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Chicago's Alkaline Trio

Alkaline Trio

by Chris Fox
November 2008

Riding the release of their latest album, “Agony & Irony,” ALKALINE TRIO has hit the road. The band started in late ‘96 with an upbeat, melodic sound with dark, realistic lyrics that slowly but strongly developed a dedicated following. Though big on the punk scene, the band strives to cross barriers and bring in fans from all walks of life.

Derek Grant (drums) said the new album is “getting back to the basics” as they put more concentration on content rather than layering and perfecting instrumentations. Through several previous albums, the writing fashion had become monotonous, so they took a stripped down, more natural approach to the production of “Agony & Irony.” The essence of their songs has remained the same and as the fan base continues to grow, the songs remain relatable and tend to touch a nerve that most bands avoid. Grant says, “we’ve never taken the easy route in any shape or form, we aren’t a band that is born out of convenience,” and this, he explains, is why their following remains strong.

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Chicago's Blackdog

Blackdog

by Mike Huberty
October 2008

Hailing from Chicago after forming in Madison from two musical soulmates, guitarists Anthony Alban and Sammy Reicher, BLACKDOG fuses influences of early 20th Century Delta Blues, 50’s rock n’ roll, and the Classic Rock Pantheon. Andrew Elbert, their drummer says, “ We all love roots music and have a foundation in blues and rock n’ roll. Our heroes are Jimi Hendrix, Led Zeppelin, Dire Straits, BB King, and Buddy Guy.” After earning their undergraduate degrees from the University of Wisconsin, they decided to take the band to the big city and almost the whole band moved to Chicago (they found a new bassplayer, Jason Segal, when they got there.)

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Chicago's Cameron McGill

Cameron McGill And What Army

by Dan Vierck
November 2008

Cameron McGill is a pop-fectionist. What should be needless to say, is that this has nothing to do with aesthetic, marketing or sales. Be it McGill solo or with his Chicago-based band What Army, the music doesn’t just take center stage, it’s the only thing meaningful thing on the stage.

McGill’s music is the new smooth voice of the Midwest. People like Bright Eyes, Devandra Banhart, Margot and the Nuclear So and So’s, Jentri Colello and Madison’s whole alt-country scene plus so many more have started or taken on this quest of giving our green plains an audible, distinct, interesting and unique musical pulse. McGill’s place in this line up is on the radio.

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Chicago's Cealed Kasket featuring Sarsicus and vocalist Mortal Death

Cealed Kasket

by Kimberly E. McDaniel
October 2007

By all accounts, Cealed Kasket puts on one heck of a show.  There are swords, beer, wenches and a self-proclaimed, 553-year-old wizard named Sarsicus, led by the ringleader and vocalist Mortal Death in an effort to entertain the youth of America. The band’s latest album, “Penetration,” was released this past July on Reckless Records. 

The band will appear at Maximum Ink’s Halloween Spooktacular on October 27th, so we thought it fitting to warn…err, inform concert-goers in the Madison area just what they might expect from these medieval metal rockers.  It seems that the traditional sex, drugs and rock and roll is on the menu, and Cealed Kasket knows how to deliver the goods.  After sitting down to chat with Mortal Death, the best warning?  Be afraid…be very afraid.

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Disturbed on the cover of Maximum Ink in August 2000

Disturbed

by Paul Gargano
August 2000

It takes all musical shapes and styles to fill out an OZZfest lineup, and this summer’s run is no exception—The hip-hop stylings of Tommy Lee’s post Mötley Crüe Methods of Mayhem bounce into the industrial-metal synchopations of Static-X, which clamor into the hard rocking depths of Godsmack . And then there’s the full-on metal bombast of Pantera.

If you have the stamina, that offers a hell of a day at the mainstage, but this is America in the year 2000. In an age of instant gratification, why settle for four bands when there’s a band on the sidestage that offers everything each of those bands has to offer, and more. That’s big talk about a band that’s not even halfway to a gold record (selling 500,000 copies) with their Giant Records debut The Sickness, especially when comparing them to four bands that have sold more than 10.0 million albums between them. But Disturbed are that good. Quite honestly, they’re even better.

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Droids Attack Vs. Imperial Battlesnake

Imperial Battlesnake

by Andrew Frey
August 2008

Firmly seizing upon the bombastic hammer of thundering metal, comes Imperial Battlesnake. This Chicago-land experience consists of King James and his aggressive drum beating, Doom Wop Costanza hopping up the explosive bass playing with intestinal fortitude, Greazy Dave Reece augmenting the relentless guitar killing with powerful staring and tongue tornados, Ronnie James Theo exemplifying skin-scaring guitar riffing with quicksilver solos, and Wes Nile spewing forth a mouth-warping vocal rampage while sporting a Napoleon Complex. 

With so many colorful characters to choose from, one can hardly go wrong! Recently I touched base with the Imperial Battlesnake troupe for a quick e-interview. 

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I Fight Dragons

I Fight Dragons

by John Noyd
May 2009

Bratfest 2009, Saturday May 23rd - stage two, early afternoon; the six-headed monster that is I Fight Dragons grab their joysticks and commence to rock with old school video game samples, digitally modified vocals and fanboy fantasies of conquering worlds and getting all the girls. Smarmy and cynical, IFD’s boyish charms and killer riffs pick a part hearts and kick out the jams. “I just tried to keep the guiding principle that it had to be fun, joyous, and smart,” says lead vocalist Brian Mazzaferri. A glib, gleeful stew of polished geek-pop anthems, old school video gamer gambits and rockin’ smartass scholarship, IFD take their Super Mario soundbites, new wave power-ballad cravings and studio noodling to a whole other level. 

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