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Sassy Come Home

Sassy Come Home

Interview with drummer Dave Bonson
by Teri Barr
September 2017

As a kid, Dave Bonson created a heavy, punk music scene in a place better known for its Hodag Country Festival. Today, he continues to create a scene, though now in the Madison area, and more grunge-influenced. Bonson took time to answer a few questions about the 5th Annual Grrrls Kick Ass Fest, happening at The Frequency on September 23rd. He also shared a peek into his latest project, the Sassy Come Home Band.
 
Maximum Ink: You got involved in music while growing up in Rhinelander, in Northern Wisconsin. What influenced you there? 
Dave Bonson:
Yeah, it started in the small town of Rhinelander, home of the Hodag. I got really into Nirvana when I was young and picked up bass. Then I moved on to guitar. However, there were few drummers in the area, and none of them really clicked with what I wanted to do. So, I picked up drumming, and fell in love with it, then eventually found some awesome people to play with in a band.


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Gear & Beer Fest II

Gear & Beer Fest II

an interview with founder Wendy Schneider
by Teri Barr
September 2017

Musical gear, and craft beer. It doesn’t get much more Wisconsin than this event. The must-attend gathering is Gear and Beer Fest, and it’s happening at the East Side Club in Madison, starting at noon on Sunday, September 24, 2017.

And the brains behind it?

The fearless leader of Coney Island Studios in Madison, Wendy Schneider, best known recently for her work on the Smart Studios documentary. “Coney Island recorded bands for a long time, around 20 years ago,” Schneider says. “I’ve resurrected the idea of Coney Island as a brand for local music, but instead it’s now focused on presenting events, and producing films that include local or midwest-based music at the core.”


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Theresa Marie of The People Brothers Band on stage at AtwoodFest 2017 only days before appearing on the Cover of Maximum Ink - photo by Jason Tish

People Brothers Band

an interview with singer Theresa Marie
by Teri Barr
August 2017

Have you been touched—truly touched—by The People Brothers Band brand of love, peace, and harmony?
It’s a feeling. It’s a sound. It’s an energy.

And it’s something you can’t describe. It has to be experienced.

My own The People Brothers Band experience happened just a few years ago, though the band itself has been together since 2009. (I know, where have I been?)

I’ve been fortunate in more recent years, to really enjoy the band’s joy. Prior to one show, to also have the opportunity to spend time backstage with them before introducing the group to a big crowd—I was left beyond impressed.

Teresa Marie is the only woman in The People Brothers Band, but don’t think she gets any special treatment. She sings, writes, and performs her heart out, just like everyone else in the “family.” Teresa knows she is part of something special, and took time to share her thoughts about it, just before the popular People Fest, August 10-12, 2017, at their own Driftless Gardens music venue.


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SIMO on the cover of Maximum Ink music magazine

SIMO

SIMO comes back to play AtwoodFest 2017
by Teri Barr
July 2017

The bluesy tunes of J.D. Simo have hit a new high. He has written hundreds of songs, traveled the world, and J.D. has even cut his trademark shoulder-length hair since the last time we talked with him for Maximum Ink just after a successful performance at AtwoodFest a few years ago. But his history in music remains the same; he grew up in Chicago, quit high school, and moved to Nashville. He became a young studio musician and played on more than 500 albums. He says many were popular names we may recognize which made him recognize he didn’t want to play sessions the rest of his life. He formed the SIMO trio, and this second chapter of his music history is still being written.

Here’s an update on some of the things we talked about during our first interview:

Maximum Ink: You’ll be back for a second AtwoodFest show in July, but you’ve played Madison a couple of times since your first AtwoodFest show. What is it about playing here that draws you back?
J.D. Simo: We try not to have expectations of a place when we play there, but Madison is beautiful, and I felt a creative contingent of people, similar to Boulder or Asheville. That’s a feeling that sustains you as you get on stage, and it helps you get into a rhythm. It’s what I did at the first AtwoodFest show, and after a few songs I looked out to see the place was packed. It’s something I want to remember! I’ve actually had people tell me, sometimes as a band is climbing, you forget to live in the moment, so you have to enjoy it. It really was a show we’ll never forget, and I’m looking forward to playing AtwoodFest again!

