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CD Review Metz - Strange Peace

Metz

Strange Peace
Record Label: Sub Pop
Review by John Noyd
August 2017

A deluge of bruising refusals seeking sanity inside anarchy, “Peace,” releases stark, cathartic coercions through fuel-injected conjecture. Gunning in blunt industrial rumbles riddled in prickly street-savvy literacy, METZ’s rogue Morse code mojo hammers out cast-iron sounds from a collective wreckage connected to fitful pit-bulls pitching willful punk thrills as breakneck metal-blues regrouped into locked-jaw cannonball fodder splatters spring-loaded foreboding over smoothly executed explosions. Giddy with irrefutable conclusions while plagued by unconquerable questions, the Toronto-based three-piece squeezes profound urban guerrilla bounce from slippery rhythmic triggers, winding timely existential potential around sizzling demolition to construct hum-buckling crunches from spit-fire ire, coating hard-core semaphore with ballistic conniptions sliced in decisive righteousness and roasted over social corrosion.  Witness the band’s powerful prowess firsthand, September 23rd at Madison’s Majestic Theater.


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CD Review Rainer Maria - S/T

Rainer Maria

S/T
Record Label: Polyvinyl
Review by John Noyd
August 2017

Older and bolder, Rainer Maria’s self-referencing album announces a reinvigorated version of a band true to its indie-emo roots. A mature reckoning of well-placed outrage, the trio’s first new music in eleven years vents invested aggressions with tumultuous impulses. Hypnotizing lines blasted in blazing persuasions and probing undertow, Rainer Maria’s brainier experiments unleash boundless power grounded in textured pressure, cobbling throbbing oppositions to kick-start whip-smart riffs and conjure exacting clashes stitched in rhythm-driven insistence. Half-collapsed in sticky bass snakes and twisted guitar manipulations, the fluid, brutal, casually agile tracks are practically tactile coupling prudent left-brain lyrics fueled by power-punched drums to viscous head-trips shifting elliptical dynamics of compressed intensity with suspenseful séance nuance.  The almighty Rainer Maria play Milwaukee’s Colectivo Coffee Back Room September 15th.


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CD Review Torn Between - Maintain Low Tones

Torn Between

Maintain Low Tones
Record Label: Mirage M'Hal Records
Review by Tommy Rage
August 2017

A modern first release with a bold driving force from Janesville’s Torn Between. Read More…


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CD Review Kevin Morby - City Music

Kevin Morby

City Music
Record Label: Dead Oceans
Review by John Noyd
July 2017

An immigrant’s parable dressed in home-grown poems depicting nocturnal journeys drizzled with hobo hindsight and punk busking, “City,” is one jumpin’ joint whose rootless characters are often running in place; rambling companions wrestling with loss, redemption, hope and reclamation. A lo-fi wayfarer, Morby’s heart-sleeve philosophy form folksy pearls perfectly suited for groovy soft-shoe troubadours and laconic road-house refugees. The casually savvy guitarist harvests beleaguered genius through world-weary lyrics detailing gentle half-dreamt memories dancing around stammering jams and bouncing counsel. Spotlit in after-hours solitude, the stories Morby tell are the calm eye in a dizzying storm, a temporary friendship and thankful anchor that nonetheless takes you on a ride you’ll treasure forever. A vibrant and intriguing performer, Kevin plays Spring Green’s The Shitty Barn August 31st.


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CD Review Greta Van Fleet - Greta Van Fleet’s  Black Smoke Rising

Greta Van Fleet

Greta Van Fleet’s Black Smoke Rising
Record Label: Lava Music/Republic Records
Review by Tommy Rage
June 2017

The Hammer Gods have parted the sky to reveal the second coming.  Dramatic? Perhaps. Yet, one listen to Greta Van Fleet will, in every way possible, remind you that classic rock is alive and well.


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CD Review Rahul Mukerji - Ma De Re Sha

Rahul Mukerji

Ma De Re Sha
Record Label: Rahul Mukerji
Review by Sal Serio
June 2017

Rahul Mukerji is an Indian-born guitarist, composer, and visual artist living in Maryland, and ‘Ma De Re Sha’ is his debut recording. Mukerji plays all guitars, synth guitar, E-bow, tabla, sampling, and drum programming. Bruce Ng provides additional drum and percussion sampling, and Ruben Rubio plays bass. This album is a collection of 12 instrumental songs, with a widely eclectic and multi-cultural musical approach. The title track ‘Ma De Re Sha’ got it’s title from a word, or phrase, that a 2-year old daughter of one of Mukerji’s friends would robustly exclaim for a variety of occasions. The origin of this exclamation is unknown, but the spirit and conviction of it provided inspiration to the recording of the album.


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