Album Title: Kiss or Kill
Record Label: Razor & Tie
Review by Sarah H. Grant
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Endeverafter - Kiss or KillEndeverafter - Kiss or Kill

Fathers warned their daughters about them, but somehow these classic bad-ass types just keep knocking on the dooror rather, sneaking through the window. Kiss or Kill, Endeverafter’s debut album plunges into a mysterious fury with astonishing force and finesse. The rockers revel in their imperfections, offering raw, dirty, fret board bites of a bygone era on every track. Mixed by Machine (Lamb of God) and Mark Needham (The Killers), Kiss or Kill hearkens back to the primeval depths of rock n’ roll, and is a ruthless mélange of electrifying rhythms and killer riffs. Grant’s vociferous yowl on “I Wanna Be Your Man” launches dueling guitars with excruciating clarity. “Baby x3” works in the same vein, with impressive guitar solos and extraordinary vigor that are reminiscent of Crue’s infamous Girls Girls Girls album. Directed by renowned adult-film aficionado, Jax, the “Baby Baby Baby” video could be the raunchy sequel to Britney Spears’ schoolgirl routine. The hedonism subsides to make way for the plaintive, “Next Best Thing” and “Long Way Home,” which divulge Grant’s maturity as a songwriter, and are two impeccably crafted ballads. In the first, there is a note of genuine lament at love lost, better expressed in a heart-searing guitar solo. Grant reaches his wistful core in “Long Way Home,” which ends on a forlorn but stirring high. The road to success is a daunting journey for those who crave originality. As Grant asserts, “You have to be hungry for it. You have to want it more than anybody else. And I assure you, everyone in this band is hungry.”

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