create now age anthems of “Reggae-Jam-Rock-Funk with sitars, bag pipes, and a circus” is unthinkable for most groups, but Wookiefoot takes it all in stride. Their followers are even called “Bliss Junkies” a variant of Campbell’s famous saying, “Follow your Bliss.”

In fact, when talking about their new release, Mark Murphy, vocalist, visionary and guitarist for Wookiefoot admits that, ““‘Ready or Not…’ is mostly focused on ideas from Joseph Campbell

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