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Slipped Discs November 2016

Discs you may have missed | by John Noyd

Nina Diaz

From electro-wizard UNDO’s calm time-bomb countdowns, “Disconnect,” to synth-pop globe-trotters RAINBOW ARABIA’s peppy, “L.A. Heartbreak,” November albums call it a day. Whether heavy modern-rocker NINA DIAZ’s machine-tooled adieu, “The Beat is Dead,” novel sonic-salvagers JUNK SON’s seductive, beat-sweetened, “Beginning Ending Pretending,”  steel-string history buff SHANE PARISH’s tangled twang-wrangled instrumentals, “Undertaker Please Drive Slow,” or dark-pop starlets LOLAHIKO’s vacuum-tubed gloom, “The Year We Died But Stayed Alive,” parting brews musical manna.

Slipped Discs appears every month in print in Maximum Ink music magazine, this months reviews are:

Mr. Universe - Everything’s Good/It’s Not Working

Mr. Universe

Everything’s Good/It’s Not Working
Record Label: Moderate Fidelity
Review published: October 2016

Armed with a Roland Rhythm 77 beatbox, expressive guitar and vagabond spirit, “Working,” marinates plain and simple longing in clear, sincere choruses and humble, observant verses. An emotional foot-soldier wielding laidback garage-pop scholarship, Mr. Universe peels back deep-seated concessions to brew self-reflective alt-folk nods to nomadic regrets, inevitable missteps and pitiless visions which explore ordinary ironies beneath ill-timed, half-defined kindnesses. 

(754) ViewsPermalinkMr. Universe Website

American Wrestlers - Goodbye Terrible Youth

American Wrestlers

Goodbye Terrible Youth
Record Label: Fat Possum
Review published: October 2016

Vigorous pub-rock lullabies served in matter-of-fact rallies coat street-wise hope in staunch confidence as American Wrestlers’ muscular wonder feeds a needy hunger for earnest courtesies and compassionate actions through guitar-fueled power-ballads and sage, patient anthems. Cruise-missile crusades offer mighty tidal-waves of good-will, bonded fellowship and energetic connections, turning “Youth,” loose through layman’s lyrics to rouse powerful harmony within iron-clad camaraderie.

Wolf People - Ruins

Wolf People

Record Label: Jagjaguwar
Review published: October 2016

Ancient pagan vibes ride cosmic prog-rock thunder to exhume spooky druid maneuvers from gilded warlock tombs; “Ruins,” fumes and swoons, slathered in psychedelic blues churning with epic, dark magic. Spellbinding titans lacing ravaged pageantry around ornate tornadoes, Wolf People’s scorching orchestral redemption gallantly balances meticulous riffs inside heavy-metal avalanches for a seething stampede of chivalry and revenge, nobility and rage.

(761) ViewsPermalinkWolf People Website

Martha Wainwright - Goodnight City

Martha Wainwright

Goodnight City
Record Label: PIAS
Review published: October 2016

Possessed with reliably pliable inflections directing casually jazzy gallops, Wainwright nurtures in purrs and bickering rebukes. Rock-banshee shrieks among soul-kissed convictions weave warbling stories stroked and coaxed with autobiographical swagger and withering midnight delivery. From delicate tenderness to red-flag daggers, “City,” sits pretty, offering refined pining through post-modern torch-songs while upholding bold uncensored declarations resurrecting unconditional love and world-weary wisdom.

Kristoffer and the Harbour Heads - EX/EX

Kristoffer and the Harbour Heads

Record Label: self-release
Review published: October 2016

Scoffing operas taunting two-act theatrics with elastic extravaganzas, the nefarious, “Ex/Ex.” splashes social catastrophes into sinful bingeing cinematics featuring ravenous lip-smacking tragedies. Plastering gossamer-rock gossip onto randy banter through catchy New Wave soul, Kristopher and company’s saucy scorn unfurl street-parade cabaret littered in prancing fantasies; lizard-king flings with glam-pop bell-hops dissecting delectable medleys painted in broad strokes and trifling vices.

Ian Fitzgerald - You Won’t Even Know I’m Gone

Ian Fitzgerald

You Won’t Even Know I’m Gone
Record Label: self-release
Review published: October 2016

With a Shakespearean ear for fated turn-abouts and karmic comeuppance. Fitzgerald’s wry asides and respectable skepticism turn back-storied morality plays and tongue-twisted parables into stainless-steel honky-tonk detailing small-town heart-break, self-destructive desires and guilty-pleasure complications. The strong, wiry, “Gone,” present pithy ditties in philosophical scuffles with double-dipped wit fitting crafted, diplomatic passions encapsulating everyday characters with crossroad anecdotes and daring narratives.

(794) ViewsPermalinkIan Fitzgerald Website

Final Thoughts

In the midst of so many farewells, November releases deliver multiple messages of positive thoughts. Case in point, the year’s final flush of albums include post-skiffle choirboys MONOMYTH’s blissful shindig, “Happy Pop Family,” and dream-pop sisters TASSEMACY’s luminous caresses, “Do Easy.” Whereas heady hepcat JIM JAMES’ astral-splashed serenity, “Eternally Even.” and techno-temptress DIANA’s dance-floor persuasions, “Familiar Touch,” sides with life’s silver linings, both lyrical chamber-folk rocker MATT POND PA’s joyous boyhood remembrances, Winter Lives,” and heavenly art-pop harmonists PAVO PAVO’s glistening wistfulness, “Young Narrator in the Breakers,” salute courageous optimism.

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