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Articles in Reverse

Looking at history from the oldest first

Sort By: Year 2006


Endeverafter's Michael Grant - photo by Sarah H. Grant

Endeverafter

by Sarah H. Grant
September 2006

Get up. Wipe off the eighteen layers of black eyeliner, stop whining about life, and F.Y.I., duct tape was not meant for clothes. It’s time to rock n’ roll.

Despite the assembly line of performing drones that are currently pervading the air waves, there is one band that has been stealthily building momentum in the background. Endeverafter holds the match to the gasoline of hard rock—and these boys are not afraid to ignite the fire.

The band Endeverafter was birthed two years ago in Sacramento, CA, where front man and lead guitarist Michael Grant, rhythm guitarist Kristan Mallory, bassist Tommi Andrews, and former drummer Austin Sinclaire decided that they wanted to go down in music history. However, the magic happened long before that, as Michael Grant explains, “I’ve been friends with Kristan for five years, with Tommi for three years, and [current drummer] Eric is one of my best friends.” Yet friendship is only part of the foundation that these band mates share. Perhaps learning a lesson from past legends, Endeverafter stands by similar musical fronts, “Our influences are in the deeper 60s, 70s hard rock,” Grant explicates the departure of former drummer Sinclaire, “We had a lot of creative differences, he was more into the glam aspects of rock. A band grows, and sometimes people don’t grow along with you, and you fall apart.”


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Bo Diddley, the legendary Hall of Famer speaks with Brett Lemke

Bo Diddley

by Brett Lemke
October 2006

Bo Diddley is the originator. Born in 1928, he is widely acknowledged as the father of rock n’ roll, a grandfather to punk, and has been copied more times than any recorded musician this side of Clyde Stubblefield. Like Stubblefield, Diddley has been elected into the Rock and Roll Hall of Fame, and recently received a Lifetime Achievement Award from the Grammies.

His signature rhythm, the “Bo Diddley Beat” has spurred generations of rockers, from Buddy Holly, The Who, Bruce Springsteen, U2, and Guns n’ Roses, to the Rolling Stones, Muddy Waters, Aerosmith, Bob Seger, the Animals and, of course, George Thorogood. In 2003, Diddley was honored by US Representative John Conyers, Jr., who stated that Bo Diddley was “one of the true pioneers of rock and roll who has influenced generations,” and he’s been instrumental in helping to organize benefits for Katrina victims in Mississippi.

Some believe the name Bo Diddley comes from an old, southern black slang phrase meaning “nothing at all,” as in, “he ain’t bo diddley.” Others believe it may have been his nickname as a Golden Gloves boxer. Another story links the name to the “diddley bow,” a one-stringed instrument that consisted of a nail and some bailing wire attached to your front porch; A common start for many players on the old south.

In 1955, Bo Diddley was the first African-American to appear on “The Ed Sullivan Show,” and he was also the first person to be banned: According to the history books, he was asked to play a cover song, “16 Tons,” but instead played his No. 1 R&B hit, “Bo Diddley.” Enraging Sullivan, Diddley was banned from further appearances on the show, 12 years before The Doors were banned for singing “girl we couldn’t get much higher” in 1967. Diddley later recalled that Ed Sullivan commented that he was, “the first colored boys to ever double-cross me.”


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Papa Roach on the cover of Maximum Ink November 2006

Papa Roach

by Paul Gargano
November 2006

An interview with the newly recharged singer of Papa Roach Jacoby Maddix about the Paramour Sessions and more!


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The Deftones on the cover of Maximum Ink December 2006

The Deftones

an interview with Stephen Carpenter
by Rick Florino
December 2006

An interview with guitarist Stephen Carpenter of The Deftones


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