Slipped Discs

Cate Le Bon - Pompeii

Liquid inquiries dripping jellyfish deliciousness over slithering synthesis, “Pompeii,” sashays through amniotic odysseys as cosmic plops fostering languid radiance bathe in sumptuous art-funk wonders, proverbial curries dancing in tantalizing confiding, cryptic riddles and charmed harmonics. Ethereal surrealist and future-pop pixie, Lebon fawns over lubricated cadence nestling quixotic thoughts within quivering enigmas while lurid allure merges lysergic swirls with grazing parades

Los Bitchos - Let The Festivities Begin

Nimble conniptions swimming in Peruvian chica, Turkish psychedelia and Argentine cumbias, pan-continental instrumentalists Los Bitchos’ whirlwind surf-punk wedding-band vibes ride celebratory euphoria for communal grooves brewing exotic holidays. Vacation invitations swinging in contagious playfulness, “Festivities,” hits the hips with infectious head-trips, shedding pretentions, flouting conventions and shredding in mesmerizing tremolo rolling over subtle convulsions with giddy-up percussion and crazed bass.

The Linda Lindas - Growing Up

Jubilant exuberance cruising through old-school cool, “Growing,” molds renegade escapades polished from wrecking-ball squalor into gorgeous boardwalk rockers whose crushing punk-pop bluster yield playful mayhem. Indignant mosh-pit indigents strapped to amps and thrift-store power-chords, The Linda Lindas revive fiery diatribes, happy thrash compacted into rambunctious sunshine channeling riot-gurl pearls with brick-and-mortar choruses driven by punchy harmonies and manic anarchy.

Mary Lattimore & Paul Sukeena - West Kensington

Dappled in airbrushed plucks and prickly permutations ushering nebulous weddings where ghostly corrosions bleed into passive atmospheres with abstract majesty, “Kensington,” tends heavenly glens and sparkling gardens, tranquil banquets merging delicate brevity to blended serenity. Dispossessed processionals hatching placid tones sown from processed electronics, Lattimore’s harp and Sukeena’s guitar cleanse in choral auroras, visceral visions writhing mightily and wilting willfully.

lullahush - A City Made of Water and Small Love

Restless architect and ephemeral experimentalist lullahush assembles tentative memories from circuit-bent confessions and integrated impressions; humane, cyber-soaked mementos trapped in shiny bubble-wrap flutter in colorful piety underlying shy transistorized lullabies, lyrical queries mirroring curious theories. Studio-curated concoctions postulating poetry in motion through effusive minutiae, “City,” builds biomechanical ambiance existing among inquisitive mysteries, nimble riddles piecing the feasible from the inconceivable.

Living Hour - Someday Is Today

Tabled maybes cushioned in watery synths rinsed in methodical pondering, “Someday,” butters lush twee with blended choral descents, narcotic sauntering and rainbow ripples buoyed by arpeggiated fretwork and simmering rhythms. Effervescent consent bending cordial pastorals into glacial vacations, Living Hour embraces fading laidback happiness, misty bliss circling murky verses down untouchable seductions swallowed whole for palate-cleansing blessings and pastel-colored dressing.

Alex Lilly - Repetition Is A Sin

Relatable modern-day fables bolstered in silver-screen sheen and sprinkled with extravaganza glamour, Lilly’s dizzy synergy rides kiss-and-tell carousels circling life’s facades in clever pop hooks and pastel backing. Clear, lyrical reveals facing friendships, self-worth and identity, “Repetition,” dips, rises and twirls in upbeat ballads rallying affectionate conjecture; light, bite-sized insights inviting trust through shared cares, gentle confession and mutual truths.

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