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CD Review Time To Kill - Insanity

Time To Kill

Record Label: Turkey Vulture Records
Review by Jeff Muendel
May 2008

The band Time To Kill came together at the end of 2006 in Wisconsin Rapids when guitarist K. Monville and drummer Paul Huser joined forces. They then added bass player Chad Nordman and completed the group with lead singer Nicole Williams. The resulting sound is somewhere between the thrash metal of Slayer and the aggressive punk of Suicidal Tendencies. While much of the CD has a fast meter, the group knows when to slow it to a Black Sabbath grind with songs like “Emotionless” and when to take it to the speed limit with cuts like “No Forgiveness.” Time To Kill gets bonus points for having a female front the group while retaining the sort of sound and attitude that usually subsists in all-male factions.


CD Review Kris Delmhorst - Kris Delmhorst

Kris Delmhorst

Kris Delmhorst
Record Label: Signature Sounds
Review by John Noyd
May 2008

Embellished in voodoo spookiness that creeps and sweeps over open poems embracing life’s jamboree, Delmhorst’s, “Shotgun,” paints panoramas of blue skies and bayous. Playing light and breezy as easily as dark and swampy, her intoxicating voice shines like moonlight as, “Shotgun,” flickers and glows, fluttering between fiery passions, coy temptations and uncertain futures. Creating the record holed up in a cabin communing with her muse, Delmhorst eventually opened up her solo versions to several distinguished musical associates, giving “Shotgun,” a meditative freshness and outgoing friendliness. Skipping from drum machine hippie to solemn and solitary confessor, Delmhorst’s odes of appreciation for the rewards of simple pleasures are resoundingly satisfying. Always a thought-fueled songwriter, her Thoreau intentions produce transcendental results that steadily steal into your very soul.


CD Review In Flames - A Sense of Purpose

In Flames

A Sense of Purpose
Record Label: Koch
Review by Kirin Furst
April 2008

In 1990, a new genre was forged by these Swedish bands: In Flames, Dark Tranquility and At the Gates. It wasn’t until the later 90’s that melodic death metal caught on and since then In Flames has steadily grown in international popularity. Rejecting from the beginning the trademark brutality of parent genre death metal, they have increasingly moved away from the discussion of more grandiose Lovecraftian themes to those of personal despair, a change some pin to “Reroute to Remain” (2002) or “Soundtrack to Your Escape” (2004). At the same time, In Flames began incorporating influence from bands it had spawned which was a plethora of modern metal genres.

Long-standing In Flames fans express disappointment with the band’s ‘selling out’ to an American market inundated with bad nu-metal and pussified alternative. Those particular fans will shit criticism of the newest release, “A Sense of Purpose” (April 2008). The album sparkles clean with chorus-y layered vocals (a nice touch, but highly unnecessary in such quantity), introspective, angst-sodden lyrics, and the occasional ballad-rock string plucking. Aside from these rather superficial explorations into a more highly produced, epic, yet not necessarily more mature incarnation of In Flames, the best moments often feel regurgitated.


CD Review Marashino - The Picture of Us All


The Picture of Us All
Record Label: Self Released
Review by Kristen Winiarski
April 2008

Deriving their name from a delicious and similar-sounding sundae topper, Milwaukee’s Marashino are no cherries. Since their inception in 2002, the band have performed hundreds of shows from local clubs, county fairs, Summerfest a few times, and even a few jaunts around the country. Having opened for the likes of Crossfade and Shinedown, the band appears ready for a new challenge.

This year welcomes a new release from the band entitled, “The Picture of Us All”. Their self-released album mixes rock with impressive guitar lines as well as unique vocal styling.  Their rockin’ alternative style permeates throughout the entire album. Something really attention-grabbing about the band is the voices. Four out of the five band members sing vocals throughout the album. This exposes the listener to a greater vocal range than otherwise demonstrated by bands with a single dominating lead singer. The power of each voice has its own intensity that is felt through each lyric that is sung. This is especially evident in the song “Dilemna” as the beginning showcases a voice without music. The gravely voice is able to stand out on its own without other musical accompaniment. The listener is able to feel the desperation melt into their own soul. This demands attention to the voice alone until it is joined by the guitar and other instruments. The different periods of silence throughout the song also act to emphasize the different lines of lyric. As you listen to this album, the angst of self-discovery is combined to form a story.
This band proves to be more than just the topper and is a stand-out against others. It is, in fact, the entire sundae.


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CD Review Egypt Central - Egypt Central

Egypt Central

Egypt Central
Record Label: East West
Review by Kimberly E. McDaniel
April 2008

I had never heard of Egypt Central, but their self-titled debut is actually very easy on the ears and could find a happy home on modern rock radio stations.  There is something similar to Linkin Park about this band, as they rap a little and in truth, being radio-friendly can be as much a curse as a gift these days. 

Opening tracks “Different,” “You Make Me Sick” and “Taking You Down” are probably the most interesting tracks and are likely to be heard on the radio. Their style is catchy modern rock which is well-played as well as being well-written. If they can get past the hard-rock stigma, they might be able to get somewhere.

The problem that they need to overcome is that they aren’t particularly original sounding.  They remind me of several different bands, and sometimes that is a good thing and sometimes it is not. If you like catchy, radio-friendly material, then Egypt Central is worth checking out.


CD Review Testament - Demonic


Record Label: Prosthetic
Review by Kimberly E. McDaniel
April 2008

Testament is undoubtedly one of metal’s hardest working acts, releasing both “Demonic” and “The Gathering” in 2007 alone. The sheer output of this band is quite impressive, and for those who like the super-heavy, crunchy guitar sound and a growling vocal styling, “Demonic” is sure to be a hit.

The first track, “Demonic Refusal,” builds to a wailing frenzy, with guitarist Eric Peterson wrenching sounds from the instrument, which seems slightly tortured.  Drummer Gene Hoglan and bassist Derrick Ramirez keep up with this crazy pace throughout the album. Vocalist Chuck Billy growls menacingly from song to song; with the one exception being “Hatreds Rise,” where he does actually sing a little.

Truthfully, I am not the biggest fan of this sort of metal. However, I did quite like “Hatreds Rise” and there is some fairly impressive guitar work present throughout the entirety of “Demonic.”  Certainly any Testament fan already owns this. Since it seems fairly representative of their work and sound, if you are curious pick up a copy of this and get “Demonic.”


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