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Life Of Agony on the cover of Maximum Ink May 1998 - photo by Paul Gargano

Life Of Agony


by Paul Gargano
May 1998

an interview with Alan Robert of Life Of Agony during the Whitfield Crane era

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Mudvayne on the cover of Maximum Ink January 2001

Mudvayne


by Michelle Harper
January 2001

An interview with sPaG of Mudvayne before the face paint came off.

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The Heavils on the cover of Maximum Ink for March 2003

The Heavils


by Andrew Frey
March 2003

Rockford’s The Heavils, and interview with Mossy after being signed to Metal Blade Records in 2003

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Madison's The Ottomon Empire on the cover of Maximum Ink December 2007

The Ottoman Empire


by Mike Huberty
December 2007

An interview with Madison shredders The Ottomon Empire‘s Mary Zimmer

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Milwaukee's The Cocksmiths on the cover of Maximum Ink October 2007

The Cocksmiths


by Sarah H. Grant
October 2007

An interview with The Cocksmiths, a band featuring Milwaukee veterans Ryan Daniels, Matty Gonzalez, Joey Carini, Paris Ortiz and Dave Schoepke.

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Five Finger Death Punch

Five Finger Death Punch


by Mike Huberty
February 2008

Mike catches up with FFDP drummer Jeremy Spencer talks about meeting singer Ivan Moody and the recent pull out from a tour with Chimaira and All That Remains

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Bif Naked


by Mike Huberty
November 2005

Just the name, Bif Naked, conjures up pornstar imagery right off the bat and certainly the Canadian rocker and starlet (whose scene was the highlight of the otherwise cinematic bowel movement, House of the Dead) isn’t afraid to take advantage of her sex appeal, but that doesn’t mean she’s invulnerable.

“I’m a real gullible girl and I always believe anything a boy will ever tell me. I get suckered a lot, but always get back up on the love horse,” she explains when discussing the songs on her latest album, Superbeautifulmonster. “I just came off a big heartache and was enshrouded in despair when I wrote [album tracks] ‘Abandonment’ and ‘After A While’. I like to think that I better my efforts, my songwriting, and singing with every record and this one’s a little darker and sadder, it’s much more guitar-oriented. There’s something that everyone can relate to. I’m crazy about love, crazy about the whole process. I keep getting knocked down, but I keep getting back in the ring.”

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