Rap-Up: The Ultimate Guide to Hip-Hop and R&B
The founders of Rap-Up magazine, brothers Devin and Cameron Lazerine, recently held an event in NYC to celebrate their 3 year anniversary and book release. The book titled “Rap-Up: The Ultimate Guide to Hip-Hop and R&B” hit bookstores February and the brothers are considered hip-hop gods when it comes to knowing everything from A to Jay-Z. In 2006 the magazine was nominated for “Best New Consumer Publication” at the Maggie Awards and has featured artist’s such as Pharrell, T.I., Mary J. Blige and Ludacris to name a few.
The event held on April 17 featured a performance by Teyana Taylor(Star Trak/Interscope) and Keri Hilson played the MC for the event which was held at the Adidas Originals store in NYC’s trendy SOHO neighborhood. Artist’s such as Nina Sky and Kwame came out to show love and support for the two brothers who have paid there dues and managed to build a nice niche in the world of hip-hop.
Author Devin & Cameron Lazerine Online
Pretty Vacant: A History of U.K. Punk - book review by Jeff Muendel
Though the book’s title suggests a dedicated concentration on the British punk rock explosion, the author begins well before that detonation in 1976 and deals, quite properly, with punk’s beginnings in the United States. All roads lead to the Sex Pistols, however, as the group is quite uncontested as being the pinnacle of the U.K. punk movement, ands therefore the central focus of the book.
But “Pretty Vacant” is more than just another Sex Pistols biography. Divided into two sections, “Going Underground” and “Going Overground,” author Phil Strongman contrasts punk rock during its subversive phase with its period of world fame that came to be as The Sex Pistols became a household name. In both sections, the anti-establishment debauchery that went on around the Sex Pistols and other British punk bands is recorded in great detail. While none of the stories are shocking (it’s hard to be shocked by rock’n'roll anymore as drug-and-vomit stories have become rote in our culture), there are many fascinating, insider details of the period revealed. Strongman doesn’t rely on the shock value alone, though, and does a good job as both a legitimate storyteller and punk rock historian.
Author Phil Strongman Online
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