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AFI - photo by Matthew Welch

A.F.I.

by Kimberly E. McDaniel
January 2010

In every generation, there are bands that generate either much adoration from fans or much hatred, but rarely is there any middle ground.  AFI is just such a band.  Love them or hate them, their sound is ever-evolving and fans are heatedly debating whether their latest offering, CRASH LOVE, is their best or worst album to date. 

Beginning in Ukiah, California eighteen years ago, the band gained a following with their hardcore punk sound.  After some personnel changes that were finalized with the release of BLACK SAILS IN THE SUNSET in 1999, the band, Davey Havok, vocals, Jade Puget, guitar and vocals, Hunter Burgan, bass and vocals and Adam Carson, drums and vocals, geared up to release their what would become their life-changing record.  With the release of 2003’s SING THE SORROW, AFI enjoyed their first mainstream success, winning an MTV2 award for the single Girl’s Not Grey and selling over one million copies.  They took three years to deliver 2006’s DECEMBERUNDERGROUND, which featured the rousing anthem, Miss Murder, and in September of this year, CRASH LOVE hit store shelves, seemingly cementing AFI’s mainstream following.  The first single from CRASH LOVE, Medicate, is currently enjoying heavy rotation on many national FM stations and the video is garnering them attention on MTV.

AFI guitarist, Jade Puget, took time out of the band’s hectic touring schedule, which is on a momentary hiatus due to Havok’s bout of swine flu, to talk about CRASH LOVE, his dream of being a novelist and what he can’t live without.


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Skinny Puppy

by Kimberly E. McDaniel
January 2010

Twenty-six years ago, Skinny Puppy released their first recording, Remission, on an unsuspecting public and redefined industrial music.  They had help from Ministry, as both bands would eventually become the godfathers of this heavy, strange and danceable sound that emerged in the early 80’s.  Twenty-five albums later, Skinny Puppy is still going strong which isn’t bad for a band that was apparently initially supposed to be a side project for cEvin Key (born Kevin Crompton).  When Nivek Ogre (born Kevin Ogilvie) joined soon after, the band became a full-time project.  Dwayne Goettel joined the band from 1986-1995, and the band has had various other members, including Bill Leeb of Frontline Assembly and Al Jourgensen, over the years as well.

In 1993, tensions between band members and rumors of drug abuse plagued Skinny Puppy, culminating in the death of Goettel and Ogre leaving in June of 1995.  Ogre and Key reunited in 2000 for a Skinny Puppy show in Germany and then finally reformed in 2003.  Currently, Justin Bennett (formerly of Professional Murder Music) is the drummer and had a key role in choosing the band’s set list for their recent “In Solvent See” tour, which ends December 10th, 2009 in Los Angeles.

Recently, Nivek Ogre chatted with Maximum Ink about the dangers of touring with no album to support, animal rights, politics and his burgeoning film career.


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Ministry’s Burton Bell

by Kimberly E. McDaniel
May 2008

What can be said about Ministry that hasn’t been said before?  This is a band that people love or hate, or possibly love to hate, but rarely does the band’s sound inspire any middle-of-the-road feelings.  There is no complacency when discussing Ministry, and one would guess that is just the way the band’s founder and fearless leader, Al Jourgensen, wants it to be.  Love him or hate him, Jourgensen could hardly be described as complacent.

Jourgensen is credited with creating the industrial sound, inspiring multitudes of musicians to follow him down the same dark path of pounding danceable beats and screaming electric guitars.  After twenty-five years of performing and releasing not only Ministry records, but also records from his various side projects, Jourgensen is putting the industrial giant to sleep.  Permanently.

Ministry released two new CD’s this year, “The Last Sucker” and “Cover-Up.”  Currently, Jourgensen is making one last round on his C U Later Tour, which began March 25 in Spokane, Washington and finishes up on May 10 in Chicago, Illinois with the final three dates taking place at Chicago’s House of Blues. 

