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Charlie Cheney, singer, songwriter, Fawmer and developer of Indie Band Manager software

Charlie Cheney

by Mike Huberty
April 2010

As a solo Americana singer/songwriter, CHARLIE CHENEY has been traversing the country and delivering a brand of intelligent, moving and fun songs. This last winter, Charlie embarked on a 25 city tour where he played his solo acoustic show, gave music business seminars, and participated in the February Album Writing Month challenge (an internet songwriter community where people encourage each other to accomplish writing fourteen songs in twenty-eight days.) All the while also hosting a radio show every day of the tour which focused on other FAWM participants. Now, he’s back on the road and has several house and coffeeshop concerts in the Midwest in April.

FAWM is such a cool event.”, Charlie says. “It’s just an interesting challenge, and at first it was sort of a lark… like a dare… But now that I’ve done it four years in a row its become a much different thing, a chance to really work the craft of songwriting in new and inventive ways each year, honing the craft, learning why songs make you feel a certain way, or why you write songs at all. And the community is just so incredibly positive and thoughtful and supportive… it inspires me to write songs that really mean something to me.”


Rogue Wave

Rogue Wave

by John Noyd
April 2010

Recovering from damaged nerves that made playing painfully impossible, guitarist/song-writer ZACH ROGUE’s ROGUE WAVE returned earlier this year with a brilliant, upbeat CD, “Permalight.” Catching Zach as the band embarked on a tour that takes them to Madison’s High Noon Saloon April 16th, he was kind enough to answer a few questions via email.

MAXIMUM INK: How did the idea of “Permalight,” come about?
ZACH ROGUE: It was the first song I wrote after I started writing music again in 2009. I was in an amazingly great mood and I felt like writing a sequel to Kool and the Gang’s “Celebration” and that is what came to mind. I wasn’t really concerned so much with a chord progression per se. I was really just interested in the rhythm and having my hand move up and down the guitar neck so the song would have a loose groove.


the first Mifflin Street Block Party circa 1969

The Mifflin Street Block Party

by Mike Huberty
April 2010

The University of Wisconsin has traditionally held two giant student parties every year. One is Halloween (where out of town revelers caused so many problems, it evolved into Freak Fest, still a good party but one that turns State Street into a demilitarized zone each year) and the other is the Mifflin Street Block Party. Started in 1969 as a reaction to the Vietnam War (the event that seems to loom over every student activity or university story from that decade), the party has been an annual tradition some times at odds with the city and some times with the city’s blessing. After a long time of relative peace, in 1996, drunken and foolish partygoers decided to attack a fire truck that came to put out a bonfire started in the middle of the street. Next thing you know, there’s riot gear, people are screaming bloody murder, and lots and lots of arrests are made. Needless to say, the 1997 party was kind of a drag. But the fest has continued in the ensuing years, and now local music promoters DCNY PRO, Madison natives and longtime Mifflin Street attendees, David Coleman and Ny Bass, have taken the bull by the horns. They spearheaded the party in 2009 to one of its most successful years. On the fortieth anniversary of the festival and even with over fifteen-thousand people in attendance, arrests were down from the year before and in 2010, they’re bringing more changes to make it a friendlier and safer place.


Maynard James Keenan of Tool, A Perfect Circle and Puscifer

Maynard James Keenan

by Andrew Frey
April 2010

Part 2 of my conversation with Maynard James Keenan: Squeezing Life Into Arizona.

These days, when you see a picture of the infamous and enigmatic Maynard James Keenan (Tool, A Perfect Circle, Puscifer), he is sporting and promoting something related to his wine making efforts. Often times it IS a bottle of wine. Look closely. The wine will say it is a Caduceus Cellars wine.[] (The Caduceus is the ancient symbol for commerce.)  Maynard and his business partner Eric Glomski have become vine pioneers for their wine making efforts in northern Arizona near Jerome.

Blood Into Wine: The Arizona Stronghold is a documentary that tells the story of these upstarts as they grow, squeeze and ferment in the Verde Valley. The land in this area is arid like a lot of Arizona, but it has more structure and certain characteristics that make it uniquely advantageous to the grape growing sector as Maynard explains. Mr. Keenan is very passionate about his wine and that really shines through.

Have you always been a wine enthusiast?
“Over time. In my mid 20s. That’s when I started getting into it.”


Madison's Lords of the Trident on cover of April 2010

Lords Of The Trident

by Chris Fox
April 2010

Can you define heavy metal? Does metal mean screaming vocals and deadly distortion? Or is metal wailing guitar solos and an iron lunged singer?

To Fang VonKillenstein of Lords Of The Trident, heavy metal is “that distorted sound that makes you roll down your windows in the summer and makes you put your fist in the air, out the window. It just gives you that feeling in the pit of your stomach that just drives that ‘yeah.’” One can only assume that “yeah” would make King Diamond proud.

Mr. Killenstein, also known as Ty, defines their sound as “80’s metal mixed with modern influences.”

“Our structure is more towards classics 80’s, but we down tune and are fans of modern death and black metal. Those tonalities show up a lot as well.”

Using their local flavor, they have turned bits and pieces of the UW Campus and Madison into epic metal. Fang explains:

“The Madison music scene is really a lot of indie rock, around campus especially. When you say metal, the average Joe thinks of death and turns the other cheek to our music. Half the people come to our shows for cool music, but the other half just come to see what the hell we are up to. “


Art Of Dying - photo by Michael Hurcomb

Art of Dying

An interview with Singer Jonny Hetherington and drummer Jeff Brown
by Kimberly E. McDaniel
April 2010

Art of Dying began in Canada, building an international following since releasing their breakout hit, Get Through This, in November of 2006.  The band, Jonny Hetherington on vocals, Jeff Brown on drums, Cale Gontier on bass and guitarists Greg Bradley and Tavis Stanley, found themselves beginning their whirlwind ride when Get Through This was selected for the World Wrestling Entertainment’s Pay Per View Survivor Series and used in a trailer to promote a podcast of “Port City P.D.”  The song is one of the official theme songs of the WWE NXT.  The band released their self-titled debut in February of 2007, and although the band has claimed that they will not release any more copies of the debut, the album is available as an import at


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