Claude Dorsey

To a generation of Milwaukeeans, Claude Dorsey was the musical centerpiece of the city’s nightlife. For 40 years, he entertained diners as the house pianist and vocalist at the Clock Steak House, a downtown crossroads of politicians, entertainers, and reputed mobsters. “It had great food, and the entertainment was pretty good, too,” Dorsey quipped. “The best meals were when Miss Addie was cooking. Whatever she made, it was the best.” In many ways, The Clock became the crossroads where Milwaukee met the Vegas Rat Pack culture. “All the cabbies recommended it to touring acts – that’s how Bob Hope came to see me a few times. [The] same with Nat ‘King’ Cole , Tony Bennett, and others. The cabbies were great at networking.”

Dorsey traces his roots to Gainesville, Georgia, about 40 miles north of Atlanta. “My daddy was the main minister of a church there,” he said. “I wanted to follow him – I tried, but I was always playing music.” Dorsey came to Milwaukee as a teen in 1928. “My dad became minister at Calvary Baptist Church,” he said. The approval of his father was an important factor in Dorsey’s career. “When he heard me play, he said, ‘you’re ministering here; you’re reaching people. That’s what it’s all about.’ I was so happy that my daddy approved of what I was doing; that he was proud of me,” he said.

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The Donnas

The Donna’s were formed in 1997 in Palo Alto, California when high school outcasts Brett Anderson (vocals), Torry Castellano (drums), Maya Ford (bass) and Allison Robertson (guitar) picked up their instruments and started rocking out in a raw, in-your-face, aggressive AC/DC Ramones style. They all used the first name Donna.  Since then they have released 5 full length CD’s and are now filling up the big halls with their devoted fans, but still the press has not taken them to their heart, dissing their songs, appearance and playing. I spoke to guitarist Allison Robertson via telephone when the Donna’s were on tour in Chicago.  She was smart, funny and talkative. 

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The Reptile Palace Orchestra

The sign on the door read, “REPTILE PALACE ORCHESTRA appearing every weekend this month. Please come and enjoy their eclectic mix of traditional and original world music that rocks. Elvis + Armenia + Funkadelic + Bulgaria = RPO.”

I didn’t recognize the band name, but I decided to check it out anyway. They were already on-stage. Dancers grouped in front of the stage as the band launched into their next number, which the lovely lady singing, announced as “Kochari.” The dance floor came alive as body parts were swung to and fro. More numbers followed fusing world music and ethnic styles. One song was in Spanish, the next from Bulgaria, then another in Armenian. Then Turkish, Finnish, English, Italian, Greek, and occasionally a song in a gypsy dialect. As the band played on, I tracked down a bartender and asked him to tell me more about the band.

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The Trachtenburg Family Slideshow Players

The Trachtenburg Family Slideshow Players are one of the oddest, yet enjoyable musical units to come down the pike in a long time. Jonathon Richman’s early work, like “Ice Cream Man,” “Hey There Little Insect” and “Rockin’ Rockin’ Leprechauns” is about the only music you can compare to the TFSP. 

Formed a couple of years ago in Seattle by Jason [guitar, piano and singer], his wife Tina [projector] and seven year old daughter, Rachel on drums after Tina found and bought some old slide photos at a yard sale. The box was marked “Mountain Trip to Japan 1959 and that was what was on the film, someone’s color slide photos of a trip to Japan in 1959. Jason , who was a mild mannered struggling singer/songwriter in a city filled with aggressive and thriving singer/songwriters, put his talent to work and wrote songs around the slideshow and The Trachtenburg Family Slideshow Players were born. 

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Blue Man Group

The official Blue Man Group website, Blueman.com, states, “Blue Man Group is a creative organization dedicated to creating exciting and innovative work in a wide variety of media.”

Sometimes musicians are creative. Other times they are original. Occasionally they smash thru the basic trapping of genre rules and create category defying experiences unlike any other. The critically acclaimed Blue Man Group is just such a performance experience.

Perhaps you first saw BMG on those unique Intel Pentium television commercials, or maybe you have seen them on one of their numerous “Tonight Show” appearances, (13 to date, see www.bluemanlibrary.com). Or maybe you were one of the lucky ones to see their crowd pleasing set on “Moby’s” AREA 2 tour in 2002. Perhaps you have visited one of their permanent locations and witnessed their great theatrical performance. Where ever you may know them from, their trademark cobalt grease paint faces, funky yet technical performances and PVC drums leave an indelible impression.

The founding three members of BMG, Chris Wink, Matt Goldman and Phil Stanton started creating their own unique brand of multisensory experiences as early as 1988 on the streets of New York. Then, after a breakout run at LaMama (New York’s most prestigious experimental theatre) in 1990, they landed in the Astor Place Theatre in 1991 and have been there ever since. With this flagship venue in place, BMG kept expanding into more major market areas. To date BMG has permanent locations in New York, Boston, Chicago, and Las Vegas, with plans for a new Berlin troupe set to open in 2004. The organization has grown into a franchise comprised of over 500 employees including nearly 100 performers and musicians.

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