Guido’s Racecar

Somewhat on-again off-again band, Guido’s Racecar has been on-again since 2007. Made up of Roni Allwaise on vocals, Mike Hoffman on guitar, Johnny Washday on bass and fellow Max Ink writer, Lane Klozier on drums, this relatively low-key “kinda glam & kinda punk [band]” as Allwaise calls it, had its start back in 1998. I had the opportunity to speak with Roni Allwaise.

Triibe

Born from the entrails of Malice in Wonderland is the metal movement called TRIIBE. TRIIBE’s current constitution is centered on its founding members:  Chris Chaos and Nick RIP.  Impeded by disunity and infighting during prior collaborations, the two sought liberation in a cohesive and connective form of musical power. Nick describes: “A tribe is a group of people that live and die together. That is what we are. That is our music.”

Axiom

Alternately ridiculous and rocking, Madison rockers AXIOM have been bringing their own concoction of humor-laden grunge-metal for the past several years. Consisting of vocalist/guitarist, Jakob Wheeler, Justin Roettger on bass, and drummer Dan Stoffels, the band mixes influences from Primus to Nirvana to hints of GWAR (without the cartoonishness and fake bodily fluids) and just released their first full-length LP, Philly Phakeout, in June. Wheeler says the inspiration for the name came from “wanting to name the album after a move like ‘The Dirty Sanchez’ or ‘The Cleveland Steamer’ (grossout sex position jokes that became popular on the Internet and on MTV’s former late night sex show, Loveline) and Philly Phakeout seemed like a good name for one (”people will have to Google that one”, Roettger laughs.) As far as the reaction to the album title, Stoffels laughs, “Chicks have a mixed reaction, some are grossed out by it and some are slighty intrigued. Some only act like they’re disgusted so their friends don’t think they’re weird. And some grab you and pull you into the bathroom.”

Blackdog

Hailing from Chicago after forming in Madison from two musical soulmates, guitarists Anthony Alban and Sammy Reicher, BLACKDOG fuses influences of early 20th Century Delta Blues, 50’s rock n’ roll, and the Classic Rock Pantheon. Andrew Elbert, their drummer says, “ We all love roots music and have a foundation in blues and rock n’ roll. Our heroes are Jimi Hendrix, Led Zeppelin, Dire Straits, BB King, and Buddy Guy.” After earning their undergraduate degrees from the University of Wisconsin, they decided to take the band to the big city and almost the whole band moved to Chicago (they found a new bassplayer,  Jason Segal, when they got there.)

Birth Of Tragedy

In 2003, scientists from the Institute of Astronomy in Cambridge, England, were studying a supermassive black hole located 250 million light years from earth. They discovered that it was producing sound waves.  These sound waves translate into B-flat, 57 octaves below middle C on the common household piano.  This pitch, inaudible to the human ear, is the sound of the slaughter of light.

Addiction is much like a black hole that crushes the light of those enslaved by it.  A local counselor and musician named Cory Divine works to alter the trajectory of youth who have found themselves in the vacuum of addiction by producing his own yawp of sound. 

His band is called Birth of Tragedy and consists of only two members: Divine on guitar and vocals + Ryan Peterson, percussionist.  To call Peterson a percussionist is to call the Sears Tower a building.  Upon experiencing the colossal sound of Birth of Tragedy, one is certain that continental drift progresses significantly with every set.

Patchwork

Jeremiah Nelson named his dog after Bob Dylan. Influences aren’t nearly as direct when it comes to Nelson’s band, Patchwork - which released its new full length, “Take Me Down the Interstate” on Aug. 15 at the Frequency in Madison, WI.

“You draw from enough sources that it becomes unrecognizable,” he says over a bagel and cream cheese while Zim, the black lab, explores the sunny porch of Nelson’s Williamson-area house. “A lot of the time it’s my friends,” he says. We talk about Oskosh fav Attack Octopus - who seemingly couldn’t be more dissimilar with its busy, sparkling, crackling, tangy arrangements, odd time signatures and overall challenging sound. In this context, Patchwork is definitely roaming Dylan-esque territory.