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Sevendust on cover of Maximum Ink one month after changing their name from Crawlspace.... April 1997

Sevendust

by Paul Gargano
April 1997

They say hindsight is 20/20, but in the nonchalant manner Sevendust drummer Morgan Rose recalls the addition of vocalist Lajon to the Atlanta quintet’s mix, you’d never imagine this band was the latest focus of attention for indie juggernaut TVT - the same label that launched Nine Inch Nails into the national spotlight, turned Gravity Kills into one of the last years most amazing success stories, and is nurturing Sevendust’s ascent ot the top of the heavy metal market.

“We thought that if we could find a singer who could sing over the heavy music, it might sound original,” Rose explained at New York City’s Coney Island High, the site of Sevendust’s coming-out performance April 12 (only three days before the release of their self-titled debut), their first Big Apple show since singing with TVT less than a year ago.


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Man... Or Astroman? on the cover of Maximum Ink in October 1996 - photo by Craig Gieck

Man… Or Astro-Man?

by Paul Gargano
October 1996

Give Alf an electric guitar and a few Dick Dale records, lock him in the attic for a night, and the results might just rival Man or Astro-man? and their musical barrage of space-age surfscapes. The members of Man or Astro-man? aren’t quite as furry as television’s Alien Life Form, but they’re also trapped on earth until they can fix their interplanetary wheels.

“Originally we came from a place, not a planet,” began founding drummer Birdstuff, backstage after a recent show in Providence, R.I. “Planets are very archaic devices, we actually came from a grid sector, grid sector 23-V61. Star Crunch and I took the intergalactic starship-your guys’ station wagon-out on a joyride, and somewhere we mis-vectored.”


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Paul Schluter of Madison's Magic 7 on the 7th cover of Maximum Ink in September 1996 - photo by Craig Gieck

Magic 7

by Paul Gargano
September 1996

What’s so magical about Magic 7? It depends who you ask. For fans of Last Crack it’s the first time writing duo of Paul Schluter and Buddo have worked together in more that five years. For the former member’s of Madison’s best known hardrock outfit, it’s an opportunity to put the past behind and focus on the present.

“This wasn’t pieced together just to get all of the members of Last Crack, except for the drummer, together in another band,” said guitarist and principal songwriter Paul Schluter in a recent interview. “We’ve all worked together before, we’re in each other’s heads and it’s a great starting point, but I think the thing that makes this band special is that we’re relying on mostly new music. Last Crack was fun for us, but it was in the past. What makes this band worth being around is that it’s a whole new style of music for us, a lot mellower at times, a lot more melodic, a lot more mature, and at times completely different sounding.”


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Ministry, the first cover of Maximum Ink in March, 1996 - photo by Craig Gieck

Ministry

by Paul Gargano
March 1996

Maximum Ink’s first cover story! Paul Gargano interviews Ministry’s Paul Barker…

Ministry was never intended for the faint at heart, but for even the most faithful Al Jourgensen and Paul Barker fans, Filth Pig seems to be, well, exceptionally filthy. Ministry’s long-awaited sixth studio release digs deep for the duo, taking artistic turns that previous efforts couldn’t hint at. Whether it’s the musical presence of mandolin, harmonica and pedal steel guitar, the surprising lack of samples, or the more personal tone of the lyrics, evolution has crashed head-on with music’s missing links. With all other side projects on hold, Ministry bassist, programmer and sometime-vocalist Paul Barker offers a closer look at the dynamics of, and dirt behind, Filth Pig.


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