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CD Review Deering & Down - Break This Record

Deering & Down

Break This Record
Record Label: Diamond D
Review by Brett Lemke
November 2007

In an unexpectedly fresh change, Deering & Down has sloppy, downtrodden rhythm guitarwork reminiscent of the seediest of bars, and the player, lead singer Lahna Deering sounds like a chain-smoking banshee from rural Gerogia. It borders on urban funk, with popping lead guitar lines courtesy of Rev Neil Down. A rockabilly road through Country that seeps Wanda Jackson and Hank III, Deering & Down is a contemporary answer to the influx of pop music, with sultry Vegas crooning, and the occasional extemporaneous keyboard. Recorded at Yellow brick Studio in Memphis, TN, the players on “Break This Record” sound like they have been playing together since childhood.


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CD Review 3 Inches Of Blood - Fire Up The Blades

3 Inches Of Blood

Fire Up The Blades
Record Label: Roadrunner
Review by Kimberly E. McDaniel
November 2007

An entry from the “screaming vocals and how fast can we play” crowd, 3 Inches Of Blood have both of these areas covered. Musically, the band is tight and the drummer is working the double bass, but vocally, I have no clue what they are saying. When the singer lets loose with the high pitch wailing, he is slightly reminiscent of Rob Halford, but I still can’t understand him. It appears from the song titles that the band is likely influenced by some type of fantasy literature, although I couldn’t say which authors. “Trial of Champions” talks about a battle between the enslaved and the warlords who did the enslaving. There are a lot of references to killing, battles of great ferocity and feasting in great halls where great deeds are recounted. There are also a couple of instrumentals, “Rejoice in the Fire’s of Man’s Demise” and “Through the Horned Gate.” The CD comes with a booklet, which features the lyrics and drawings of horned demons and a scary guy in armor who has a severed head impaled on his sword. If you are a fan of this type of heavy metal, 3 Inches Of Blood is better than most. If you aren’t into this, listen at your own risk.


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CD Review Ellis Hooks - Another Saturday Morning

Ellis Hooks

Another Saturday Morning
Record Label: Evidence
Review by Brett Lemke
November 2007

Gritty, forceful, and steeped in the tradition of James Brown and Junior Wells, Ellis Hooks has put out a Nashville recording loaded with soul and horns from Memphis, Tennessee. Slinky guitar lines soaked with groove and ballads that cross over into Country are to be expected, as the production focuses on his vocal groove as opposed to his rhythm guitar lines. Wilson Pickett’s producer and guitarist Jon Tiven convinced Hooks to record this record when he was considering moving back to Alabama to work as a preacher. Convinced to record again, “Another Saturday Morning” was put together as an amalgamation of southern sounds, focusing on Hook’s immense vocal presence.


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CD Review Him - Venus Doom

Him

Venus Doom
Record Label: Sire/London/Rhino
Review by Kimberly E. McDaniel
November 2007

Fans of the Finnish band H.I.M. (His Infernal Majesty), might not know what to make of their newest release, “Venus Doom.” Anyone expecting a rehash of their hit “Join Me (In Death)” will be scratching their heads over this heavily guitar-oriented offering. The keyboards are still there, but buried underneath pounds of crunchy guitars and vocalist Ville Valo’s deepest vocals ever. H.I.M. has always claimed influences like Black Sabbath, but this is by far the heaviest album the band has put out. “The Kiss of Dawn” features vocals that are so deep that you feel them in your chest cavity. As Valo growls his way through the verses and guitarist Mikko Lindstrom wails heavy riffs, they create a surprisingly heavy experience. “Passions Killing Floor” was featured in the film “The Transformers” and most fans heard it before the album was released. Other song titles include “Dead Lover’s Lane,” “Love In Cold Blood” and “Sleepwalking Past Death.” Hey, I never said they were happy songs! H.I.M. proves with this release that they are clearly not an “emo” band anymore, if they ever were. On “Venus Doom” the average headbanger should find something to like. Give it a try, you’ll be pleasantly surprised.


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CD Review Between The Buried And Me - Colors

Between The Buried And Me

Colors
Record Label: Victory
Review by Kirin Furst
October 2007

Between the Buried and Me is shocking upon initial exposure. Although they are regularly called death metal and metal-core, the band themselves prefer classification as progressive metal. From the beginning, BBM experimented with jazz, hardcore, heavy metal and alternative rock.  Each genre is represented in a passage distinctly separate from those preceding and following it. These transitions are often jarring, or disturbingly non-existent. In their first Victory Records album, “The Silent Circus” (2003), this struck me as a symptom of disconnected composition and immaturity. By the 2007 release, “Colors,” they have turned the style into a great medium for showcasing their boundary-shattering talent.

The album, “Colors,” displays a continuation of the refinement obvious in “Alaska” (2006), indulging more than ever in eclectic genre sampling. It shouldn’t work in the least, and yet somehow their music is captivatingly beautiful, always impressive, and impossible to become too familiar with. BBM stands as a fantastic example of how versatile the hardcore movement has become. “Colors” is a fascinating exploration of the possibilities unknowingly possible for death metal, progressive rock, even jazz. Just don’t try to figure out how it ultimately fits together.


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CD Review Bongzilla - Stash

Bongzilla

Stash
Record Label: Relapse
Review by Jeff Muendel
November 1999

This weed-driven band has garnered international attention for its Black Sabbath stylings and pothead namesake, not to mention the smokey, pro-grass lyrics. Calling Madison, Wisconsin home, this quartet has been cranking out heavy riffs, and probably monster bongloads, since 1996. The new CD has nine thundering tracks, including “Sacred Smoke,” “Budgun/T.H.C.,” and “Harvest.” Scattered throughout the tracks are soundbytes of humorous statements and government statistics concerning marijuana. The CD booklet contains ten beautiful photographs of colorful, sticky buds that you can almost smell, as well as a band “headshot” with each member drawing a large hit off of a large bong. If you don’t smoke pot, after listening to this album you probably will.


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