MI: SIMO is a three piece, but you have always sounded so much bigger. Not louder, but bigger. I saw you recently, and the sound is so consistent.
JD: I am so very proud of the three of us! We are so conscientious of our sound, and it’s why we use vintage gear, in the context of our heros like the James Gang or the Jeff Beck Group. We want to earn a stake in that lineage. Plus, as a trio, you have to give 100% of your talent, and energy. You have to be completely committed to the music, and we aim to do that every night, so we know not one of us can slack off on it.


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BTW founder Roy Elkins

Between The Waves Madsion Music Festival and Conference

and interview with founder Roy Elkins
by Teri Barr
June 2017

Many years ago, Roy Elkins left his hometown in Michigan, drawn to the music scene of Memphis, Tennessee. His father and brothers were musicians, and Roy believed he could create his own fame along Beale Street. But his fascination with the artists instead revealed a skill Roy hadn’t quite considered before—the technology-side of music.

Fast-forward to an opportunity with Sonic Foundry in Madison. It was 1997 and Roy was based in Philadelphia. He was still working in technology, and in a quickly-changing business, helped launch dozens of new products meant to make a musician’s job easier. But there was something about Madison. Shortly after settling in here, Roy realized he was smitten with the city. And as it turns out, it was not a short-term sort of love.


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Joshua Rip - photo by Benjamin North

Josh Rip

by Teri Barr
May 2017

“I’m in a different place mentally, emotionally, and spiritually than when I first started making music almost 20 years ago.”

Josh Rip is a changed man. He’s not the same Madison-based musician taking over the Hip-Hop scene and being awarded for it, just a few years ago. And he’s far from the troubled kid who grew up poor in a tough suburb of Chicago. Rip has found peace, and it has turned his life around. His recently discovered purpose is on full display in his emotional new album, “Trinity,“which is being released at a show on May 17, 2017 at Lucky’s 1313 on Regent Street in Madison; then available following the show at www.WhoisRip.com.

Rip’s music reflects the pain of a difficult transformation, but he also tells me he is now able to celebrate the meaning he has found in his life, and why it may be his biggest reward.

Maximum Ink: The do-it-yourself nature of music has intrigued you since you were young?
Rip:
My mother was a violinist growing up. And not many people know this, but I took violin for a year or two in grade school, and never went home and practiced. I developed a love for DJ’ing and freestyling to Hip-Hop records in my bedroom in the mid-to-late 90’s, and recorded it to cassette. I picked up production, and pretty much taught myself everything I needed to know to produce music. Now, almost 20 years later, I produce everything myself; from my music to my music videos. I prefer it that way because I have 100% creative control and everything you see or hear is 100% my vision.


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Erik Kjelland with Butch Vig

Wisconsin Vinyl Collective

Q & A with Erik Kjelland
by Teri Barr
April 2017

Erik Kjelland is a man with a plan. Actually, the Madison-based musician always seems to be in the middle of creating a new plan, while taking another to completion. Lucky for us, Erik’s plans typically revolve around music for the greater good.

Currently, he shares his own terrific talent in so many ways; as a soulful singer-songwriter, dynamic leader of the award-winning band, The Mascot Theory; and as one-part of the beautiful duo, Kerosene Kites. Also in recent years, Erik has been the frontman in forming some strong collaborations leading to music as a vehicle for raising funds and awareness. He’s done it for the Keep Wisconsin Warm/Cool Fund with the wildly successful Flannel Fest, and next he’ll do it for the Wisconsin Vinyl Collective, a brand new project aimed at highlighting the many great musicians based in, or originally from, the Badgers State. One of the people Erik approached? Butch Vig of Smart Studios and Garbage fame. The Wisconsin native quickly said, “yes” to his request, and Erik just returned from a few days in L.A. where he met up with Butch, and they plotted the next steps to solidify the future of the Wisconsin Vinyl Collective.

Right now, Volume One is about to be released as a part of Record Store Day, and at shows on April 21 at Riverview Gardens in Appleton, and April 23 at High Noon Saloon in Madison. Artists on the album will be the featured performers. (More info at:  wivinyl.com )

Before this first of its kind event, I asked Erik about the partnership with Butch, the goals of the project, and why it already means so much to him.   

