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CD Review My Chemical Romance - The Black Parade

My Chemical Romance

The Black Parade
Record Label: Warner Brothers
Review by Rocky Linderman
June 2008

It has become hard to live in America. In a few short years we, the American people, have had to learn how to live with the constant threat of terrorist attacks. We have had to endure the loss of brave men and women who laid down their lives in Iraq. And now more recently we are learning to live with an economy that is on the decline. Things are not looking good. Americans are living in fear. Its everywhere that you look. You can feel it in the very air that you breathe. That is why My Chemical Romance’s third album, “The Black Parade” is so important to our time.

No other album released this year has been able to capture the fear that is so prevalent in our country. Forged from the anguish of mental illness, the loss of loved ones, and the pain of knowing that all living things must die, “The Black Parade” captures the essence of what it means to be a human being. It isn’t just an album it’s a story. It’s a concept album that tells the story of a character, who is simply known as, “The Patient.”


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CD Review Spiritualized - Songs in A & E

Spiritualized

Songs in A & E
Record Label: Fontana International/Spaceman
Review by John Noyd
June 2008

Heavenly choirs and late-night lullabies are interspersed among sutured blues and scalding psychedelia as Britian’s Spiritualized re-emerges with another overflowing opus. A modern odyssey reflecting the scary times in which we live; “Songs,” howls, sings and mumbles its way through reverence and misery. Front man, Jason Pierce, continues to explore metaphors for war, love and drugs - stirring together a half-buried blend of blazing guitars, spaced-out harmonics and the occasional pop melody to round out the mix. A tumultuous cavalcade of passion and torment, Spiritualized bravely rises to celebrate, communicate and commiserate through hard-lived logic and clinging hope. Equally adept at portraying the claptrap of an unhinged mind and the purity of a healed heart, “Songs,” rings, rips and resonates - indulging, retracting and sorting through galactic debris.


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CD Review Time To Kill - Insanity

Time To Kill

Insanity
Record Label: Turkey Vulture Records
Review by Jeff Muendel
May 2008

The band Time To Kill came together at the end of 2006 in Wisconsin Rapids when guitarist K. Monville and drummer Paul Huser joined forces. They then added bass player Chad Nordman and completed the group with lead singer Nicole Williams. The resulting sound is somewhere between the thrash metal of Slayer and the aggressive punk of Suicidal Tendencies. While much of the CD has a fast meter, the group knows when to slow it to a Black Sabbath grind with songs like “Emotionless” and when to take it to the speed limit with cuts like “No Forgiveness.” Time To Kill gets bonus points for having a female front the group while retaining the sort of sound and attitude that usually subsists in all-male factions.


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CD Review Kris Delmhorst - Kris Delmhorst

Kris Delmhorst

Kris Delmhorst
Record Label: Signature Sounds
Review by John Noyd
May 2008

Embellished in voodoo spookiness that creeps and sweeps over open poems embracing life’s jamboree, Delmhorst’s, “Shotgun,” paints panoramas of blue skies and bayous. Playing light and breezy as easily as dark and swampy, her intoxicating voice shines like moonlight as, “Shotgun,” flickers and glows, fluttering between fiery passions, coy temptations and uncertain futures. Creating the record holed up in a cabin communing with her muse, Delmhorst eventually opened up her solo versions to several distinguished musical associates, giving “Shotgun,” a meditative freshness and outgoing friendliness. Skipping from drum machine hippie to solemn and solitary confessor, Delmhorst’s odes of appreciation for the rewards of simple pleasures are resoundingly satisfying. Always a thought-fueled songwriter, her Thoreau intentions produce transcendental results that steadily steal into your very soul.


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CD Review In Flames - A Sense of Purpose

In Flames

A Sense of Purpose
Record Label: Koch
Review by Kirin Furst
April 2008

In 1990, a new genre was forged by these Swedish bands: In Flames, Dark Tranquility and At the Gates. It wasn’t until the later 90’s that melodic death metal caught on and since then In Flames has steadily grown in international popularity. Rejecting from the beginning the trademark brutality of parent genre death metal, they have increasingly moved away from the discussion of more grandiose Lovecraftian themes to those of personal despair, a change some pin to “Reroute to Remain” (2002) or “Soundtrack to Your Escape” (2004). At the same time, In Flames began incorporating influence from bands it had spawned which was a plethora of modern metal genres.

Long-standing In Flames fans express disappointment with the band’s ‘selling out’ to an American market inundated with bad nu-metal and pussified alternative. Those particular fans will shit criticism of the newest release, “A Sense of Purpose” (April 2008). The album sparkles clean with chorus-y layered vocals (a nice touch, but highly unnecessary in such quantity), introspective, angst-sodden lyrics, and the occasional ballad-rock string plucking. Aside from these rather superficial explorations into a more highly produced, epic, yet not necessarily more mature incarnation of In Flames, the best moments often feel regurgitated.


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CD Review Marashino - The Picture of Us All

Marashino

The Picture of Us All
Record Label: Self Released
Review by Kristen Winiarski
April 2008

Deriving their name from a delicious and similar-sounding sundae topper, Milwaukee’s Marashino are no cherries. Since their inception in 2002, the band have performed hundreds of shows from local clubs, county fairs, Summerfest a few times, and even a few jaunts around the country. Having opened for the likes of Crossfade and Shinedown, the band appears ready for a new challenge.

This year welcomes a new release from the band entitled, “The Picture of Us All”. Their self-released album mixes rock with impressive guitar lines as well as unique vocal styling.  Their rockin’ alternative style permeates throughout the entire album. Something really attention-grabbing about the band is the voices. Four out of the five band members sing vocals throughout the album. This exposes the listener to a greater vocal range than otherwise demonstrated by bands with a single dominating lead singer. The power of each voice has its own intensity that is felt through each lyric that is sung. This is especially evident in the song “Dilemna” as the beginning showcases a voice without music. The gravely voice is able to stand out on its own without other musical accompaniment. The listener is able to feel the desperation melt into their own soul. This demands attention to the voice alone until it is joined by the guitar and other instruments. The different periods of silence throughout the song also act to emphasize the different lines of lyric. As you listen to this album, the angst of self-discovery is combined to form a story.
This band proves to be more than just the topper and is a stand-out against others. It is, in fact, the entire sundae.


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