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Kill Junior

Kill Junior

A review of Kill Junior's new album, "Distract-O-Matic"
by Mike Huberty
May 2012

There’s no band in the Dairy State that’s making classic thrash metal like KILL JUNIOR.  “Distract-O-Matic” is a virtual ball slap, like being knocked in the bag by another, larger pierced bag. A big fat Hafada pierced scrot bump full of metal power. Imagine walking into a Megadeth concert with Glenn Danzig on vocals and then just when you’re getting all turgid about how fucking awesome that is, an anvil of heaviness drops on your head like you’re Wile E. Coyote and while you’re dazed, the Road Runner sprints up to you, meep meeps in your face, takes a quick piss on your pleather boots, does an Indiana Jones and The Temple of Doom Mola Ram heart grab on you, makes sweet love to that heart, puts it back under your rib cage, and sews you up like Civil War battlefield surgery. That’s something like the experience of hearing “Distract-O-Matic” for the first time.


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Love and Death

Love and Death

An interview with Singer/Guitarist Brian "Head" Welch and Guitarist J.R. Bareis
by Tina Hall
May 2012

Former KORN guitarist Brian “Head” Welch formed Love and Death in 2009. Comprised of Welch as frontman, Dan Johnson on drums, Michael Valentine on bass and J.R. Bareis on guitar the members where chosen from open auditions on YouTube. Most recently they released the 5 song EP Chemicals and are with the highly anticipated new full length album expected out later this year. The band is set to tour alongside P.O.D and Red from April 30-May 24. I had the chance to catch up with Brian Welch and J.R Bareis for the latest on things to come.

Maximum Ink: So can you tell me what you where like as a child? What is your foundest memory from that time?
Brian Welch: I was kinda shy, but determined to learn the guitar! My fondest memory is getting my first Ibanez guitar for Christmas.

MI: When did you first develop your love of music? Do you remember what you very first favorite song was?
BW: I was 10 years old and my first song was “Don’t stop believing” by Journey.
JR:I’m pretty sure I loved music before I was conceived or even considered. Hahaha! All I did was listen to music growing up. I just absolutely love it. I can’t even remember my favorite song or if I even had one. I love all kinds of music. Even now, I can’t make up my mind on a certain song.

MI: When you decided to form Love and Death why did you decide to hold open audition on YouTube? Do you enjoy having the chance to give up and coming artists a chance to show the world what they can do?
BW:  Yes. The YouTube idea was to save time from having to fly people to us to jam. Saved a lot of time and was fun to watch all the videos.

MI: How do you feel about being in this band at the age of 17? What have you learned from the experience so far? What was the first thing that ran through your mind when you learned you had gotten the spot?
J.R.: It’s crazy! It’s always been my dream to be in a band and tour.  I’ve learned so much from it. Probably the biggest thing I’ve learned is to not let my guitar hit the ground on purpose. At our last show I did and my guitar snapped in half!  The first thing that ran through my mind when I got the spot was, “This seriously can’t be happening. SOMEBODY PINCH ME!”. That was a good day to say the least.


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Def Leppard

Def Leppard

An interview with guitarist Phil Collen
by Tina Hall
May 2012

Phil Collen is best known as the guitarist for Def Leppard where he perfected the dual guitar style alongside Steve Clark that gave the band its signature sound. Before all of that he was a member of the rock band Girl. He can currently be found in Manraze as well with drummer Paul Cook(Sex Pistols) and Simon Laffy(Girl). Their sophmore album PunkFunkRootsRock is out now.  He can be found on tour with Def Leppard this summer headlining with Poison and Lita Ford.  Phil endorses the Jackson PC 1, a limited edition Jackson PC1 Splatter 30th Anniversary, and the Jackson PC Supreme.

Maximum Ink: Are you looking forward to hitting the road with Poison and Lita Ford later this year?
Phil Collen: Always. We’ve toured with Poison before in 2009 and we’ve known those guys for years. We’ve never toured with Lita but are looking forward to it.

MI: You have said you picked up the guitar as a means of self-expression. Do you think it is important for people to have an outlet that encourages the growth of the self?
PC: Absolutely especially kids when they don’t know how to express themselves with words. Grownups should have an outlet too…

MI: You seem to live a rather healthy lifestyle. Do you think it has helped you survive the rock n roll n roll lifestyle as well as you have?
PC: I guess so but I see people in their everyday lives not in the business, 10 to 15 years younger than me, in really bad shape. Not just physically because it’s not just about working out but pretty much all around in their lives.There seems to be an overall ‘agony’.To me it’s a no brainer.

MI: You are also working on a Physical Mechanics routine that involves muay thai, heavy cardio, and weight training. Can you tell our readers a little more about that, what exactly is muay thai? What is it like working with Jean Carrillo?
PC: Muay Thai is a martial arts Thai fighting style sometimes known as ‘Thai Boxing’. Jean Carrillo is a former European world champion and a five time world champion coach. I get the benefit of having someone who has such a vast knowledge train me in the same way he would train his fighters. There are lots of benefits. The physical, mental, and spiritual awareness that evolves is unsurpassed.