Maximum Ink: Where did you get the idea for a Wisconsin Vinyl Collective project?
Erik Kjelland:
Inside my brain is a mixed cluster of ideas and projects that skirt the line between creative and ridiculous. Wisconsin Vinyl Collective (WVC) is really a collection of a bunch of those nuggets. I was kicking around the idea of a local music compilation album released by my record label, Stone After Stone Records, and as a means to put on a fun charity event in Madison, like a spring edition of Flannel Fest, the annual fall Americana music showcase Beth Kille and I created to raise funds and awareness for Keep Wisconsin Warm/Cool Fund.


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The Funky Drummer Clyde Stubblefield 1943-2017 - artwork by Cody Banks

A Tribute To Clyde Stubblefield 1943-2017

an interview with Joey B. Banks and Carolynn Schwartz Black
by Teri Barr
March 2017

The crowd was at capacity for the most recent Funky Monday show with friends, family, supporters, and fans standing shoulder to shoulder at High Noon Saloon in Madison.

But for the first time, the star would not be leading the groove at this monthly musical gathering.

Clyde Stubblefield, the man known as the Funky Drummer for James Brown, had died of kidney failure on February 18, 2017. He was just 73-years-old, and for more than half of his life, had called the Madison area his home.

Clyde had many friends, but few may have known him as well as two of his bandmates in the Clyde Stubblefield All-Stars. I talked with singer Carolynn Schwartz Black and fellow drummer Joey B. Banks about Clyde’s influence on their lives, and why they feel it is important to keep his memory alive.

Maximum Ink: You both knew Clyde a long time. How did you meet him?
Joey B. Banks:
We met in 1982 at Club De Wash in Madison at Paul Black’s Blue Monday show. We started hanging out together with a whole bunch of great area musicians, and many are still active and playing today.


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Katie Scullin on the cover of Maximum Ink for February 2017 - photo by John Hart

Katie Scullin

by Teri Barr
February 2017

What is a hurdle when you relate it to a music career? The definition indicates an obstacle or difficulty to overcome. If you ask Madison-based musician Katie Scullin, she now smiles and shares the stories of many unexpected hurdles during the process of writing and creating her first full album of original music.

Some hurdles would knock out a weaker person. It’s just the way it is. But Katie, who has won countless competitions and accolades including an Emerging Artist Award, the Triple-M Singer-Songwriter Competition, and numerous Madison Area Music Association Awards, refused to fall. Now the finish line is at hand as her new album drops on February 7, followed by an album release celebration on February 17th at Funk’s Pub, and a tour in support of it.

Katie took time to answer some questions about her music at a time when her career is also getting a big boost from those who believe she can take on any hurdle, and win.

Maximum Ink: Everyone has a different story about the way they discovered music. What’s yours?
Katie Scullin:
I just remember sitting in the back of the car singing along to the radio while listening for the differences in every voice, and trying to match the tone and timbre with my own voice, even the guys. Experimenting with my voice just made me feel good. When my parents brought home an old used piano I was immediately drawn to it. I took some lessons in elementary school and used to write songs with my girlfriends. Then, I picked up guitar after high school, and it opened up a whole new avenue for me. It’s also when I started writing “real” songs.


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Madison's folk singer/songwriter Dana Perry - photo by Jenna Joanis

Dana Perry

by Teri Barr
January 2017

“When we really stop to take a deeper look… many musicians like myself realize we’ve actually already gotten ourselves right where we want to be - and we’re going exactly where we want to go.”
Dana Perry, musician

A multi-talented musician, Dana Perry is doing it all these days. She plays solo and with several bands, supports other artists, and teaches new musicians the craft she loves. And Perry gives every ounce of her energy and her heart to each effort. But starting this month, she is behind an even bigger endeavor to get more songwriters heard in an intimate, exclusive setting. The first Thursday of each month, beginning on January 5th, Perry is hosting a “Listening Room” at SOSONIC. She took time to answer some of our questions about it, including why she knows she is in the right place at the right time.


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