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Madison't VO5 to end the world! - photo by Nick Berard

VO5

A Party for the End of the World!
by Andrew Frey
December 2012

If you are going to throw an end-of-the-world party, make damn sure it’s full of rollicking music, carnivalesque sex, and otherworldly vibrations. Madison supergroup V05 (www.voh5.com) feels the same way and plans to take these elements and put them into a tight-fitting, glitter-speckled disco dynamite package fitting for the occasion.

To figure out how we are going to get to the end of the world, I asked the well-educated, award winning, and highly experienced members of the band how we got here and where we are going.

Lead hi-jinxstress, vocalist and trumpeter for this decorated outfit, Catherine “Cat” Capellaro starts out, “VO5 is huge, and very sparkly, and we play music that makes people dance. We like to call ourselves ‘The Ambassadors of Love.’  We radiate a positive, powerful vibe. We are 9 musicians that love getting together to play disco and funk classics and some tasty originals—all with the aim of moving people to ecstatic heights of dance bliss.”

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Voivod on the cover of Maximum Ink in April 2003

Voivod


by Andrew Frey
April 2003

Voivod blasted thru the late 80’s and early 90’s with a unique and evolutionary stretch of conceptualized sci-fi progressive thrash metal albums. “Killing Technology,” “Dimension Hatross,” and “Nothingface” are all extremely influential and classic thrash-era albums.

Now after several years of difficult times, harsh realities and semi-obscurity, Voivod has returned, revamped and reenergized, sporting an impressive new band member, Jasonic (Jason Newsted formerly of Metallica). There is also an exciting spring tour with Sepultura and a summer tour with Ozzfest. In fact, it was Jason who performed much of the revamping. The incredible new album, “Voivod Voivod” was recorded at and released on Jason’s own Chophouse Records.

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Detroit's Von Bondies in Maximum Ink in May 2008

The Von Bondies


by Mike Huberty
May 2008

Hitting the mainstream with their single, “C’mon C’mon” in 2004 (used as the theme to Denis Leary’s popular TV show, Rescue Me.) They also appeared in the popular and controversial (due to the actors’ naughty and real sex scenes in a love story set between live-music performances) 9 Songs. THE VON BONDIES rode the Detroit garage rock wave (even getting their first record, Lack of Communication, produced by The White Stripes’ Jack White) to success in the early part of the century. On the way, they lost a few members (the only original ones being vocalist/guitarist Jason Stollsteimer and drummer Don Blum.)  Stollsteimer got in a highly-publicized fistfight with the aforementioned White, and the band went into hibernation. In 2008, with a sans record label they are getting back into touring. They’re self-releasing two EPs in preparation for a full album in the fall. The first, We Are Kamikazes, is only available from the band at their shows.

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The Von Ehrics

The Von Ehrics


by Mike Huberty
April 2009

Seemingly effortlessly mixing the speed and aggression of punk rock music with the structure and twang of country music, Dallas trio, THE VON EHRICS, (named after the infamous Texas professional wrestling clan) write and play memorable cowpunk that veers between the heavy and the heartfelt in equal measure without ever sounding an untrue note (as one of their songs mentions, when you see a VON EHRICS show, you have an equal chance of hearing Waylon Jennings, Willie Nelson, Rancid, or Bauhaus.) The two founding members, lead vocalist and guitarist Robert Jason Vandergryff (is there a more regal rock name in existence?) and bassist Jeffery Wayne Mosley (name checked in a song for being known to cause trouble south of the border), have been playing together since 2000. After a string of drummers, finally solidified the lineup in 2005 with San Antonian Gabe Aguilar on the drums.

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W.A.S.P. - artwork by Ian Chalgren

W.A.S.P.


by Jeff Muendel
February 2010

Those who have encountered the band W.A.S.P. are not likely to forget the experience. Like them or hate them, their stage antics tend to be memorable. The group almost literally clawed their way out of the early eighties Los Angeles heavy metal scene the same fertile ground that produced the likes of Mötley Crüe, L.A. Guns, and Ratt. These groups paved the way for many more hair bands to come, but W.A.S.P. was a little bit different. While many of the other groups from that era focused on a cross-dressing, bad-boy image, W.A.S.P. was just plain twisted and scary; the group was more Alice Cooper than Rolling Stones. Band members had circular saws sewn into the crotch of their trousers. Raw meat was cut up and thrown into the audience. Blood was a common stage prop. All of this accompanied aggressively sexual lyrics, buzz saw guitar riffs, and pumping double-bass drums.

