Cealed Kasket

By all accounts, Cealed Kasket puts on one heck of a show.  There are swords, beer, wenches and a self-proclaimed, 553-year-old wizard named Sarsicus, led by the ringleader and vocalist Mortal Death in an effort to entertain the youth of America. The band’s latest album, “Penetration,” was released this past July on Reckless Records. 

The band will appear at Maximum Ink’s Halloween Spooktacular on October 27th, so we thought it fitting to warn…err, inform concert-goers in the Madison area just what they might expect from these medieval metal rockers.  It seems that the traditional sex, drugs and rock and roll is on the menu, and Cealed Kasket knows how to deliver the goods.  After sitting down to chat with Mortal Death, the best warning?  Be afraid…be very afraid.

The Dropkick Murphys

Coming from a working-class background in Boston, The Dropkick Murphys have not forgotten that life. Having been successful with fans and critics, the band has had one hell of a ride, highlighted in recent years by Martin Scorsese using their song “Shipping Up To Boston” in his film “The Departed” in 2006, and writing the theme song for the Boston Red Sox in 2004.

“The Meanest of Times” delivers the band’s trademark Irish-infused punk, with the central theme of family tying the album together. The album also marks the launch of the band’s label, Born & Bred Records. In the midst of their current tour, vocalist Al Barr took time out to talk to Maximum Ink.

MAXIMUM INK: Most people describe your music as punk music. Do you really think that fits?
AL BARR: Opinions vary. For me, we have the ferocity and the backbone and the ethos of punk.

MAX INK: How did you decide to put the Irish music in with the punk? Are you guys all of Irish descent?
BARR: You’re talking to the one guy in the band who doesn’t have any Irish blood in him! Everyone else in the band has got some Irish blood in them. The first song that the band wrote, “Barroom Hero,” had bagpipes on it. We could have always done it in the studio, but we decided that if we couldn’t recreate that onstage then it was kind of cheesey.

The Ottoman Empire

An interview with Madison shredders The Ottomon Empire‘s Mary Zimmer

Dan Hicks & the Hot Licks

Dan Hicks has been performing an eclectic mix of staccato, alt-jazz guitar over the brushed swagger of his swing band The Hot Licks for over 30 years. Based in the San Francisco Bay Area, Hicks has just released “Duets,” a download-only album featuring collaborations with Tom Waits, Bette Midler, Willie Nelson, and Rickie Lee Jones. Hicks spoke with Maximum Ink about the new incarnation of The Hot Licks, his first band The Charlatans, and working with filmmaker Ralph Bakshi.

Robyn Hitchcock

Robyn Hitchcock arrives November 3rd, 2007 to Madison’s High Noon Saloon, playing solo but carrying overstuffed bags of interesting history. From his post-punk Soft Boys beginnings to a three decade career mixing solo stretches with bands, films, published poems and painting, Robyn is a post-modern Renaissance Man who’s songs and speech dabble in riddles, scribbles, neurosis and culture. The newly minted five CD set, I WANNA GO BACKWARDS bonuses up three of his older solo albums and includes an incredibly strong double CD of rare works. We emailed Robyn to ask about his past and present state of affairs.