Slipped Discs

An Horse - Rearrange Beds

Forceful phrases cement sentry-guard sincerity as Australians Kate Cooper and Damon Cox chop up blockbuster guitar and lock-jaw drums into barricade-bashing heartache and uncaged outrage. Honestly wrought bitterness thrash past social conventions, galvanized sympathies rebel uncorked and poised for pavement-pounding storms drenched in desire as, “Beds,” binge on wide-eyed no-nonsense indie-rock romance.

Matt And Kim - Grand

Parades of pneumatic analogue thump and pummel, emphatic word slams punctuate robust shout-outs, chipper pep rallies rejoice, reinforcing the duo’s sing-along salvos in pressure-cooker choruses, thundering downbeats and consistently insistent grooves whose in your face tastes prove innocent, intelligent and irresistible. Catapulting convictions cheer, steering old school synthesizers into infectious messages and relentless entertainments.

PSAPP - The Camel’s Back

Rube Goldberg whimsy haunts the charming ticks, bells and whistles perforating the toy-box ballet of tropical melodies in Psapp’s chic, elliptical art-pop.  Posh, polished shenanigans bring an edgy restlessness to the subtly playful, “Camel,” where cross-stitched syncopation meets eloquent studio tomfoolery for a computer-soothed jungle gym of twittering symphonies, slithering samples and classical flashes.

Dex Romweber Duo - Ruins of Berlin

Rodeo skiffle blends into alleyway noir bleeding between surf-rock riffs and vintage rockabilly licks as long-lost woefulness surrounds DRD’s noble, ravaged aesthetics. A slew of eclectic standards and roots-rock cameos turn, “Berlin,” monumental - six strings strum and rumble, ambling over finger-picking confessions while bristling twang and tremolo gallop through frontier gallows.

Dalek - Gutter Tactics

War-torn warnings, terminator trance rock, Dalek’s aftermath raps activate sci-fi assaults for post-nuclear enlightenment, wading knee-deep in cosmic sludge. Air-raid siren Bryons utter sniper-fire rhymes cataloging cataclysmic consciousness, shaking awake the saturated masses through terror-riddled electronics and industrial-strength polemics. Historical facts attack in overloaded circuitry, civil unrest washed in collapsing technology, “Tactics,” survives and defies.

Gramercy Arms - Gramercy Arms

Members of GUIDED BY VOICES, DEAD AIR and LUNA join former DAMBUILDERS’ Dave Darby, creating sterling gems of seamless harmonies, polished verse and unruffled melodies. Deceptively uncomplicated, Gramercy Arm’s well-placed hooks, easy-going vibe and nonchalant competence makes this laidback super-group a fine driving buddy, navigating romance’s rocky road through unerring skill and pop-rock diplomacy

It Hugs Back - Inside Your Guitar

Still waters run deep as England’s IHB conjure hypnotic layers of guitar and organ, breaking into chaos, generating finely-wrought furies and methodically singing unassuming tunes in a lulling subtlety of soothing translucence, unwavering slow burns and eerie, organic calm. Purring modestly in mildly narcotic splendor, the warm and fuzzy, “Guitar,” gently disarms.

Ida Maria - Fortress Round My Heart

Connecting directly with electric aplomb, this lusty Norwegian spitfire scrambles past pretense to wrap sorrow inside a whirlwind of impatience, anger anchored by short, sharp beats and straight-faced sizzle. Unleashing a flood of splintering skiffle wedged between catchy sledgehammer pop and love-torn ragdoll rock, the explosive, “Fortress,” tears down all walls.

A Camp - Colonia

Flushed with lush, vampish nuance and lean, taunting lyrics, “Colonia,” wraps its political sting in leather and lace symphonies, a sage cabaret translated from level-headed, globe-trotting memories. A shimmering coronation of enchanted melodies, glamorous ironies and seductive intimidation; Cardigans singer Nina Persson portrays a post-modern Mata Hari, cool, coy sniping hiding inside her conniving metaphors.

Apostle Of Hustle - Eats Darkness

Swinging from a labyrinth of kitchen sinks into thrilling trills of tropical thunder, caffeinated cacophony tumbling into apocalyptic rumbas, AoH’s devilish dance dissects opposing slogans, crafty commotions subverting nervous diversions. “Eats,” dines on bouncy grooves, found sounds and overloaded imaginations whose hip-swiveling impulses divulge lunatic snickering, renegade wit and cyber-mambo voodoo.

Peter Holsapple & Chris Stamey - hERE and nOW

Eighteen years since their debut and decades since they co-founded indie-icons THE DB’S, H & S gently jangle hearts and minds, churning chiming Everly Bros. shindigs laced with Marsalis sax. Wholesome and upbeat, the duo’s lifetime hindsight serves up soaring choruses and sighing sentiment, fortified memories seasoned with sympathetic regret.

Mark Mallman - Invincible Criminal

Mixing pithy patter and smug double entendres into glam, rock arena fantasies, Mallman’s sleek, cheeky power-pop pandemonium razzes and dazzles through mock melodramas, splattered cabaret and bite-size epics. Subtlety and cynicism create edgy yet earnest innuendos as, Criminal,” unfurl snide asides inside catchy tunes, crafting masterful jabberwocky, designer taunts and stream-lined three shell games.

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