Sam Moore, City Winery, NYC, 7.17.12
by Michael Sherer
Posted: Sep 2012
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Sam Moore at the City Winery in New York City 7/17/2012 - photo by Michael Sherer
After fifty years on the scene, soul legend Sam Moore still has the pipes and presence to stir up his audiences around the world, and in this case the intimate and tasteful City Winery in downtown NYC was the spot. Moore, of course, is half of the dynamic duo Sam & Dave, an act who’s stage moves and energy in the ‘60’s were in the same league as the late James Brown. Their company to do what they did was few and far between. At 77, Sam is now quite subdued, but with his voice and conviction intact, he was a pleasure to hear live. The fine acoustics of the venue allows for an instrument, including a voice as rich as Moore’s, to sound natural and clear.
Casually dressed, Moore delivered many of Sam & Dave’s hits, such as “Hold On I’m Coming,” “I Thank You” and “Soul Man,” all written by the late Isaac Hayes and partner David Porter for the Stax record label. Good old fashion soul songs by other artists were included, such as “Rainy Night In Georgia,” “Can’t Turn You Loose,” “I Can’t Stand The Rain,” “Knock On Wood,” “Let The Good Times Roll” and “Soul Finger.” A grand highlight was the classic “When Something Is Wrong With My Baby,” with an unannounced and unrehearsed appearance by Valerie Simpson to accompany Moore. They sounded fantastic together, and both were rather emotional. With Valerie having primarily sung with her late husband and writing partner Nick Ashford over the past forty five years or so, this was real treat for all in her gradual return to the stage after Nick’s passing last year from throat cancer.
Moore had a fine and energetic band all around, with the bassist as band leader. I recognized the drummer, Shawn Pelton, from the Saturday Night Live house band. He was truly in the pocket. I particularly enjoyed the soulful horn section, with some great guest sax playing by a man that goes by the name Ajax. Collectively the ensemble dished out ultra greasy, meaty Southern style classic soul, with Moore as the center piece to ensure it was soaked up good.