Today is: Saturday April 29, 2017 | Status: Under Re-development | Version 2.99.03

Slipped Discs March 2016


Discs you may have missed | by John Noyd

The Coral

Think you figured it out? March albums say no way. From garage-pop astronaut LUKE TOPS’ beach-comber torch-songs, “Suspect Highs,” to indie-rock stalwarts THE CORAL’s psycho-spooky blues-grooves in the mega-heavy, “Distance Inbetween,” incalculable variables shackle and hassle. Discounting the unaccountable, epic beat-crazy sound-chemist RJD2’s soul-jacked mash-ups, “Dame Fortune,” anthem-planting candidates GLINT’s earnest-rock curtain-calls, “Inverter,” and undefeated chill-pop pleaders THE JOY FORMIDABLE’s posh-goth desperation, “Hitch,”  intervene between unseen obstacles and undetected edits.

Slipped Discs appears every month in print in Maximum Ink music magazine, this months reviews are:


Jennifer O'Connor - Surface Noise

Jennifer O'Connor

Surface Noise
Record Label: Kiam Records
Review published: February 2016

Coated in dark sparkles and slippery ripples, the calm, self-assured, “Surface,” circles common ground with a keen eye and steady hand commanding savvy spins on contemporary opinions to spawn sing-song conversations within warm folk-pop poetry. Radiating extra-special perspectives with well-rehearsed purpose, O’Connor crafts casual parables through economic thought as savory displays of uncontested impressions negotiate gentle questioning beneath matter-of-fact compassion.






Mark Mallman - The End Is Not The End

Mark Mallman

The End Is Not The End
Record Label: Polkadot Mayhem
Review published: February 2016

Cheeky synth-rock blockbusters sprinkled in pop-culture touchstones uncoil panoramic calamities as Minnesota’s Mallman conjures ranting ear-candy fantasies from intricate survivalist’s instincts wielding studio-rattled razzle-dazzle. Lathered in flashy bombast, belittling wit and circumvented tension, “End,” sends lavish gadget-packed nostalgia into post-modern quandaries, constructing crushing sounds of heartfelt meltdowns from irreverent, cross-referenced intelligence marinated in daring flair, satirical lyrics and combustible hustle.






Emmy the Great - Second Love

Emmy the Great

Second Love
Record Label: Bella Union
Review published: February 2016

Honeycombed moments dipped in pastel wishing-wells, “Seconds,” beckons elegant merry-go-round melodies around fairy-tale philosophies for tender feminine remembrances painted in dainty flames. Deep beneath meticulous whispers, nurturing curtsies and enchanting candor, ETG’s gift-wrapped happiness addresses strong ideas vacillating between empowered lounge whose underlying architecture plunder graceful modern-pop sophistry and perceptive serenity wrenched from creamy calypso, pixie-kissed minuets and space-age lullabies.






My Gold Mask - Anxious Utopia

My Gold Mask

Anxious Utopia
Record Label: Moon Sounds Records
Review published: February 2016

Cellophane strumpets barreling through tough, buffed triumphs crunch sinful cyber-zipped dins into shiny futuristic visions; “Anxious,” fires glamorous anthems into transistorized extravaganzas packed with barracuda moves hammering risky disco-pop tonics into sublime electro-rock harmonics. Surging with combative techno-driven New Wave rage, Chicago’s MGM’s solid-state flood-gates open groove-glitched passion pits to power-hungry participants, subduing unrestrained campaigns through vigorous, sinister patch-bay subterfuge.



(465) ViewsPermalinkMy Gold Mask Website



Wintersleep - The Great Detachment

Wintersleep

The Great Detachment
Record Label: Dine Alone Records
Review published: February 2016

Buffeted in brawny downbeats, arc-welded hooks and driving rhymes, Wintersleep’s wide-awake pop-rock earthquakes ride galloping ballads with strenuous tendencies into cruise-controlled crusades. Recorded live in the studio, “Detachment,” taps into an inexhaustible reservoir of palpitating percussion rushing over expansive working-man landscapes to brew soothing communities where toiling joy joins pure, earnest urgency for restless manifest destinies carved from hardy camaraderie.






Cullen Omori - New Misery

Cullen Omori

New Misery
Record Label: Sub Pop
Review published: February 2016

Effervescent sketches plastered in pillowed reverb and psychotropic commotion, “Misery,” rumbles with sumptuous alt-pop wonder, manufacturing haunted Phil Spector wet-dreams lacquered in heart-breaking infatuations. Streaming tear-stained refrains with prepubescent chemistry while drenching heaven-sent intentions in lollipop optimism, Omori layers tasty two-ply sighs over sugar-coated keyboards and triple-decker guitars. The former Smith Western frontman hits Madison’s High Noon Saloon March 25th.



(652) ViewsPermalinkCullen Omori Website



Final Thoughts

Stockpiling vile pariahs and prying outsiders, riff-raff crashes several March albums. Whether spectacular neo-classical synthesist ANNA MEREDITH’s sweeping cyber-prog cathedrals, “Varmints,” interstellar city-dweller FATIMA AL QADIRI’s worldly electronic swirls of dissenting connections, “Brute,” or poly-rhythmic minimalist BAYONNE’s mechanical feet-friendly insanity, “Primitives,” oddballs call all the shots. Meanwhile retro-hip revisionists LIONLIMB’s noirish art-slacker cabaret, “Shoo,” and free-range Cajun groovologists BLACK PEACHES’ honey-roasted bayou-boogie, “Get Down You Dirty Rascals,” tag-team battle sputtering indie-rockers BENT SHAPES’ puckish punk ruckus, “Wolves of Want,” and spirited night-crawlers HOLY WAVE’s jammy psycho-jangle sirocco, “Freaks of Nurture.”







- Partners -


Search Slipped Discs

Partners: Rökker Vodka