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Sean Spillane

Sean Spillane

An interview with Singer/Songwriter Sean Spillane
by Tina Hall
May 2012

Sean Spillane first gained notice from his time in the critically acclaimed band ARLO. His career in music has led to various national and international tours and four full length albums. With work that spans genres Spillane makes music with a genuine touch of soul that is hard to find. Most recently Sean composed and recorded the delightfully edgy soundtrack for the film The Woman (based on the writing of Jack Ketchum and directed by Lucky McKee). He also released the 80’s inspired soundtrack to Brian Keene’s Ghoul. At the moment he is working hard to score the soundtrack for Jug Face.

Maximum Ink: When you first moved from Texas to California did you experience any culture shock? What was your first though upon arriving in California?
Sean Spillane: I didn’t really have any culture shock. Most of my family is from the San Francisco area so I knew California was where I wanted to be. Los Angeles was bigger and more diverse than I ever imagined, and that’s why 20 years later I’m still here and still loving it.

MI: As a major fan of the Stones what did you think of Mick Jagger’s recent appearance on SNL? Why do you think their music has such timeless appeal?
SS: I actually missed that performance on SNL, I was at a friend’s birthday party this last Saturday night. What makes the Stones timeless? I have to say it’s the hooks Mick and Keith write. All of their best songs are great pop songs, but the way they were recorded and arranged disguises the pop with a grit and coolness that nobody else can duplicate.

MI: Your music has an honest feel to it that gives it a more genuine feel to it?
SS: Thanks! When I’m just cutting loose and being myself like I was on “The Woman” Soundtrack, my songwriting process won’t allow me to be anything but honest. Anytime I’m writing and it feels pretentious, it’s like a buzzer goes off in my brain and any song I write that gives me that feeling, never gets finished and never sees the light of day. Being able to inject emotional honesty into music is something that took me a long time to get comfortable with. I think that now more than ever, I can write with the same voice in many different musical genres and still feel like it’s me, even if I’m having a laugh like I was on the “Ghoul” soundtrack. Really, what it comes down to is that I don’t care if anyone thinks I’m cool. I’m writing for myself and if anyone thinks it’s cool, then great. If not, I don’t really care. That’s most likely where the honesty comes from.

I’d say I’m an honest fellow, sometimes to a fault. Being honest just feels better. It makes your relationships in life better. I’ve found as I get older that I say this phrase more and more “It’s not personal, it’s just business.” Most of the time I use that phrase, it’s due to me having to protect myself and my music in a way where I’m being honest with myself. Rip the band aid off and just move on from there. Also, being able to say No is a very honest reply most of the time that can be extremely tough to say in certain circumstances.


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Dengue Fever

Dengue Fever

An interview with Ethan Holtzman from Dengue Fever
by Mike Huberty
June 2012

As an American band inspired by equally by Cambodian pop music as well as American 60’s bands (you can hear the Credence dripping out of each song), DENGUE FEVER, occupies a fascinating niche. While most of the band hails from LA, their songs didn’t even have any English until their third record. Formed by brothers Ethan and Zac Holtzman in 2001, they met up with Cambodian immigrant (and already a famous karaoke singer in her native country), Chhom Nimol, to fill out the sound of the band. Their latest full length is called Cannibal Courtship is their fifth and they’re touring to support it. We took some time to talk to DENGUE FEVER’s Ethan Holtzman about their upcoming Madison show.


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Joan Osborne

Joan Osborne

An interview with Singer Joan Osborne
by Tina Hall
June 2012

Joan Osborne is best known for the single One of Us of her debut album Relish. The Kentucky native has been making music from the soul since 1995. She appeared in the documentary Standing in the Shadows of Motown in 2002 and did her version of Spoonful on Vivian Campbell’s(Def Leppard)album Two Sides of If. With seven studio albums under her belt her latest release Bring It On Home is out now.


Maximum Ink: What was it like growing up in Kentucky?
Joan Osborne: It was wonderful, a lot of freedom for myself and my brothers and sisters(I’m one of six). We lived in a place where everyone knew everyone else, where we went out in morning and ran in the woods all day and no one would worry about us. We were able to develop a real connection with the natural world, which I value now that I live in New York City. As for the music of the region, well, although we weren’t big country music fans it was always there and we loved John Denver and Elvis Presley, who also had a thread of rock n roll, rockabilly in his music. Country music and bluegrass was all around us. It was there that the seed of this amazing roots music was planted when I was younger, but it wasn’t until I got older that I really began to become a big fan of other kinds of country music, learn about bluegrass, and become a huge fan of artists like Bill Monroe, Emmylou Harris and Hank Williams.

MI: What was your first day in New York like? Did you experience culture shock? 
JO: I did experience culture shock! I got out of a Trailways bus at the Port
Authority bus station and walked to my lodgings at the 8th and 34th Street YMCA and it was intense. That particular stretch of NYC is really grimy and crowded and noisy and I kind of loved it immediately. I loved walking down the street and feeling so much energy and seeing people of all different types and I was very excited by that. In a way I felt like I had walked into the right movie. 


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