Slipped Discs

Kevin Godley - Muscle Memory

Philosophical offerings bristle in fluid brooding as Godley lobs probing vocals over techno-focused dystopias; slithering images and coiled semiotics snake past seething reason opposing capital-saturated media feeds and booming consumer vacuums. Cynical intimidation from venomous victims playing language games employing topical propaganda, “Muscle,” fusses in subtle cusses and immaculate beats; sly, stylistic mischief waxing over global meltdowns and psychic crises.

Goat Girl - On All Fours

Posh brush-offs from micro-dosed hostesses, South London’s Goat Girl combines delicious danger, refined strangeness and novel changes where soft glam-rock and cautious dream-pop whip up cosmopolitan subplots circling dancefloor emporiums. Sugar-coated rollercoasters fostering narcotic hostages, “Fours,” scores superhighway joyrides, blurry whirlwinds tinged in air-brushed bluster dishing sinister whispers inside precision rhythms spinning heavenly webs with intricate symmetry and sputtering loveliness.

Bobby Gillespie and Jehnny Beth - Utopian Ashes

Passive rock theatrics roasted in seething soul and rinsed in restlessly desperate gestures, Primal Scream’s Bobby Gillespie and Savages’ Jehnny Beth concoct fawning belladonna ballads spiked in devious intrigues and trimmed in heartbreak hymns. Brave, estranged confessions, “Ashes,” rehash past romantic obsessions with moving tributes; patient condemnation mingled in shimmering regret building into anthemic contempt, bittersweet relief and cavalier weariness.

Gone To Color - Gone To Color

A polished polyphonic debut, the self-titled collaborative laboratory tames turbulent currents and divisive rhythms hosting various vocalists to manufacture sinister facets from prismatic atmospheres, exquisite cosmopolitan options expertly unknotting twisted sophistication.  Helmed by Tyler Bradley Walker and Matt Heim, Gone to Color snakes anxious urban malaise around shiny, steely, self-reflective cages, executing luxurious turns from troubled thoughts struggling for composure.

Garcia Peoples - Dodging Dues

Slick city mystics enlist country squire blues to fuse the kaleidoscopic, “Dues,” into beautiful communal tribunals, six-string kingpins dodging and dislodging medieval folk inside cosmic jangle and twang. A positively electric collective, Garcia Peoples crackles in tight micro-jams, a psychedelic carnival breeching seamless transitions from root-rock prophecies sketching interconnected ecstasies to elevated revelations digging bicoastal hypnosis and soft-spoken psychedelic rainbows.   

Guerilla Toss - Famously Alive

Congealed surrealists Guerilla Toss demolish swaddled robotics inside blacklight psycho-sludge, concocting thick, gripping narco-pop lit in thunderous buzz and convulsive fuzz; delightful and spiteful, wholesome and loathsome.  Camouflaged in mammoth rampages, “Famously,” clobbers ravenous showstoppers in audacious mayhem, gleeful seizures and gallant insanity, an exorbitant neon fortress poured from cheering jackhammer lyrics into igneous glowstick glitz glitched, pitched and unhitched.

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