Slipped Discs

Genesis Owusu - Smiling With No Teeth

Fortified in rapid chatter, super-shiny hooks and rock-solid beats, Owusu feasts on plush hustles unfolding whip-smart soul, runaway funk and star-struck R&B, smoked, provoked and coated in suave pop-art. Rent-party kick-starters, sunshine jive and sweet molasses raps, “Smiling,” piles influences on innovations, reshaping familiar pillaging into fresh perspectives whose seamless grooves slide in stylish sci-fi boogie and revolutionary hip-hop voodoo.

Monophonics - Sage Motel

City-street soul floated on solar winds, “Motel,” swells with psychedelic spells grounded in vigilant precision, silk-lined teardrops from fallen-angel falsettos into gritty head-trips slamming, jamming and getting down. Humble pulpit revivalists, the cosmic Monophonics stand tall with heads bowed, rainbow warriors armed with Latin percussion, fuzz-laden leads and voodoo grooves sweetening punchy brass-plated pleads rocket-launching rallying melodramatics into locomotive rapture.

Divino Niño - Last Spa on Earth

Fluid Afro-Cuban grooves dripping in dreamy Caribbean synergy, “Spa,” basks in jet-ski melodies vibing private beachfront fun in paisley waves and post-rave cravings, dizzy with swinging bilingual sizzle, home-grown reggaeton and multi-cultural hustle. Capturing a vibrant rapping, waxing space-age fantasy, Divino Niño’s funky genie grants wishes and color visions in bright bursts and suave ardor, empathetic temptations teasing breezy Edens.

NNAMDÏ - Please Have A Seat

Hyper-imaginative future-pop grafting carefully caustic math-rock onto auto-tuned patch-bay prog-soul fusion, “Seat,” treats aural alienists to immaculate sensory assaults and candid romance, equally smug and modest, sly and honest. Astonishing melodic rounds circle fractal magnificence as NNAMDÏ hammers home ear-worm sound-quakes, lifting cartoon doom into trippy introspection while super-pumped joystick licks pitch gear-shifting mischief and tender frenzy for charming tsunamis.

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