At the heart of the group, then and now, was Blackie Lawless. In fact, he is the only remaining original member, and for all intents and purposes, W.A.S.P. is his artistic vehicle. Lawless was born Steven Duren on Staten Island, New York. Famously, or perhaps infamously, he got his first break playing with the legendary New York Dolls. The group was in its final death throes, but it introduced Lawless to New York Doll’s guitarist Arthur Kane. After the New York Dolls finally split, Lawless followed Kane to Los Angeles.

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Wayland - photo by JR Wyatt

Wayland

An interview with lead guitarist Phillip Vilenski
by Michelle Harper
November 2015

One hundred and sixty four miles from Lincoln City, the birthplace of legendary rocker Bob Segar, is a town called Wayland, Michigan. With a population of around 4,000 people, it’s safe to say that unless you’re from the area, you probably have never heard of the place.

Enter Wayland, the band. Their hot, searing vocals, combined with a blues/rock fusion sound will make sure that, not only will you know about the town of Wayland, Michigan…

You’ll never forget it.

Their new single entitled “Bloody Sunrise” is taking the radio waves by storm. I had the privilege of speaking with lead guitarist Phil Vilenski, as he and the band were driving down the road in their tour bus somewhere between Memphis and Shreveport.

MI: I read that you and Mitch (Mitch Arnold, lead singer of Wayland) met in California around 10 years ago.
PV:
It’s funny because we’re all Midwestern guys, we’re all from Michigan, Mitch is from Indiana, and we met in Los Angeles.

MI: That is funny.  So how did you guys meet? Did you meet in a club? Were you auditioning for groups? What happened?

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Guitarist Wayne Krantz - photo by Vikas Nambiar

Wayne Krantz

An interview with Guitarist Wayne Krantz
by Tina Hall
April 2012

Guitarist Wayne Krantz is best known for his work as a solo artist. He has also graced the stage with such artists as Steely Dan,  Billy Cobham, and Michael Brecker. His tenth album Howie 61 offers up
blues inspired rock riffs that appeal to fans of both genres. Joining him on the album are such iconic artists as Vinnie Colaiuta (Jeff Beck, Frank Zappa, Sting), Tal Wilkenfeld (Jeff Beck, Chick Corea, Herbie Hancock), Pino Palladino (Jeff Beck, The Who, Eric Clapton), and Anton Fig of The Letterman Show’s “World’s Most Dangerous Band”, and many others (Keith Carlock, James Genus, Nate Wood, Henry Hey, Owen Biddle, Charley Drayton, John Patitucci, John Beasley, Jeremy Stacey, Paul Stacey, Yasushi Miura, David Binney, Kenny Wollesen and Gabriela Anders.

Maximum Ink: Can you tell us a little about your background? What were you like as child?
Wayne Krantz: Young, mostly. I hear when I was brought home from the hospital my dad cranked Beethoven on the stereo all day long. That basically never stopped.

MI: Who were some of your earliest influences?
WK: Early on it was Beatles, Monkeese, Debussy, Herb Alpert, Dionne Warwick, James Bond themes. Then came Led Zeppelin, Jethro Tull, Santana, Sons of Champlin. Then Miles Davis, John Mclaughlin, George Benson, Joe Pass, Herbie Hancock, Jim Hall. Then Pat Metheny, Mike Stern, Prince. Finally, Hendrix. Then nobody. Well, this guy Yasushi Miura has been knocking me out lately. Not really an influence, but someone who confirms what I’m doing in some way.

MI: When did you first know that you wanted to be a musician?
WK: When I was 16. I was listening to a Sons record called “Follow Your Heart” and decided to take their advice.

MI: What was your very first guitar? Do you remember what was running through your head when you got it?
WK: I started on a Framus acoustic my Dad had in the attic. I was really intrigued by it for some reason, even though it only had two strings on it at the time.

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