To the Recently Found Innocent
Record Label: Drag City
by John Noyd
Review published: June 2014
A preening bohemian swaddled in caterwauling twang, uncurbed reverb and delicate psychedelics, White Fences’ Tim Presley blazes deeply between heady reverie and rabbit-hole reality. Dripping in mythical ripples rinsed in renaissance ruffles, “Innocent,” cements White Fences’ heightened hippie-rock senses; jamming in jagged cosmic jangle while groping dislocated ghosts and deconstructing cock-eyed looking-glass blues through sparkled chakras dressed in electric petticoats.
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