Disc Reviews
by Max Ink Staff Writers
Jennifer O'Connor - Born At The Disco
Jennifer O'Connor
Album title: Born At The Disco
By John Noyd
Posted: Oct 2021
Label: Kiam Records
(739) Page Views
Restless spirit and pro-active catalyst, Jennifer O’Connor turns a truly solo project into a musical opportunity examining contemporary identity, generational expectations and perceptive assessments through forays into electronic pop, gothic indie-rock and soul-baring folk. Writing, singing, playing and producing, this artist/entrepreneur is comfortable enough in her own skin to experiment with new intriguing sounds, allowing the truths in, “Disco,” to be stripped down or decorated as the subject dictates, constructing a fascinating multi-faceted personality wrapped in discarded pasts and valuable habits. Intellectual allusions and eclectic influences fuel O’Connor’s haunted sonics, framing sage refrains, discerning verse and real reveals while remaining thoroughly human with vetted questions and unflinching opinions shaping educated confessions; poignant pondering sauntering through wreckage and reckoning, beautiful modern blues harvesting subtly colored melodies.
French For Rabbits - The Overflow
French For Rabbits
Album title: The Overflow
By John Noyd
Posted: Oct 2021
Label: self-release
(576) Page Views
Soft gossamer sustenance for damaged romantics, New Zealand’s French For Rabbits’ groovy ego-boosters lay sparkling marvels beneath dreamy soulmate-seeking feelings. Ephemeral pop remedies, “The Overflow,” charms in calm fairy-tale regalia, melodic microcosmic odysseys tinged in glittering twists; clever textured expressions toying in sharp stratospheric harmonies and sturdy curious counterpoint from a wide sound palette kidnapping theatrical parables in enchanted fantasies. Reality hides beneath the blithe wave-riding arrangements, balancing challenges while addressing concessions, pivoting decisions and revisiting histories. Studio-treated beats lead kaleidoscopic synths and digitized guitars into fetching episodes with cinematic acrobatics whose fluid moves submerge flirty coercions into sympathy and wisdom. Carefully aware and modestly confident, the quintet connects memories and wishes to lively tempos, hot pauses and lush touches in an otherwise pristine scene.
Snail Mail - Valentine
Snail Mail
Album title: Valentine
By John Noyd
Posted: Oct 2021
Label: Matador
(542) Page Views
Smart, sensitive, inventive and unpretentious, Snail Mail delivers sizeable ideas filled with soaring detours and heady destinations, easily believable and highly enticing ingenuity fused to friendly independence and familiar uphill battles. The sublime, “Valentine,” dances warily around gritty issues with uber-juicy hooks baited in purposeful versatility swinging between voluptuous alt-rock and coltish folk-pop. Grounded in visceral incidents and healing experience, Snail Mail’s skinned knees teases and diplomatic panache capture exasperated flashes pulling at spidery sighs, concocting hypnotic possibilities around troubling obstacles. Pride collides with whispered asides in a sophomore effort whose three-year hibernation bears sweet fruit, authentic caution and willful resilience packaged in novel positivity and savvy compassion. A dynamic performer, Snail Mail plays Madison’s Majestic Theater along with Spencer and Hotline TNT December 8th.
My Morning Jacket - My Morning Jacket
My Morning Jacket
Album title: My Morning Jacket
By John Noyd
Posted: Oct 2021
Label: ATO Records
(523) Page Views
Six years since their last album, My Morning Jacket returns intact, generating bodacious flavors for magnanimous rock-gospel banquets. Slow-cooked, Southern-fried revivals providing holy locomotive mojo, this self-titled re-introduction delivers the band’s classic mash of big riffs with sensitive messages, serving the faithful with brimstone blazes while drizzling discernible mercies with unearthly reverb. Thundering hooks, direct lyrics and rock-solid beats, “My Morning Jacket,” is classic MMJ, a bold bohemian thesis suited for outdoor arenas and bedroom headphones. Bon vivant stomps concocting intoxicating pomp beneath songwriter Jim James’ inimitable simplicity, each tune’s piercing queries fearlessly steers between sympathy and sincerity as returning members Patrick Hallahan, Carl Broemel, Bo Koster and Tom Blankenship bake, inflate and interrogate, simmering and sizzling with devious fever, brooding grooves and delicate measure.
