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Jentri Collelo

Jentri Colello

by Dan Vierck
August 2008

Jentri Colello could fool anyone. The band has been together for less than two years, this incarnation for less than six months, and the lead singer and initial song writer, Jentri Colello has only been playing slightly longer than the band has been together. Regardless, Colello is as confident on stage with her songs as any pro, having survived a weekly spot at the Local Tavern for some time and backed by a band of two long-time friends who have been playing since birth.

Colello is quick to clarify that this is not a solo singer songwriter operation with a backing band. “I’ll play [what I’ve been working on] probably halfway through and they’ll jump in and do whatever. It’s really relaxed. I prefer not too give them any guidelines because I think the best part about playing with other people is seeing how they hear it and then seeing how they manipulate it.”

Her name, it seems, was simply the best name they could find. “We were originally playing under a band name and the guys said, ‘Your name is kind of a cool name, it kind of sounds like a band name anyway, lets just play under that.’ I could really care less, but at the same time, I was a little bit apprehensive because as soon as people hear just a name think it’s just another singer-songwriter, they’re not going to bother. They [the band] have so much say in how the songs are completed. I really, really hate taking anymore credit than they do.”


Madison's Good Time Camper

Good Time Camper

by Dan Vierck
July 2008

We didn’t discuss it specifically, but the more and more I talked to Good Time Camper about their menagerie of sounds it became clear that the foursome is a condensed version of a group not unlike Scooby, Shaggy and the Gang, except that in the case of GTC, instead of solving mysteries, their sound is the mystery.

Patrick Sweeney, the easy Freddy of the group, brings the songs. Then the pieces are created layer by layer with the aid of the other three. Rounding out the parallel, bassist Sean Ellis runs the Shaggy route being aloof but always in the middle of the action, drummer Jamie Zander, the Scooby, brings the smile and the comic relief which leaves (sorry, dude) guitarist Adam Ginsberg to be Velma, with the fantastic guitar science into the chemistry.


2650 ViewsPermalinkGood Time Camper MySpace
Milwaukee's tribute to Johnny Cash and other traditional country favorites, God's Outlaw

God’s Outlaw

by Dan Vierck
July 2008

God’s Outlaw is Timeless, Old Fashioned Country

The first time I talked to Brian Smith, aka God’s Outlaw, I interrupted a pleasant afternoon he was having grilling out on his porch, having a couple beers with his friends and family. The next time I talked to him, after we’d exchanged a round of e-mails, you’ll never guess what he was up to - back at the grill with some steak and more beer. As far as grassroots country-living and playing goes, God’s Outlaw is as real as it gets.


10423 ViewsPermalinkGod’s Outlaw Website
Madison's Know Boundaries in Maximum Ink in April 2008

Know Boundaries

by Dan Vierck
April 2008

Know Boundaries, speaking simply, is indefinable. Calling them rap-rock is misleading because they’re, you know, good. Allowing for a more complicated definition, they describe their intention “[to] mix hip hop and rock and not make them two separate styles of music but just one music using the power in both.”

The six-piece, six-year Madison veterans have opened for groups as disparate as Cypress Hill and the Gin Blossoms. They’ve been sponsored by Budweiser’s True Music program, won multiple Madison Area Music Awards and have been showcased at numerous industry conferences.

The band is exceptional in that it follows through on its intention. The music of Know Boundaries has the energy and power of all exciting and powerful music, tastefully brought together in one sound. The rhythm is heavy - a deceivingly simple drum beat paired with an ambitious and audible, but not overpowering bass. This leaves the guitar to flit around on the high end mostly, ducking back into the general groove for the lush hooks and choruses. Out front the band flaunts a cooperative rap-rock ying yang. An easy symbol of the band’s musical ambition, the rapper and singer twist around with each other, always in support - never detracting from one another’s parts. Through all this the keys (a decked out and supplemented-with-gizmos Rhodes) steer this would-be chaotic ship through melodies that don’t get old when they repeat-they get stronger.


Milwaukee's The Scarring Party

The Scarring Party

by Dan Vierck
January 2008

The Scarring Party could be the set up to a joke wherein a tuba, banjo and an accordion take the stage. They could be a Tenacious D, a Juiceboxxx or a Macho Man Randy Savage rap album, but they’re not. They are a bizarre exercise in the defiance of time. They are practitioners of parallelisms, administers of allegory and subtle masters of musicianship. They could soon be the undisputed new big thing of Wisconsin. For now though, they are simply Milwaukee’s two-year-old four piece, neo-vaudevillian folk-pop favorites.

“With all that stuff [we bring] on stage it’s almost like prop comedy, to some people” Daniel Bullock, songwriter of the group says, “and that’s why they look down their noses at it.” What’s clever banter on stage, becomes coffeehouse quips in, well, a coffeehouse with tuba player Isa Carini and percussionist Chris Roberts backing him up there too. “I think when you’re in an acoustic band,” Bullock continues, “the way you create tonal difference is by pulling out new instruments. There’s always more stuff that can make it different, you know? It’s never a matter of getting a new pedal or something, it’s always a matter of ‘Oh my god, now I’ve got to like, build this thing’ or ‘I’ve got to rub this instrument against that instrument to make this totally different sound.’ People think it’s novelty, but really it’s just…”

“I think people get into it too, the instrumentation” percussionist Chris Roberts adds. “They’ll be like, ‘Wow, there’s a tuba on stage’, maybe I’ll watch this band. Not just like a typical rock band.” Indeed, typical rock band they are not.


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