Joining Jourgensen on stage are guitarists Tommy Victor (Prong) and Sin Quirin (Revolting Cocks), keyboardist John Bedchel (Ascension of the Watchers, False Icons, ex-Prong), drummer Jimmy DeGrasso (formerly of Megadeth, Suicidal Tendencies and Alice Cooper) and Static-X’s Tony Campos on bass, filling in for Paul Raven (ex-Ministry and Killing Joke) who died last year.  Also joining the band as a Special Featured Artist is Burton C. Bell (Fear Factory/AotW), who joined Maximum Ink for a chat about the final days of Ministry.


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Nine Inch Nail's Trent Reznor - photo by Adam Bielawski

Nine Inch Nails

by Paul Gargano
October 2005

It’s been six years since Trent Reznor released The Fragile, and a lot has changed in Reznor’s world. Nowhere is that more present than in new release With Teeth. Less epic in its structure than The Fragile double-disc, With Teeth is Reznor refined to a songwriting sheen, rather than navigating a colossal musical landscape. The songs still radiate with the thrust and tenacity inherent in Nine Inch Nails, but they do so with a bounce and vibrancy that breathes new life into the band, now featuring former Marilyn Manson bassist Jeordie White, Icarus Line guitarist Aaron North, returning drummer Jerome Dillon, and keyboardist Alessandro Cortini. At their heaviest, they’re industrial-fueled with a metallic surge, but there’s also an adherence to structural simplicity that harkens back to Reznor’s Pretty Hate Machine. With Teeth isn’t as pissed-off and dark as The Downward Spiral, or as emotionally bogged-down and cumbersome as The Fragile . And rightfully so neither is Reznor.

Maximum Ink sat down with the Nine Inch Nails mastermind to discuss the changes in the new album, as well as the changes in his life… 

MAXIMUM INK: Was With Teeth approached with a different direction in mind than previous albums?

TRENT REZNOR: Well, I went about writing in a different way. The last couple records, Downward Spiral and The Fragile, I realized I had written in the studio. Being that I don’t have a band to rehearse songs with, the studio becomes my instrument, and I had finally gotten a really nice place with everything I needed in it. I was realizing that the writing process was starting to become the same as the arranging and production process. It was all happening at the same time, there weren’t any demos anymoreI’d just go in the studio and come out with the songs finished, pretty much. This time around, for whatever reason, I wanted to get back to doing demos and start from a different place. Instead of starting with sounds and textures and that sort of thing, I started with words and melodies. So I moved out to L.A. and set up a place that purposely didn’t have much in it, just a piano and a drum machine, and a computer to record into. I set an every-week-and-a-half kind of deadline that didn’t allow me any time to really go off on a tangent, and let me just focus on the core of the song, then go back later and flush things out. And I think working that way made the record turn out more song-based, and less soundscape. I don’t think that’s better or worse, it’s just a different way of working that seemed like the right thing to do.


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Captured! By Robots

by Tom Butler
June 2005

Captured! By Robots, just home momentarily from a National two-month spring tour will be hitting the road again in June 2005 for a long over due tour of Canada with limited dates in the US. The “Greatest Hits” set will feature songs from both “The Ten Commandments and Get Fit with…” along with songs from Captured! Alive. These summer dates will be the only time in the foreseeable future to catch these songs again live.

Captured! By Robots recently recorded the follow up to the DVD/CD release “Captured! Alive.” This new release is a double CD entitled “The Ten Commandments / Get Fit with…” This release was recorded in the studio and contains two bonus 10 minute MPEGs – one clip from each of the past two tours, both filmed at the Green Door in Oklahoma City OK. “The Ten Commandments / Get Fit with…” chronicles the past two themed tours, The Ten Commandments CD was the set performed on the 2003 Fall Tour, and the Get Fit with…. CD is the set from the most recent 2004 Fall tour. Each CD will feature ten of Jbot’s favorite songs from each set. Due to acts of God, ie: manufacturing issues the release due out in April 2005, has not been available on tour or in stores but is now available.


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