Lala Lala - I Want The Door To Open
Lala Lala
Album title: I Want The Door To Open
By John Noyd
Posted: Sep 2021
Label: Hardly Art
(596) Page Views
Battling wills while distilling kind acts from hard facts, Lala Lala invites, invents, entices and consents, littering her songs in literary allusions and psychological caution, medieval rounds and indie wig-outs. Divine serpentine saxophone weaving among seamless sunbeam keyboards simmered in steeple-chasing space-jazz beats, “Door,” navigates post-millennial life’s slippery slopes with fondness and confidence and assistance from a stellar cast of fellow Chicagoans. Meditative experiments in future-pop, the album flows with supple supposition corralled inside ethereal cathedrals where Lala Lala, plunges headfirst into emotional atonement, echoing sound advice in vaulted halls carpeted with sparkling pageantry. Embarking on a world tour starting in Chicago October 8th, Wisconsin has to wait until next April to catch her in Milwaukee’s Colectivo Coffee Back Room or Madison’s High Noon Saloon.
Dar Williams - I’ll Meet You Here
Dar Williams
Album title: I’ll Meet You Here
By John Noyd
Posted: Sep 2021
Label: Renew Records/BMG
(534) Page Views
Place figures large in Dar William’s evocative songwriting. Human connections shaped by small-town legacies, ideas manifested by material experience, “I’ll Meet You Here,” organizes comprehensive memories whose swift descriptions carry metaphorical force, allegorical stories packed with casual narratives and modern parables fixed in picturesque specifics; pithy rhythmic lyrics painted in divine rhymes smiling on parading crusades and principled sympathies. Simple wisdom flowing from lived history, internal journalism and comforting philosophy, Dar’s tenth album hosts musical communities, cordial discourse between talented allies embellishing her level-headed truths through friendly acoustics. Teachable moments sweetened with kind reminders and effortless gentleness, “Here,” sees clearly, talks softly and warms the heart while opening eyes and tickling ears. Dar plays Mineral Point Opera House October 29th with exquisite folk-singer Heather Maloney.
Deerhoof - Actually, You Can
Deerhoof
Album title: Actually, You Can
By John Noyd
Posted: Sep 2021
Label: Joyful Noise
(550) Page Views
Whimsy riddled in mind-boggling prog, the acrobatic, “Actually, You Can,” crushes shell-shocked art-rock into calculated cataclysms, jaw-dropping flip-flops slinging lock-jawed stalker-rock into head-banged gangbusters hanging by a thread and tightening stranglehold grips onto greasy licks. Careening delirium cornering mod nods and tinkered winks, the deft and clever Deerhoof adds an absurdist’s mirth to the tangled angles and cock-eyed chords, distinguishing their mathematical flash and berserk quirks with insolent wit and trippy quips. Unbalanced and unchallenged, the bratty proletarian attacks craft wry laughs as who us buzz melts into chill detours before throttling back onto supersonic freeways. Jump-rope poems skipping in crazed hyper-beats, jazz-flamenco suites and punk-pop creeps as gnarly sparks from smoking-gun runs vie with sweet dreams and meta-confections for dynamic enchantments and surreal squeals.
Efterklang - Windflowers
Efterklang
Album title: Windflowers
By John Noyd
Posted: Sep 2021
Label: City Slang
(586) Page Views
Luminous movements grace the seemingly complacent, supremely serene, “Windflowers,” a docile accomplice to heavenly events where expansive views bloom in cosmic awe. Working in an isolated country studio, Efterklang let nature infiltrate the album’s buzzing mind-hives with blissful synthesis and spiritual lyricism connecting a hopeful future to a reflective present. Electronics crackle in organic randomness like radio-static crickets woken from digital dreams, meandering tranquility unites humanity with modern possibilities, pairing porous voices with effervescent technology for tasteful, grateful elation. A placid baptism into the disco dunk-tank turned funk-lite hot-tub, each glorious song’s shimmering rhythms carry shiny diamonds through seamless streams in constant motion, flowing ego-less rivers suspending time and bending the senses; slow-motion vertigo from phantom mantras sweetly leading lost thoughts into safe, weightless spaces.
