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The Schwillbillies on the December 2002 cover of Maximum Ink - photo by Rokker

The Schwillbillies

by Brett Lemke
December 2002

An interview with Geeter of Madison’s punk-hillbilly outfit The Schwillbillies


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Last Crack is back! on cover of Maximum Ink for Rokker's Birthday, November 2002 - photo by Rokker

Last Crack

by Rokker
November 2002

It started just like any other local hard-rock band. A couple of guys from an unheard-of band hooked up with some other guys in another unheard-of band through a billboard at a local music store. They had a practice space, a PA, a following (well, plenty of friends), two guitar wiz’s, a dynamite rhythm section… what they needed was a singer. So back to the billboard they went, in search of a vocalist that could compliment their intricate rhythms, blend with their mysterious melodies and cut in through the intense guitar solos of a metal band.

And there it was, a poster for an available singer. It was Buddo, of the Snotrockets. They ripped all of the tags from the poster and went home to call him. It was the summer of 1987.

Buddo showed up to the storage facility in McFarland that was the band’s rehearsal space. “I’m Paul” proclaims guitarist Paul Schluter. “ahh… Pablo” replied Buddo. “I’m Todd,” says bassist Todd Winger. “Toddereno,” remarked Buddo. “Phil ,” mutters original drummer Phil Buerstatte. “Philo,” again replied Buddo. Somehow, guitarist Don Bakken remained “Don,” but together they would become Last Crack.


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Ed Thompson jammin on the cover of Maximum Ink in October 2002 - photo by Rokker

Ed Thompson

by Dave Leucinger
October 2002

He’s staking his position as Pied Piper of the Proletariat. Ed Thompson, Libertarian candidate for governor, added politics to his lengthy and colorful resume of working-man jobs - from boxer to gambler to prison guard to bar owner. He easily won election as mayor of Tomah. So is the Ed Thompson mystique genuine, or is the reality best reflected in the Libertarian party line?

The truth is that Thompson has the ability to sound convincing in both contexts. Thompson is a “people person,” as reflected by long-standing friendships and warm interaction with strangers. His former boxing coach (and current driver), Jim Meckstroth, has been through many of Thompson ‘s previous battles. “He fought as a heavyweight professionally until he was 40,” Meckstroth said. “He won his last fight, but when I asked ‘how many fingers,’ he said he couldn’t even see my hand.” Thompson translated that scrappiness to his bar business. “Anyone who got out of hand, he’d literally pick ‘em up and throw ‘em out,” Meckstroth said. Thompson has also been winning another well-publicized battle. “He’s been sober for eight years now.” But perhaps Meckstroth’s most telling observation of Thompson was from the boxing ring. “Ed was the kind of boxer who would take three punches to land one good one.”


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Shot To Hell

by David A. Kulczyk
September 2002

It is not everyday that you see a band fly out of the starting blocks like Shot To Hell.  Their enthralling version of Psychobilly has been burning the boards throughout the Midwest, uniting fans of multiply genres and age groups.

After a trying year that included three different drummers and a van fire, Shot To Hell has finally (hopefully) put their bad luck behind them with the addition of permanent drummer by the name of Daphna Ron, who also contributes backing vocals.

Shot To Hell has two full albums worth of songs to release, which they will record at their own Psyclops studio in La Crosse. Next month they are going to have a remix version of their song (If you) Think I’m Dumb on the Georgia based Illbilly Records compilation “Dropped On The Head - Vol. 2”


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The Buzzhorn

by Sarah Klosterbuer
August 2002

“We just wanted to kinda get back to rock.” The phrase may be a bit of a clichĂ©, but is the perfect description of what The Buzzhorn is all about.

Recently signing with Atlantic Records, the Milwaukee-based band is taking its first steps into the national limelight, with high hopes and realistic expectations. “As far as the national level and everything, you can keep your fingers crossed and hope that it all goes well. We just want to keep playing, and that’s really it,” reflects vocalist Ryan Mueller.

The Buzzhorn are one of Milwaukee’s hottest bands, but were relatively unheard of outside of the city until recently. Advertising extensively and barely getting by financially, The Buzzhorn developed a strong, energetic fan base in the Milwaukee area. Ultimately, this, in combination with the band’s musical talent, caught the eyes and ears of Atlantic Records, offering The Buzzhorn the opportunity every band dreams of. On August 6 of this year, “Disconnected” hits stores, with the first single, “Ordinary” currently being added to radio play lists nationwide.


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