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Slipped Discs May 2014

Discs you may have missed | by John Noyd

Bria Skonberg

To help celebrate my son turning eighteen, May provides musical titles reflecting the transitory disorder known as adolescence. From cozy show-stoppers THE PAINS OF BEING PURE AT HEART’s cavalier, “Days of Abandon, to indie-rock iconoclasts “SLEEPY HAHAS’ unbridled thrill-ride, “Dull Days,” childhood’s end send conflicting signals. Add sharp-witted PAPERCUTS’ civil pillow-pop missiles, “Life Among the Savages,” and multifaceted jazz stylist BRIA SKONBERG’s encyclopedic, “Into Your Own,” and growth promotes hope.

Slipped Discs appears every month in print in Maximum Ink music magazine, this months reviews are:

Sex with Strangers - You Know Something We Don’t?

Sex with Strangers

You Know Something We Don’t?
Record Label: self-release
Review published: April 2014

The impetuous head-rush rock caught, locked and brandished in, “Know,” glows in chrome-plated Romeos fashioning rabid slabs of carnal sparkle from savvy passions; a debonair affair fueled by jack-hammered glamour carving bullet-train refrains from tongue-wagging sagas. Drizzled in svelte velvet synths and seasoned with succulent scorn, Canada’s brazen Sex with Strangers unleash jaded New Wave engraved in shiny nightclub snubs.

(1120) ViewsPermalinkSex with Strangers Website

Beaty Heart - Mixed Blessings

Beaty Heart

Mixed Blessings
Record Label: Nusic Sounds
Review published: April 2014

Magical catalysts mash jittery collisions brimming in African rhythms into clownish bounce embellished with Beach Boys harmonies; British magicians Beaty Heart spark jungle percussion tied to melodic knots for spongy rainbow lunges whose tangled tempos mold elastic catastrophes into groovy cartoon lunacy. Dreamy calliopes, whimsical kalimbas and manic chanting make, “Blessings,” a chattering prog-tropical masterpiece fit for feverish cantilevered demons.

(914) ViewsPermalinkBeaty Heart Website

Nikki Lane - All or Nothin’

Nikki Lane

All or Nothin’
Record Label: New West
Review published: April 2014

Stoked in rogue rockabilly-folk and straight-talk country-pop, “All,” falls smack-dab between hard-bitten drifters smitten by smart, tart hearts and no-nonsense honky-tonk dressed to kill. Dan Auerbach’s bold, retro production booms and swoons in boot-scootin’ tunes tinged in vintage organ fills and lively laptop steel as romance wrangling Lane’s bruised moods deliver irresistible tips for extended stays at the Heartbreak Hotel. Nikki plays Madison’s High Noon Saloon June 16th.

(1413) ViewsPermalinkNikki Lane Website

Chappo - Future Former Self


Future Former Self
Record Label: Rouse Records
Review published: April 2014

A bubbling broth fostering blossoming optimism, Chappo’s swirling blue-eyed psychedelia sails over spring-loaded emotions slathered in curlicue grooves and refreshing crescendos. Coated in power-pop pastels and space-funk tastiness, “Self,” melts into smooth jubilant communion; moving through sneaky beats on tricked-out riffs, past brainy strains of dance-rock pizzazz and relaxed half-jazz for hip trips whipped into playful waves and splashy flashes.

(1055) ViewsPermalinkChappo Website

Sharon Van Etten - Are We There

Sharon Van Etten

Are We There
Record Label: Jagjaguwar
Review published: April 2014

The patiently restrained and bewitchingly intimate sophistication exhibited with, “There,” wears its dawning longings, waking aches and compelling compulsions beneath a seething spirit bound and determined to find fulfillment through indie-folk hopes swaddled around chamber-rock promises. Possessing a deep dusky voice to administer her full-throttled melancholy, Van Etten’s sweeping needs and tireless desires relish delicate emptiness poised beneath bittersweet completion.

PAWS - Youth Culture Forever


Youth Culture Forever
Record Label: FatCat
Review published: April 2014

Frank cantankerous angst from rambunctious punks whose brawling odysseys turn meaty hooks, mammoth jams and contagious outrage into harsh cathartic brilliance; Glasgow’s cavernous mavericks tunnel through thundering dungeons with heavy-handed candor capturing ravishing guitar-powered howls through raw, honest squalls churned in tactical smack-downs. Convincingly succinct, PAWS’ steely zeal propel, “Youth,” into non-conforming storms of jagged gonzo-pop and incorrigible, uproarious rock.

(958) ViewsPermalinkPAWS Website

Final Thoughts

Adolescence can be confusing, but often beneath the puzzles lay incredible treasures. From ancient names to foreign phrases and English riddles, this spring’s albums bring several curiously obscure and wonderfully mysterious titles to light.. From poetic specters and tender recollections, BEN WATT’s calm, splendid, “Hendra,” instills willful resilience while playful pantheistic feasts from beat-crazy Bathsheba TUNE-YARDS’ wild junkyard-funk, “Nikki Nack,” confounds in boundless imagination. Unravel circular percolators YOUNG MAGIC’s lofty synth-envisioned witchcraft, “Breathing Statutes,” then decipher inquisitive world-pop wizard RODRIGO AMARANTE’s globe-trotting, “Cavalo,” and modern klezmer wildcats GOLEM’s raucous, “Tanz.”

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