Bad Bad Hats - Walkman
Bad Bad Hats
Album title: Walkman
By John Noyd
Posted: Aug 2021
Label: Don Giovanni
(605) Page Views
Walking the walk and talking the talk, the flawless, “Walkman,” strolls through solid bop crafted in cruise-controlled rock ‘n roll piloting fun-loving strums, coy voices and swift rhythmic snickering. Equally smart, sharp and laidback, Bad Bad Hats’ snappy happiness bubbles beneath the habit-forming album as the trio’s sheer joy assembling sweet tidbit riffs with indie-pop logic launch their songs into blissful trips shedding pampered banter for reimagined nostalgia packaged in devious glee-club chronicles. Parlaying casually savvy panache for mild guile, real zeal and smarmy karma, the band’s uncanny musical communication smooths tuneful grooves into loose jubilant amusements, calmly charming with one-hundred proof cool lit in sparkling jangle, flaunted harmonics and seamless teamwork. A friendly energetic live act, BBD plays Madison’s High Noon Saloon December 2nd.
Macie Stewart - Mouth Full of Glass
Macie Stewart
Album title: Mouth Full of Glass
By John Noyd
Posted: Aug 2021
Label: Orindal Records
(953) Page Views
Enchanting candor bathed in dainty arrangements, multi-instrumentalist Macie Stewart draws from her string arranger past to conjure serene evenings in chamber-folk gazebos, pristine dreams and sensitive reflections gently entertaining acoustic moods through compositional wit and graceful appraisal. A collaborative creature looking to find her own voice, “Glass,” highlights Stewart’s individual skills and lyrical talents with resourceful poise and gorgeous orchestration, exhibiting exceptional clarity in her creative impulses and affectionate charity in her choice of quality colleagues. Cornetist Ben Lamar Gray, cellist Lia Kohl and saxophone arrangements from Ayanna Woods and Sen Morimoto serve Stewart’s softly sophisticated tastes whose subtle leadership and tactful passions nurture through analysis. Bravely facing uncertain futures with merciful purpose, Macie’s glowing solo debut provides refuge for communal moods harboring solitary melancholy.
Low - Hey What
Low
Album title: Hey What
By John Noyd
Posted: Aug 2021
Label: Sub Pop
(567) Page Views
The gritty electric hum running under, “Hey What,” wraps passive rapture in crumbling frequencies and plundering thunder, a collapsing purgatory releasing distorted angel choruses around scraping angles breaking; cathartic ardor pierces over-driven industry against alien canvases, painting humanity’s cultivated aches in nuts-and-bolts slowcore with wearily ethereal oscillations scouring powerful sonic landscapes. The album’s harsh carnage drops feedback as corrosive metronomes far removed from heartbeats, an expansive romance between ravaged havoc stalking evangelical elegance and Low’s trademark sensitivity to find beauty within hopeless moments. “Hey,” pushes against viscous evidence to fuse faith with ominous quantum topspin and splendid technological transcendence as our compassionate seekers’ metallic static reaches deep between rhythmless visions and pummeling crunches, vacillating in apocalyptic mists and naked razors, sizzling rinses and rain-making saviors.
Supergrass - In It For The Money (Deluxe Edition)
Supergrass
Album title: In It For The Money (Deluxe Edition)
By John Noyd
Posted: Aug 2021
Label: BMG
(557) Page Views
Earnest earthy exuberance drenched Supergrass’ rockin’ pop. Cheeky, mischievous, hearts on their sleeves, the British trio made a phenomenal debut that put them on the charts next to Blur and Oasis. More authentic than Blur’s music-hall posturing and cleverer than Oasis’ strong-arm rock, the band’s sophomore offering “We’re In It for the Money,” cemented their status while expanding their brand. Given the keys to the candy shop circa 1997, the Deluxe Edition’s remastered tracks show off the imaginative brats bright, biting and brassy choices. Razor-sharp after eighteen months of heavy touring behind their debut (including Madison’s Club DeWash) but slowed down by drummer Danny Coffey’s parallel project Lodger, the threesome added singer-guitarist Gaz Coomes’ brother Rob on keyboards and set up camp in England’s Sawmill Studios exploring new sounds and arrangements. Most of the songs for the album were written in the studio, making this Deluxe Edition’s demos particularly interesting to the fans. The band’s bigger sound was perfect for the bigger venues that followed in the album’s success. A slew of great live recordings cap off this three-disc Deluxe Edition, capturing a talented band’s game-changing maturity that uncannily retains the initial hooligan grooviness that endeared them to the public.
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