Slipped Discs

Calexico - Edge of the Sun

From suave mariachi brass contrasting noble emotional collapse to feisty electro-fiestas bleached in red-hot desert-blues, roving musical conquistadors Calexico unearths deep replenished roots from weathered heritage by planting future-roosting branches with soul-seeking sentiment, tenacious patience and subtle self-assurance. Smooth in modern-day execution and rich in half-whispered history, “Edge,” registers tender memories roasted in folk-rock salsas swept among dusty gringo shuffles.

My Morning Jacket - The Waterfall

Desire runs wild through, “Waterfall,” whose deep-shag platitudes and heavenly suspensions tout ecstatic abandon in tabernacle parables. Lacquered bombast cast in clock-master’s closets, MMJ’s mind-blowing soul injects delicate tenderness in exalted rock covenants, mustering triumphant shifts within miniature riffs as syncopated stamina clamors in full-moon grandeur, righteous arrangements and ethereal appeal. MMJ plays Milwaukee’s Riverside Theater June 20th and 21st.

Ben Watt - Fever Dream

Meditative jazz-folk sparking cathartic bargains through lyrical hindsight smoldering in glowing rhetoric, Watts’ ruminating gait and understated majesty fosters placid magic casting subtle mercy alongside quiet grace and fond bygones. Bottomless thoughts voiced in soft-spoken emotions, the mahogany melancholy beneath, “Fever,” feeds nameless longing through slow-boiled solos riding gentle reverence for life’s inventories, sorting redemptive memories into semi-fictional rescue missions. 

Tony Joe White - Rain Crow

Memory’s embers glowing in smoky blues infused with sweltering Delta boogie, gritty sidewinder guitar and flinty gravel-voiced stories; “Crow,” rides hallowed shadows in rampant drum-circle thunder, rasping and grasping in circling urges and menacing contention. Desperate for an exorcist, White’s stony moments roll locomotive notions past devilish testaments, driving feverish fandangos spiked in spell-binding iron-clad tragedies railing against unwavering fates.

Whitney - Light Upon the Lake

Laid-back hep-cats laying aggressive dexterity over shiny rhinestone harmonies, Whitney’s gleaming creamy bayou-country joys buoy polished swamp-water tonics in frisky riffs, sure-handed swing and breezy demeanor. Touched in crisp brass and strung in gurgling guitars, “Lake,” placates with luxurious purrs immersed in kind reminders and hummable comforts; a well-planned adventure whose bright whistle-stop philosophy draws primrose paths down hobo holidays.

Bash & Pop - Anything Could Happen

Lo-fi tigers colliding in double-barreled rockabilly benders and smarmy garage-rock raves, Tommy Stinson’s Bash & Pop demolishes by swinging rhythms attacking deranged twang while trolling a rip-roaring Rolodex of snarling roadhouse blues. A rollicking, rocketing joyride, “Anything,” swerves with curve-ball assaults heralding feral melt-downs primed in street-wise desires and con-artist barn-burners. Bash & Pop play Milwaukee’s Cactus Club January 13th

The White Buffalo - Darkest Darks, Lightest Lights

A roots-fueled, blues-infused, rowdy, raspy honky-tonk, “Dark,” kicks up dust revving heaven’s outlaw angels with slow-pitched pulp-fiction, A scrounger’s bounty tailor-made for barb-wired dive bars and midnights at the crossroads, The White Buffalo’s cornered characters expound road-weary theories with stoic heroics while red-hot guitars gallop, hounded drums rumble and sharp lyrics singe their wings on gritty riffs and fiery licks.

Calexico - The Thread That Keeps Us

Strong songs conjuring nuanced narratives inside miniature cinema soundtracks, “Thread,” strings laughing brass and growling guitars between barrio blues and field-hand fiestas hopping from solid indie-rock to gentle Tex-Mex chamber-folk to quinceañera party-funk. Ignited by vigilant sympathy for modern hardships, Calexico translates pride and honor into cautious optimism and valiant perseverance detailing small-time triumphs over age-old challenges and down-to-earth concerns.

Marlon Williams - Make Way For Love

A soothing croon blessed with restless textures inside perfect pitch, Williams’ gilded tombstone baritone melts unwise desires into dark-hearted Valentines swinging on golden-throated hopes and rockabilly melancholy.  Whether unadorned or arranged in anxious danger, aloof beauty consumes, “Love,” with frail bittersweet regalia housing bartered cathartic regrets where brooding solitude proves to be sumptuous company for misbegotten shadow-boxers and garden-party pariahs.

Jim James - Uniform Distortion

Earthy, spirited rock unrolls in raw six-string howls and scruffy, fuzz-plucked hallelujahs as a reinvigorated James wrangles dreamy behemoths in bemused grooves and family jams. Blown-fuse crunch munching on double-dipped echo, bull-rushed percussion and swampy bass, “Uniform,” joyfully storms in well-informed blues-soul bliss with optimistic visions anchored in level-headed enlightenment, a bangin’ banquet flanked by grateful anguish and militant commitment.

Darwin's Finches - Good Morning Creatures II

Brain-pan landslides collide inside, “Good Morning Creatures II,” erupting from powerful sour-mash howls, stormy psycho-blues breakdowns and lurching cow-punk subversion. Grizzled gonzo gauchos, Darwin’s Finches greets specious reality with electric menace and suspicious visions flying off the handle directly into the fire, collaborating with fellow Texan Jandek in a detour-riddled tour de force scorched in psychedelic barbecue from college-town cantinas.

Hiss Golden Messenger - Terms of Surrender

Born from dive-bar backrooms and blue-collar bayous, Hiss Golden Messenger’s lonely indie-folk holds deep-fried asides against gritty blacksmith licks, free-range tumbleweed twang strung from barb-wired country and roots-bruised blues. Rugged hungers fed thankful banquets, “Surrender,” values valor, neighborhood labors and noble fellowship devoted to roadhouse shuffles bathed in Hammond organ and rambling self-examinations woven with hard-won truths and trust-worthy verses.

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